Term
what region are the iroquois "gadasjots" from?
what is their dance called? |
|
Definition
1. eastern woodlands
2. quiver dance (stomp dance) |
|
|
Term
| the iroquois use ___________ patterns, consisting of only _________ pitches. |
|
Definition
1. 2 basic patterns
2. three pitches |
|
|
Term
| What kind of texture do the iroquois use? |
|
Definition
| antiphony between leader and male chorus |
|
|
Term
| the iroquois use a __________ timbre than the Sioux. |
|
Definition
|
|
Term
| the iroquois use a ___________ at the end of phrases. |
|
Definition
|
|
Term
| The Zuni Lullaby is from what part of the country? |
|
Definition
|
|
Term
| what kind of texture does the zuni lullaby use? |
|
Definition
|
|
Term
| the zuni lullaby uses a _______ rhythm. |
|
Definition
|
|
Term
| the zuni lullaby uses _______ pitches. |
|
Definition
|
|
Term
| the zuni lullaby uses a collection of ____________. |
|
Definition
|
|
Term
| What is the largest native american tribe in the US? |
|
Definition
|
|
Term
| the navajo (dine) are primarily in what states? |
|
Definition
| new mexico, arizona, colorado, and utah |
|
|
Term
| the navajo yeibichai use what kind of pitch? |
|
Definition
| tetranic w. consistent use of tonic pitch |
|
|
Term
| the navajo yeibichai use a _________ duple. |
|
Definition
|
|
Term
| the timbre of the navajo yeibichai is between the _____________ and ____________. |
|
Definition
|
|
Term
| How would you describe the phrases of the navajo yeibichai? |
|
Definition
| relatively short and repetitive |
|
|
Term
| what is the term usesd to describe the navajo yeibichai vocable pattern used to call forth ancestors? |
|
Definition
|
|
Term
| what is the name of the navajo circle dance? |
|
Definition
|
|
Term
| the navajo circle dance "shizhane'e" is ________ than ghost dance style. |
|
Definition
|
|
Term
| how would you describe the navajo circle dance "shizhane'e"? |
|
Definition
a mixture of vocables and translatable text
sung in navajo humorous use of puns |
|
|
Term
|
Definition
| a song and dance which is taken from the traditional ceremonial repertoire and performed in an informal, social setting |
|
|