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        | piece for orchestra, paints a picture or tells a story |  
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        | one voice with accompaniment |  
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        | a piece for full orchestra in 4 movements |  
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        | many sections with many combinations of voices |  
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        | touch piece; keyboard piece |  
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        | short piece introducing a long piece |  
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        | small group pitted against a large group |  
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        musical drama with orchestra and voices; 
without sets, costumes, and acting  |  
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        | musical drama with sets, costumes, acting, full orchestra, everything sung |  
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        | Renaissance jazz; sounds as if improvised |  
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        | sacred, vocal, polyphonic piece |  
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        | secular, vocal, polyphonic piece |  
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        | official form of worship in the Catholic church |  
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        | one melody; sung by monks; no harmony |  
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        emphasis on mechanical, motor-like rhythm 
  
*Stravinsky's Dance of the Adolescents*  |  
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        emphasis on excess of emotion by angular melody, dissonant harmony, unusual rhythm, odd use of instruments, distorted form. 
  
vocal technique: "sprectstimme" <--talk/sing combo 
  
  
*Shoenberg's Prayer to Pierre*  |  
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        the use of national melodies and styles in classical music 
  
*Copland's Hoedown from RODEO*  |  
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        music of random sounds and actions inwhich composer avoids control of all aspects of the music 
  
*Cage's Totem Ancestor*  |  
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        All sound is music (4'33") 
  
lead to Golden Gate playing on the bridge cables, Construction Symphony 
  
relied on chance; aleatory; zen 
  
Totem Ancestor; prepared piano  |  
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        | music inwhich texture is the main element |  
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        MELODY: a series of varied pitches w. varied rhythms 
HARMONY:tones sounding together 
RHYTHM:underlying pulse of the music 
TEXTURE: the instruments used 
FORM: underlying structure of the music  |  
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        music with an unremitting pulse and fast, virtuosic passages, & without message, tension, or contrast, based on the slow development of one melodic or rhythmic idea 
  
*Glass's Dance 5*  |  
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        music which incorporates 20th century styles but returns to forms and genres used in past eras, particularly the Romantic era: emphasis on melody and a sense of tonality 
  
*Larry Bell's Invention #11*  |  
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        | use of several keys at once |  
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        egomaniac, liar, cheat, used people, only good to Cosima 
  
1st to stretch tonality <soap operas> 
  
brought excessive emotion to romanticism, overdid it 
  
*4opera cycle RING OF THE NEBELUNGS*  |  
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        | 3 part piece for 1 instrument |  
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