Term
|
Definition
| (1750 - 1825) characterized by the qualities of order, objectivity, and harmonious proportion |
|
|
Term
|
Definition
|
|
Term
|
Definition
| nobel families sponsor musicians. gave musicians economic security |
|
|
Term
|
Definition
| form is important. music is a story. large scale works have overall form |
|
|
Term
|
Definition
| instrumental music endowed with literary or pictoral assiciations |
|
|
Term
|
Definition
| instrumental genre combines elements of chamber music and symphony often performed in the evening or at social functions |
|
|
Term
|
Definition
| large work for orchestra, generally three or four movements |
|
|
Term
|
Definition
| instrumental genre in several movements for soloist or small ensamble |
|
|
Term
|
Definition
| opening movement of mulitmovement cycle. Expo - devel - recap |
|
|
Term
|
Definition
| theme is stated, then altered in successive statements occurs as an independent piece or as multimovement cycle |
|
|
Term
|
Definition
| two part form (AB) where each section usually repeats |
|
|
Term
|
Definition
| three part form (ABA) based on a statement contrast and repition |
|
|
Term
|
Definition
| an ABA form in a moderat triple meter often the third movement |
|
|
Term
|
Definition
| form in which the first secion repeats itself usually in the tonic. sometimes repeats in the last movement |
|
|
Term
|
Definition
| musical material such as a theme presented in one movement, returns in a later movement |
|
|
Term
|
Definition
| Italian comic opera sung throughout |
|
|
Term
|
Definition
|
|
Term
|
Definition
| comic German opera with dialouge. the predecessor of Romantic German Opera |
|
|
Term
|
Definition
| Haydn's 12 best symphonies. Salomon funded, lived in London |
|
|
Term
|
Definition
| in the concerto twofold statement of the themes once by the orchestra and once by the soloist |
|
|
Term
|
Definition
| virtuous solo passage in the manner of inprovisation, performed near the end of an ario or movement of a concerto |
|
|