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| movements of masses, setting of antiphons, hymns (England) |
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| isorhythmic motet king, wrote for Cathedral of Santa Maria del Fiore in Florence, two tenor parts represented by the valuts on the dome, added trumpets, organ& vielle (string) |
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| secular chanson (French song)& love songs (France) |
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| discant clausula/ higher voice |
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| more upper voices/ tenor keeping chant/ mixed secular and sacred |
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| Liturgical- inclusive non mass |
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| sacred text and other languages |
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| any polyphonic composition with Latin text (including mass and sacred office) |
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| wrote Dodekachordon adding two modes Aeolian, natural minor, and Ionian, major (Low countries) |
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| Liber de arte contrapuncti (not pleased with dissonance) Le istitutioni harmoniche (synthesized&added other ideas) |
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| (Low country) write mass to give to patron, cyclic mass (theme mass/named) extant requiem or memorial mass, canons which other voices come in at same pitch, strict imitation, no fixed forms and less cantus fimirs |
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| Darmonice musices odhecaton collected anthology of chansons |
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| fast worker, wall of sound (thin structure) combines northern and southern |
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| used consort (family of recorders), music secondary to text, set poem than music, masses, cyclic settings (99 motets and songs) |
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| benefited from printing press, no formed fixes, strophic poems, Ava Maria (strict canon, paired voices) parody and pharaphrasing |
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| preexisting polyphonic work and fusing into his own mass movements recognice in beginning, middle& end |
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| borrowing cantus firmis (line not mass) |
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Monophonic
Homophonic
Polyphonic |
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1 melodic line
more than 1- multiple voices- melodic line changes but rhythm doesnt
multiple lines that move indpendently of others |
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Guttenburg
1501- Petrucci- printed staff and notes
Attaingnant- all in 1 step |
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| not one voice over other, through composed (doesnt repeat), notes compliment the text, ensembles, cryptic messages |
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| no dominant voice, repetative, texture homophony but imitative of polyphonic |
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| standard, secular and sacred, expanding range and chromaticism |
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| social moves dealing with relationships, light hearted, melody on top voice, dissonance, syncopation |
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wrote around Queen, homophonic, sylablic, hemiola
Weelkes and Morley |
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| Branle, Pavan, Galliard, Allemande, Canary |
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| finest lutenist, combined ballad, consort and madrigals into lute, based on dance rhythms, Lachrumae new style |
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