Term
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Definition
Binchois
Rondeau
1400-1460
F: 1.hemiola
2.lots of syncopation
3.Trouvere/ Troubadour like text
4.Tenor line up then down |
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Term
Missa De plus en plus: Agnus De
nawm 37 |
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Definition
Jean de Ockeghem
Mass
1450-1500
F: 1.Tenor line from Binchois de plus en plus (cantus firmus)
2.Cantus firmus slightly slower than other voices
3.Voices(juxtaposed) |
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Term
Innsburck, ich muss dich lassen
nawm 38 |
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Definition
Henricus Issac
Lied
1500
F: 1.melody in saprano
2.homophonic texture
3.soloist (voice) instrumental backup (chello)
4. Tsxt about leaving Innsbruck Austria
5. Cadencial phrase is stated twice
6. Form ABC ABDD |
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Term
Ave Maria...virgo serena
nawm 39 |
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Definition
Josquin des Prez
Motet
1484-1485
F: 1. Points of imitation: 3 points of imitation. Brand new way of generating music
2. Texture: 4 voices. at 4th point tighter creating greater drive to cadence
3. latin is rhythmical and rhyming
4. melodic sequence
5. Repeated duets. |
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Term
Missa Pange Lingua: Kyrie and part of Credo
nawm 40 |
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Definition
Josquin des Prez
Mass (multipule movements
1515-1520
F: 1. Hymn of 6 phrases
a) Kyrie: Turgent tight texture driving to cadence
2. Imitation
3. Christe hemblas |
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Term
Pope Marcellus Mass: Credo and Agnus Dei I
nawm 45 |
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Definition
Giovanni Pierluigi da Palestrina (104 masses)
Mass
1560
F: 1. Created Hymn model
2. Six voices
3. Conter reformation: reaction to reformation |
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Term
O Magnum Mysterium (motet)
nawm 46 |
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Definition
Tomas Luis de Victoria
Motet
1570 |
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Term
Missa O Magnum Mysterium (mass)
nawm 46 |
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Definition
Tomas Luis de Victoria
Mass
1580 |
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Term
Io non compro piu speranza
nawm 49 |
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Definition
Marco Cara
Frottola
1500
F: 1. Strophic Music
2. Lighter texture
3. Melody deminated
4. Music for a general audience
5. Baroque music is dance music |
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Term
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Definition
Claudin de Sermisy
Chanson
1550
F: 1. Happy love
2. Strophic
3. lute ornament in background
4. modern harmony
5. 3 4measue phrases |
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Term
Il bianco e dolce cigno
nawm 50 |
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Definition
Jacques Arcadelt
Madrigal
1538
F: 1. Moray/ Dissonance
2. round table singing |
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Term
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Definition
Luca Marenzio
Madrigal
1590's
F: Text is expressed through music |
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Term
"Io parto" e non piu diss
nawm 53 |
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Definition
Carlo Gesualdo
Madrigal
1600
F: |
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Term
My bonny lass she smileth
nawm 56 |
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Definition
Thomas Morley (started intrest in Madrigals)
Ballett
1595
F: Fa lalalala |
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Term
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Definition
Thomas Weelkes
Madrigal
1601
F: 1. Madrigalisms
2. Descending lines when music descends
3. Ascending lines when music ascends |
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Term
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Definition
John Dowland (songs, accomp. with lute)
Air or Lute song
1600
F: 1.Lute accompaiment
2. echo between lute and solo singer |
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Term
Se la face ay pale
nawm 36 |
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Definition
Guillaume Du Fay (begins all masses with a duet)
Ballade
1430's
F: 1.Irregular, but clear phrasing
2. homorhythmic settings
3. heliolas
4. syncopation on melismas
5. Music composed freely to fit each line of text |
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Term
| Missa Se la face ay pale: Gloria |
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Definition
Guillaume Du Fay (Begins all masses with duet)
Cantus-firmus mass
1450
F: 1. cantus firmus is heard at different speeds in various movements and sections
2. 3sections: 1. Gloria tenor 3xas long 2. "qui tollis" 2xas long 3. "Cum sancto spiritu" tenor moves at its original pace, and the beats and measures in all four voices correspond equally. |
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Term
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Definition
John Dunstable
motet or cantilena
1400-1450
F: 1. no strong difference in character between the tenor and the other voices
2. homophonic texture with short melismas at the ends of both main sections
3. many musical phrases are molded to the rhythm of the words
4. frequent use of melodic thirds and the occasional outlining of a triad |
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Term
Conditor alme siderum
nawm 35 |
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Definition
gullaume Du Fay
Hymn in fauxbourdon style
1430
F: 1. hymn in cantus is paraphrased
2. placed chant slightly decorated in the cantus
3. Tenor written octave lower than cantus. moved mostly in sixths against chant. spread to octave at cadences
4. 3/6 sonorities produced by third voice 4th under cantus
5. Fauxbourdon emphasis on consonant sonorities |
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Term
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Definition
Martin Luther
Chorale
1524-1529
F: 1. Melody reinforces this image of strength |
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Term
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Definition
Johann Walter
Chorales
1524-1529
F: 1. four voices setting
2. backing horns |
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