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| Texture with principle melody and accompanying harmony |
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| The simultaneous combination of notes creating intervals and chords |
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| Smooth connected melody that moves in small intervals |
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| Disjointed or disconnected melody with many leaps |
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| Melodic style with one notes to each syllable of text |
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| Single line texture or melody without accompaniment |
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| Melodic style characterized by many notes sung to a text syllable |
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| Polyphonic vocal genre secular in the middle ages but sacred or devotional thereafter |
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| Two or more melodic lines combined into a multivoiced texture |
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| Varying Mass from day to day |
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| Mass that stayed the same everyday |
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| Congregational hymn of the German Lutheran Church |
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| Dealt with the reform of the liturgical music |
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| Music drama that is sung throughout, uses acting, scenery, and costumes |
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| Religions, Baroque period, similar to opera without the scenery, action, or costumes |
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| Several movements, uses singing, arias, recitatives etcetera |
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| Short lyric love poem, Renaissance secular work |
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| Doctrine of the Affections |
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| Baroque doctrine of the union of text and music |
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| Continuous bass, performance with a bass and bass melody |
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| Common in baroque music. This is the use of different levels of volume in this type of music. |
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| Small group of solo instuments |
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| Person of great musical ability |
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| Short, recurring instrumental passage found in the aria and Baroque concerto |
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| Paired movements the prelude in a free form the fugue in a strict imitative form |
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| soloist with an orchestra background |
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| First section is the exposition, second is the development, third section is the recapitulation |
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| A theme is stated and then variations of the theme come after |
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| Two part form, each section is normally repeated |
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| Three part form- A statement, B contrast, A repetition |
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| Third movement of the classical multimovement cycle, ternary form ABA |
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| The first section usually reoccurs |
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| several movements for solo or small ensemble |
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| Solo at the end of an aria or a concerto |
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| lyric song for solo voice with orchestral accompaniment, intense emotion |
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| solo vocal declamation that follows the infection of the text often resulting in a disjunct vocal style |
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| same music is repeated every stanza |
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| composed beginning to end without repetitions of large sections |
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| Links different movements of work |
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| instrumental music based on literature |
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| Folk or music inspired by the nation |
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| made up about 10 players, one for each part |
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| Germany and Austria, literary form of music |
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| vocal style by Arnold Schoenberg, exact pitches |
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