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3 "Rusumovsky" quartets
"Harp"
"Serioso" |
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| Beethoven String Quartet Opus 131 |
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| "Death and the Maiden" Quartet |
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| Names of the 5 Big Song Cycles |
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| Frauenliebe und leben, Dichterliebe, Winterreise, Die Schöne Müllerin, An die Ferne Gelebte |
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| Schubert's Characteristic Experiments |
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| Chromatic shifts into and out of diatonic keys, folklike themes, folksong ideal, unusual approaches to sonata form |
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| Herder ("On The Origins of Language", 1772) |
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| Categorical imperative, 1788 |
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| Five Aesthetic Strategies |
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| Poetic ideas (political, natural, contemplative), Primal Gesture, Monumentality, Individuality, Dramatic Coherence |
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| Examples: Beethoven Political Pieces |
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| 3rd Symphony (1804), 5th Symphony (1808), Coriolan (1807) |
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| Example: Beethoven Nature Piece |
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| Beethoven's 6th Symphony (1808) |
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| Example: Beethoven Deep Personal Contemplation |
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| Opus 131 String Quartet (1826) |
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| Example: Beethoven Primal Gesture |
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| Coriolan Introduction (1807) |
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| Example: Beethoven Monumentality |
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| Beethoven's 3rd (1804), 5th (1808), 9th (1824), Diabelli Variations (1819), Op. 131 (1826), Op. 132 (1826) |
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| Example: Beethoven Individualization |
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| 9 symphonies, Beethoven 3rd (1804) |
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| Example: Beethoven Dramatic Coherence |
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| Schumann's Three Imaginary Friends |
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| Florestan (forceful), Eusebius (poetic), Raro (mediator) |
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