Term
|
Definition
|
|
Term
|
Definition
| Groups of Cantonese people together singing Yutkut |
|
|
Term
|
Definition
|
|
Term
|
Definition
| Aria type of Yutkut most difficult type of song to sing |
|
|
Term
|
Definition
| Fixed songs, melodies stay the same, but you can put different texts/lyrics over the melody, around 90% of Cantonese Opera |
|
|
Term
|
Definition
| Kind of like epic songs, lots of lyrics, music is gonna be repeated, telling a story, interaction with the music |
|
|
Term
|
Definition
| when what you’re seeing matches the sound track. (music on screen matches music being heard) |
|
|
Term
|
Definition
Musical theme such as - love interest between the cowboy and the Native American.
|
|
|
Term
|
Definition
|
|
Term
|
Definition
| (clean up after a ship wreck; sell the items take what you could etc. |
|
|
Term
|
Definition
|
was a term that involved a whole set of things, type of dances, kind of repertoire, type of instruments, type of singing etc, all within the word.
|
|
|
Term
|
Definition
type of Rake and scrape (dance/club version, high hat and bass) vs the accordion, saw etc.
|
|
|
Term
|
Definition
| this is where all the costumes and themes are presented. Choreographed dancers, free dancers |
|
|
Term
|
Definition
| Where the Musicans in a Junkanoo Band play |
|
|
Term
|
Definition
| is referred to the rhythm played on the cowbells |
|
|
Term
| Contredanse/English Country Dance |
|
Definition
| (Haitian line dancing) got to Cuba and became the Conradanza |
|
|
Term
|
Definition
| Cuban Rhythm that's part of of the Contradenza |
|
|
Term
|
Definition
| created by Afro-Cubans and consumed |
|
|
Term
|
Definition
| – a couples dance (intimate) had an associate rhythm called the Cinquillo |
|
|
Term
|
Definition
| embellished into the cinquillo |
|
|
Term
|
Definition
| the music and the rhythmic cells are long short short (half note , quarter quarter) |
|
|
Term
|
Definition
| cuban country music/rural music (not elite music) |
|
|
Term
|
Definition
| 10 line structure that is a Punto rhyme scheme |
|
|
Term
|
Definition
|
|
Term
|
Definition
| Spanish-language operettas |
|
|
Term
|
Definition
| more informal spanish-language operettas |
|
|
Term
|
Definition
| developed in the late 19th century as a form of entertainment in urban lower class cuban neighborhoods |
|
|
Term
|
Definition
| characteristic rhythms that consist of the interlocking motives of the 2/3 clave |
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
| large mbira-type Finger piano |
|
|
Term
|
Definition
| The cosmology of the Aboriginies |
|
|
Term
|
Definition
| narrative section of Son music |
|
|
Term
|
Definition
| (solo/jam band section/vamp) of Son music. Comes after the bridge |
|
|
Term
|
Definition
· distributing melody or voice parts among many different people.
|
|
|
Term
|
Definition
| music that male and females could dance to, used the Amerindian harp; music was from the highland |
|
|
Term
|
Definition
| second generation of music from Peru |
|
|
Term
|
Definition
| Aborigine term for the series of events that led to creation |
|
|
Term
|
Definition
| The cuban dance band ensemble that played son in the 1940s was often called a |
|
|
Term
|
Definition
| Paired sticks percussion instruments similar to the clave |
|
|