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        | Title song originally in The Hollywood Review (1929) |  | 
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        | “Rock Around the Clock”- Bill Haley   Wanted to portray rebellious intercity youth by using rock n roll—MGM didn’t want to, but lost the battle   #1 for 8 weeks   |  | 
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        | entire movie is Simon and Garfunkel hits (minus one song by them written for the film)    “Mrs. Robinson” only song written for the movie—was used as a merchandising tool    won Grammy for Album of the Year   Used popular music to appeal to young people |  | 
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        | “Born to Be Wild” Steppenwolf    Songs carefully chosen to lyrics, mood    Total of $750 paid for each song that went in the movie/on the album 
  Album stayed on charts for 72 weeks |  | 
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        | “Everybody’s Talkin” - Harry Nilsson    John Barry enlisted to compose score and find tunes that were representative of the movie  |  | 
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        | wall to wall rock n roll from 1959-1962    Value of songs in movie/album is beginning to be known    Album spends a year on Billboard  |  | 
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        | “The End” by the Doors   Brilliant use of pre-existing song....The lyrics are relevant, brilliantly cut to the images, and this is the music they would have been listening to in Vietnam, the time period of the movie |  | 
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        | “Ain’t Too Proud to Beg” - The Temptations   More or less a Motown soundtrack    Album went double platinum and spent 161 weeks on Billboard  |  | 
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        | 57 songs n the movie, 44 of which were masters   Set tone and time period, went through 3 decades of music    Soundtrack spent 94 weeks on Billboard |  | 
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        | “Neutron Dance”—album went to #1   more like current state of music suerpvision HAD NOTHING TO DO WITH THE SCENE, except maybe the fact that is was upbeat and gave a "feeling" that fit |  | 
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  “Gangsta’s Paradise”—1st hard core rap song to go to #1 on British charts |  | 
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        | “Roxanne” by the Police redone as a tango |  | 
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