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Definition
| preparation, suspension, resolution; any voice; typically strong beat |
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| accented, unprepared neighbor; resolves by step |
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| step into, leap out of in opp. direction |
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Definition
| step up, leap down, step up, resolve up. -OR- step down, leap up, step down, resolve down. |
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| backwards suspension; note/chord appearing early; typically approached by step and resolves by not moving |
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Definition
| one note doesn't move for 3 beats |
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Definition
| Dominant 7 (Mm7)- 7th wants to drop, leading tone wants to ascend; can dbl root, omit 5th |
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| passing 7th- means of introducing V7- pt should step from doubled root |
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| mm7- wants to move to dominant- ii65 much more common |
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Definition
| dim traid w/ m7- dissonance needs to descend |
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Definition
| only 3rd free to move; most likely acting as some other key's ii 1/2 dim 7; exists in major; waiting to become V65 |
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Definition
| only 3rd free to move; exists in minor |
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Term
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Definition
| two version of same note in chords |
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Definition
| __-->I- typically V-I; could use substitute dominant |
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| perfect authentic cadence |
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Definition
| both chords in root position |
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| imperfect authentic cadence |
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Definition
| one of chords inverted, viidim replaces V, or highest voice is not the tonic |
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Term
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Definition
| V-->vi; actually not a cadence, a delay of arrival of real cadence; in minor vi is flatened; double the 3rd of vi chord |
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Term
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Definition
| __-->V; typ approached by subdom or dom prep. chord; intended to sound temporary |
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| IV-->I; tacked on after a more powerful/convincing ending |
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| not end of an idea- smaller unit w/in phrase- for ex phrase split by breath marks |
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Term
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Definition
| ending of 1 phrase is beginning of next |
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Term
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Definition
| (antecedent-consequent)- group of 2 phrases w/ harmonic connection |
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Term
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| material of 2 phrases is parallel |
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Definition
| repetition/variation of musical idea followed by movt toward a cadence |
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Term
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Definition
| repetition/variation of musical idea followed by movt toward a cadence |
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Term
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Definition
| best to double 1 or 5, except: dim triad in 1st always doubles 3rd |
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| I64-V-I; decorative for V chord; double the bass, resolve down |
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Term
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Definition
| step in, step out in same direction; bass moves by step; exists bt 2 similarly functioning chords |
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