Term 
        
        | . What is the difference between monophonic, homophonic and polyphonic? |  
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        Definition 
        
        Mono- unison melody. homo- harmonization. poly – multiple equal  melodies Example: monophonic ‘Kyrie eleison’ Anonymous Example: homophonic ‘Flow My Tears’ Dowland Example: polyphonic ‘Agnus Dei’ Byrd |  
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        Term 
        
        | Who was Hildegard von Bingen? |  
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        Definition 
        
        Plainchant composer of middle ages 	Example: ‘Kyrie eleison’ |  
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        Term 
        
        | What is a chromatic scale. |  
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        Definition 
        
        | A scale where all of the half steps in an octave are used. |  
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        Term 
        
        | Why are Mozart’s operas so important? |  
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        Definition 
        
        | Combined opera seria w/ opera buffa (serious yet funny), some in German instead of Italian, address pressing social issues (class distinction) instead of mythology and heroism |  
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        Term 
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        Definition 
        
        When the music tries to imitate the emotion, action, or natural sounds as described in the text 	Example: ‘Flow my Tears’ Dowland |  
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        Term 
        
        | What are the two main types of song in opera? |  
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        Definition 
        
        Aria and recitative 	Example: ‘Dido’s Lament’ from Dido and Aeneas, Purcell |  
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        Term 
        
        | What musical innovation defined the Renaissance as different from the Middle Ages |  
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        Definition 
        
        | Use of instruments, secular song |  
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        Term 
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        Definition 
        
        Chords and sonorities embodying dissonance pull toward resolution in  consonance |  
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        Term 
        
        | What is the difference between major scales and minor scales? |  
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        Definition 
        
        Major scales: half step from 3-4 and 7-8. Minor scales: half step between  2-3, 5-6, raised 7. |  
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        Term 
        
        | Name 3 major composers of the Baroque period |  
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        Definition 
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        Term 
        
        | What are the different styles present in the medieval period? |  
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        Definition 
        
        Chant, motet (early form), polyphony (early form) 	Example: Chant – ‘Pange lingua’ Anonymous 	Example: Polyphony – ‘Sumer is icumen in’ Anonymous |  
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        Term 
        
        | Name 2 new instruments from the Baroque period. |  
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        Definition 
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        Term 
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        Definition 
        
        The overall complexity of a piece of music. Usually refers to the number of and relationship between parts or lines of music: monophony, heterophony, polyphony, homophony.  	Example: Pange lingua v. Zapotec Agnus Dei |  
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        Term 
        
        | How is basso continuo different from basso ostinato? |  
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        Definition 
        
        Continuo: begins at beginning, continues through to the end, often in more or less continuous eighth notes, driving steadily on, creating a foundation for what is put above it. (hearing the basso continuo is one of the surest ways to recognize baroque music) Ostinato: obstinate or repeating bass, aka a passacaglia.  	Example: continuo – ‘Double Concerto in D Minor’ Bach 	Example: ostinato – Dido’s Lament |  
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        Term 
        
        | What three things make the Classical period different from other stylistic periods? |  
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        Definition 
        
        Very short (1750 – 1830), focused on a single place (Vienna), largely the  creation of two men (Haydn and Mozart |  
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        Term 
        
        | What distinguished mid-Baroque from high-Baroque? |  
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        Definition 
        
        Mid: period where principles of new music (seconda prattica) spread  throughout Europe. High: fully matured style; perfection of major/minor tonality, use of chords, harmonic progression, sharp focus on outer voices instead of contrapuntal equality, purely instrumental music, opera. |  
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        Term 
        
        | What’s the difference between motet and madrigal |  
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        Definition 
        
        Motet: Renaissance, unaccompanied vocal work, usually in Latin, to a sacred-ish text. One line borrowed from plainchant with texted lines above it. Madrigal: Renaissance, vocal, secular, often pastoral, sometimes bawdy. 	Example: Motet - ‘Delporation sur la Mort de Johannes Ockeghem’  (chanson-motet b/c it is in French, not Latin) Example: Madrigal – ‘Io mi son giovinetta’ Monteverdi |  
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        Term 
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        Definition 
        
        A section that introduces a movement, then comes back over the course of  the piece to serve as a point of structural reference. Used most  prominently in the rondo (R-A-R-B-R) |  
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        Term 
        
        | What’s the difference between melismatic and syllabic? |  
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        Definition 
        
        Melismatic: multiple notes per syllable. Syllabic: one note per syllable. 	Example: Melismatic – plainchant 	Example: Syllabic - recitative |  
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        Term 
        
        | What are the three parts of sonata form? |  
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        Definition 
        
        | Exposition, development, recapitulation |  
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        Term 
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        Definition 
        
        The relationship between two or more voices that are independent in contour and rhythm but are harmonically interdependent (polyphony). 	Example: ‘Fugue in c minor’ Bach |  
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        Term 
        
        | How many movements are in a symphony, and what are they? |  
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        Definition 
        
        1 – sonata 	2 – slow 	3 – minuet and trio 	4 – sonata  		Example: ‘Sonata in G Minor’ Mozart |  
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        Term 
        
        | Compare cantata w/ chorale? |  
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        Definition 
        
        Cantata: Baroque, accompanied vocal work, many possible languages, to a sacred text. Features solos, duets, and ensemble pieces. Chorale: Baroque, congregational work, mostly German, to a sacred text. Simple tune meant to be sung by entire congregation, in accordance with Protestant ideal of direct participation in worship 		Example: Cantata – ‘Ein feste burg’ Bach 		Example: Chorale - |  
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        Term 
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        Definition 
        
        A major tonic triad at the end of a minor phrase (raise the 3rd). 	Example – final cadence of ‘Agnus Dei’ from Zapotec |  
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        Term 
        
        | Who wrote the first English opera, and what was it called? |  
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        Definition 
        
        Dido and Aeneas, Henry Purcell 	Example – ‘Dido’s Lament’ Purcell |  
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