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        Discuss	   the	   principal	   political	   events	   in	   the	   following	   countries	   during	   the	   1930s	    and	   1940s:	   the	   Soviet	   Union,	   Germany	   and	   the	   German-‐occupied	   lands,	   and	   the United	   States. |  
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        Too sexual 
  Stalin hates this opera  Not socialist realism-     Division of classes     Sergey represents the working class- not morally correct banned for many years after  Schos toned it down later |  
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        | One that is manipulated- screws, paper, woodblocks |  
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        | quartet for the end of Time by Messian |  
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        Wrote it in a concentration camp- Gorlitz -was an organist -was mystical catholic  Nature vs. Heaven  Rhythmic and harmonic ostinatos would take 4 hours for them to line up again  (clarinet and violin-bird song cello and piano- rhythmic ostinatos) Hailed as a war hero after his return |  
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        Soviet Union  music for everyone made the Union look really good equality for all  Bordering propoganda How things are depicted- how the working class is depicted- their struggle is depicted with realism |  
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        Right after the New Deal is put into place Music for everyone  Using folk ideas  in the States  Federal Music Project- helps musicians |  
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        New Objectivity (post expressionism) reaction against expressionism  representative static  quiet  smooth  representative miniature cool and cold
  Hindemith |  
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        Tone Rows- not only pitches, but rhythms and durations, the form itself, and instrumentation  serialism to the MAX |  
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        John Cage Chance music  Feldman, Earl Brown, Yoko Ono |  
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        Same overall effect regardless of what order smaller events occur  math Talked about Xenakis (coined the term) - mathmatician and composer and Architech (1950s/60s) |  
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        Penderiski- Threnody: to the Victims of hiroshima compositions based on blocks of sound (harmonic/texture) |  
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        | Gebrauchsmusik and how Hindenmith relates |  
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        Music for ameteurs  Hindenmith is sympathetic to the working class and all people Music to sing and to play for everyone |  
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        phrase=2+3+5+8=18 18*18=324 |  
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        | Major figures in the development of total serialism |  
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        | Figures of the Drumstadt School |  
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        | Boulez, Maderna, Nano, Stockhousen |  
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        | Figures of the New York School |  
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        | John Cage, Yoko Ono, Morton Feldman, Earl Brown |  
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        Pierre Schaeffer, Henry (Xenakis works here for a while) (stockhousen and Boulez are in and out)  "Musiqu Concrete" philosophy - all sounds are taken from real life (non-musical) Change name to GRM later |  
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        | Studio for Elektronicshe Musik (Germany) |  
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        Werner Meyer Eppler and Herbert Eimert  Philosophy- All sounds are computer generated "Electronicshe Musik" |  
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        | Columbia Princeton Music Center (NYC) |  
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        Ussachevsky and Luening  Babbit later gets involved "tape music" |  
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        | Any part of a musical work is indeterminate if it is chosen by chance, or if its performance is not precisely specified |  
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        | summer course on new music in Germany |  
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        Degenerate music (German: Entartete Musik) was a label applied in the 1930s by the Nazi government in Germany to certain forms of music that it considered to be harmful or decadent.  Against Serialism and Jazz |  
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        | Government agency that created jobs for musicians |  
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        essentially meaning “utility music,” for music that exists not only for its own sake, but which was composed for some specific, identifiable purpose Hindenmith |  
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        Groupe	de	Recherches	 Musicales |  
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        GRM- changed the name from Studio D'essai to GRM  Musique Concrete |  
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