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| Jackson Pollock, Number 1A, 1948 |
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| Robert Rauschenberg, Monogram, 1959 |
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| Rauschenberg, Erased De Kooning Drawing, 1953 |
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| Marcel Ducahmp, L.H.O.O.Q., 1919 |
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| Rauschenberg, Rebus, 1955 |
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| Johns, Target with Four Faces, 1954-55 |
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| Atsuko Tanaka (Gutai), Electric Dress, 1954 |
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| Alberto Giacometti, Standing Woman, c.1950 |
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| Alfred Barr Diagram of Development of Modern Art, 1936 |
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| Helen Frankenthaler, Mountains and Sea, 1952 |
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| Frank Stella, Tomlinson Court Park, 1958 |
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| Olitski, Comprehensive Dream, 1965 |
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| Morris Louis, Blue Veil, 1958 |
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| Tom Wesselman, Still Life, 1962 |
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| Roy Lichtenstein, Blonde Waiting, 1964 |
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| Richard Hamilton, Just what is it that makes today’s homes so different, so appealing? 1956 |
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| James Rosenquist, President Elect, 1960-61 |
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| Warhol, Double Elvis, 1963 |
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| Guy Debord, Guide psychogéographique de Paris, 1957 |
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| Asger Jorn, Paris by Night, 1959 |
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| Warhol, Marilyn Monroe Diptych, 1962 |
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| Dan Flavin, Diagonal of May 25 (To Brancusi), 1963 |
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| Carl Andre, Cedar Piece, 1964 |
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| Hans Hofmann, Equipoise, 1958 |
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| Carl Andre, Equivalent VIII, 1966 |
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| David Smith, Cubi XX, 1964 (UCLA) |
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| Anthony Caro, Early One Morning, 1962 |
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| Joseph Kosuth, 1 & 3 Chairs, 1965 |
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