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| the emotions and feelings communicated by the work of art. |
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| describes how the appearance of a work of art is tied to the period during which it was created. Works of art with the same historical style often share similar visual characteristics. |
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| particular manner of visual expression created by an individual artist, such as the distinctive style of Vincent van Gogh. |
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| which is a visual examination and analysis of the visual aspects of a work of art. It involves studying how the parts of a work are united to produce a distinctive historical and individual style. Visual structure. |
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| is the arrangement or organization of the various elements of a work of art. |
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| are the materials used to create a work of art. |
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| is how an artist uses materials, such as paint, etching, wood, etc., in the creation of a work of art. |
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| is the person, persons, or organization that asks an artist, or artists, to create a work of art. |
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| of a work of art is the purpose for which it was created. |
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| means that an artist has created a specific work for a specific location. So, the work of art is adjusted for that location and the spectator’s viewpoint. (Site-specific work). |
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| is the art-historical study of the subject matter of a work of art. This study involves investigating the symbolism and meaning of the subject of the work of art. Symbolism and meaning can involve an investigation of the culture that produced the work of art. |
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| is the investigation of how the iconography, or subject matter, of a work of art is related to the historical context it was created. |
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| is to understand how a work of art reveals the ideas, beliefs, or attitudes current in the period when that work was created. The focus is on the work of art, not on your opinion of it. |
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| is to understand the ideas, beliefs, or attitudes current in the period when a work of art was created. It is the period, or context, in which the work was created. The concept of historical context also encompasses how the work of art was perceived by its audience. |
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Philosophy.
(popularly known as
The School of Athens).
Raffaello Sanzio
known as Raphael.
Fresco.
Renaissance period
1509-11.
Stanza della Segnatura, Vatican, Rome, Italy.
Renaissance linear perspective and aesthetic |
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The Oath of the Horatii.
Jacques-Louis David.
French NeoClassicism
Louvre, Paris.
focus on subject matter |
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Odalisque with Slave.
Jean-Auguste-Dominique Ingres.
French Neoclassicism
focus on line and color
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Venitian colors and focus on landscape
Landscape of a port.
Claude Lorrain.
Oil on canvas.
38.4” x 51.5”
1633.
Museum of Art of Ponce. |
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| sense reinforced by steady, accelerating advances in science and technology |
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Tiger Hunt.
Eugene Delacroix
Landscape Painting in French Romanticism
'optical science’ enriched his color palette through the juxtaposition of ‘intensifying complementaries |
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Monk by the Sea.
Caspar David Friedrich.
Landscape Painting in German Romanticism
focus on landscape, not people,
vastness and power of nature |
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Salisbury Cathedral from the Meadows.
John Constable.
Landscape British Romanticism |
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Rockets and Blue Lights
(Close at Hand)
to Warn Steamboats of
Shoal Water.
JMW Turner
British Romanticism Landscape |
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Ville d’Avray.
Jean-Baptiste-Camille Corot.
Naturalism
landscape, neutral, little distortion, try to be true to life |
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Landscape with a pond.
Charles-François Daubigny
Naturalism |
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Landscape with a Plowman.
Théodore Rousseau. |
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The Gleaners.
Jean-Francois Millet.
Realism |
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