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Definition
| Auguste Rodin, Walking Man, 1905, bronze |
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Definition
| Auguste Rodin, Burghers of Calais, 1884-89, bronze |
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Definition
| Wilhelm Lehmbruck, Seated Youth, 1917, plaster |
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Definition
| Pablo Picasso, Maquette for Guitar, 1912, cardboard, string and wire |
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Definition
| Jacques Lipchitz, Bather, 1917, Bronze |
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Definition
| Aleksander Archipenko, Woman Combing her Hair, 1915, bronze |
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Definition
| Umberto Boccioni, Unique Forms of Continuity in Space, 1913, bronze, futurism |
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Definition
| Constantin Brancusi, Bird in Space, 1924, bronze |
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Definition
| Giacomo Balla, Dynamism of a Dog on a Leash, 1912, futurism |
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Definition
| Gino Severini, Armored Train, 1915, futurism |
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Definition
| Jean (Hans) Arp, Collage Arranged According to the Laws of Chance, 1916-17, torn and pasted paper, DADA |
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Term
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Definition
| Marcel Duchamp, Fountain, 1917, readymade porcelain, DADA |
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Definition
| Man Ray, Cadeau (Gift), 1921, flatiron, tacks, Dada |
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Definition
| Hannah Höch, Cut with the Kitchen Knife 919-20, Photomontage, Dada |
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Term
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Definition
| Kurt Schwitters, Merz 19, 1920, paper collage, Dada |
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Definition
Giorgio de Chirico, Melancholy and Mystery of a Street, 1914,
METAPHYSICAL PAINTING |
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Term
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Definition
Max Ernst, Two Children Are Threatened by a Nightingale, 1924,
Surrealism, Oil on wood with wood elements (?). |
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Term
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Definition
| Salvador Dalí, The Persistence of Memory, 1931, Surrealism |
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Term
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Definition
| René Magritte, The Treachery (or Perfidy) of Images, 1928-29, Surrealism |
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Definition
| Meret Oppenheim, Object (Le Déjeuner en fourrure), 1936, Surrealism |
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Definition
| Joan Miró, Painting, 1933, Surrealism |
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Term
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Definition
André Masson, Battle of the Fishes, 1926, Surrealism,
sand, oil, pencil, charcoal on canvas (?) |
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Term
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Definition
Kazimir Malevich, Suprematist Composition: Airplane Flying, 1915
Suprematism |
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Term
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Definition
Malevich, Suprematist Composition: White on White, 1918
Suprematist |
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Term
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Definition
Naum Gabo, Column, c. 1923, plastic, metal, glass
Constructivism |
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Term
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Definition
| Vladimir Tatlin, Monument to the Third International, 1919-20, glass and iron (never built), Constructivism |
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Term
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Definition
Vladimir Tatlin, Counter-Relief, 1915, iron, copper, wood, rope
Constructivism |
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Term
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Definition
Aleksander Rodchenko, Hanging Construction, 1920, plywood,
Constructivism |
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Term
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Definition
| Georg Grosz, Fit for Active Service, New Objectivity, 1916-1917 |
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Term
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Definition
| Max Beckmann, Night, 1918-1919, New Objectivity |
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Term
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Definition
| Otto Dix, The War, 1929-1932, New Objectivity, tryptich |
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Term
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Definition
| Piet Mondrian, Composition with Red, Blue, and Yellow, 1930, De Stijl |
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Term
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| Leger, The City, 1919, Purism |
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Term
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Definition
| Leger, Three Women (Le Grand Dejeuner), 1921, Purism |
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| Ozenfant, The Vases, 1925, Purism |
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Term
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Definition
| Charles Demuth, My Egypt, 1927, American Art before the End of WWII, Precisionism |
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Definition
| Edward Hopper, Nighthawks, 1942, Realism |
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Term
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Definition
| Grant Wood, American Gothic, 1930, Regionalism |
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Definition
| Thomas Hart Benton, Pioneer Days and Early Settlers, 1936, Mural, Regionalist, from the mural, A Social History on the State of Missouri |
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| Orozco, Epic of American Civilization, Hispano-America Panel, 1932-1934, part of the societal rethinking of civilization following the Mexican Revolution. |
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Definition
| Diego Rivera, Ancient Mexico, from The History of Mexico, 1929-1935, Mexican regionalism, Marxist |
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Definition
| Picasso, Three Women at the Spring, 1921, Revival of NeoClassicism after WWI |
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Term
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Definition
| Modigliani, Reclining Nude, 1919, influenced by African and Cambodian Masks |
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Term
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Definition
| Thorak, Comradeship, 1937, Plaster, harkening upon the idealized man, but also Pro-Nazi, and homo-erotic |
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Term
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Definition
| Torres-Garcia, Composition with Compass, 1932, Uruguay, School of the South, Constructive Universalism, interested in Neoplasticism and De Stijl, More personal approach to the composition, rougher edges, grid, incorporates pre-columbian cultures. |
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Term
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Definition
| Juan Mele, Coplanal, Wood relief, 1947, Argentina, Art Association Concrete Invention. Art has a role in the society to serve the community. Similar to Mondrian's Composition in Red, Blue and Yellow, Less concerned with Incas, etc. Promoted Pure art. |
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Term
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Definition
| Villamizar, From Columbia to John F Kennedy, 1973, Iron Sheet, stark geometry juxtaposed with Nature. Public works that were entirely abstract, mono-chromatic, Inspired by Vassaly. Columbian, geometric Abstraction |
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Term
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Definition
| Barros, Diagonal Function, 1952, Lacquer on Cardboard, Brazilian, Concretist, repetition, coldness, geometric, illusionary. |
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Term
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| Clark, Bug or Animal 1962, Alumninum Assemblage, Brazil, Neo Concretist, sculpture as a living organism. You are supposed to move these sculptures. |
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Term
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Definition
| Jackson Pollack, Number 1 1950 Lavender Mist, 1950, Oil, Enamel, and Aluminum Paint, Abstract Expressionism: gestural expressionism. Process important, energy, |
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| De Kooning, Woman I, 1950-1952, Abstract Expressionism: gestural abstractionism. Inspired by advertisements, process was important to De Kooning. Energy |
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| Barnett Newman, vir Herocius Sublimis, 1950-1951, Abstract Expressionism: Chromatic Expressionism, quieter aesthetic, Emotional Resonance, split by bands, called Zips, color's capacity to communicate, epic in size. |
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Definition
| Mark Rothko, No.14, 1960, Abstract Expressionism: Chromatic Expressionism, simplify composition, color as the conveyor of meaning and emotion. |
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Term
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Definition
| Frank Stella, Mas o Menos (More or Less), 1964, metallic powder, acrylic, Post-Painterly Abstraction: Hard-Edge Painters, loose pigment, visibility of the artist's hand, Championed by Greenberg, eliminates variables associated with painting and traded it for tactile quality and limited surface modulation. |
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Term
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Definition
| Frankenthaler: The Bay: 1963, acrylic on canvas, Post-Painterly Abstraction: Color-Field Painting. Emphasizes the painting's basic properties. Poured diluted paint onto unprimed canvases, appear spontaneous and accidental, less interested in the emotional. |
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Term
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Definition
| Tony Smith, Die, 1962, Steel, a simplified cubism, put in context with the environment, lacks an identifiable subject, stressing the object hood of something, reduced to the fundamental level. |
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Term
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Definition
| Donald Judd, Untitled, 1969, brass and colored plexiglass, embraced minimalism, spare, universal aesthetic, sculpture as both open and enclosed, industrial materials, banish ambiguity and falseness from his works. |
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Term
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Definition
| Jasper Johns, Flag, 1954-1955, encaustic, oil, and newspaper, wanted to draw attention to objects that are common but people rarely scrutinize. Pop Art, Highly texturized work, allowed people to see the artist's hand, an art object is made to be seen. |
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Term
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| Johns, Painted Bronze, 1960, painted bronze, putting the commonplace in style of art, like Duchamp, painting, putting advertisements as something to be revered. Pre-Pop art also. |
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Term
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Definition
| Rauschenberg, Bed, 1955, combine painting, oil paint, pillow, quilt, a combine: found objects that don't have an integrated relationship with the painting. a relish for every day objects, the personal. |
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Term
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Definition
| Rauschenberg, Monogram, 1959, combine painting, same as Bed, outlandish, personal monogram, the freedom of America. |
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Term
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Definition
| Lichtenstein, Image Duplicator, 1963, commercial art, comic books, a de-branding of an already known brand, dependent on borrowing images, use of flat colors and bendi-dots, a simplified visual vocabulary, pop-art. |
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Term
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Definition
| Warhol, Marilyn Diptych, 1962, oil, acrylic and silkscreen, created in the year of Marilyn's death, he emphasized the mass production of her image rather than her as a person. he likened her image to a purchase, a grid, repetition, like a film strip, the mask of Marilyn rather than Norma Jean, myth of stardom, branding her,. |
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Term
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Definition
| Warhol, Green Coca-Cola Bottles, 1962, artist as illustrator and advertiser, mass production and consumer culture, desire to eliminate the personal signature, no comment on consumer culture, likening painting to a purchase. |
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Term
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Definition
| Claus Oldenburg, Soft Toilet, 1966, Vinyl, took something familiar and remade it until unfamiliar, also a sculpture made out of fabric, so always in a state of flux. Art should be part of the Ordinary world. |
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