Term
| Chapter 8: Creative Strategy and Development |
|
Definition
|
|
Term
|
Definition
| A determination of what an advertising message will say or communicate to a target audience. |
|
|
Term
|
Definition
| A determination of how an advertising message will be implemented so as to execute the creative strategy. |
|
|
Term
|
Definition
| The ability to generate fresh, unique, and appropriate ideas that can be used as solutions to communication problems. |
|
|
Term
|
Definition
| Refers to the extent to which an ad contains elements that are novel, different, or unusual. |
|
|
Term
|
Definition
| The degree to which the various elements of an advertisement are meaningful, useful, or valuable to the customer. |
|
|
Term
|
Definition
| The process of conducting research and gathering all relevant information about a client's product, service, brand, and consumers in the target audience for use in the development of creative strategy as well as other aspects of the IMC campaign. |
|
|
Term
| GENERAL PREPLANNING INPUT |
|
Definition
| Information gathering and/or market research on trends, developments, and happenings in the marketplace that can be used to assist in the initial stages of the creative process in advertising. |
|
|
Term
| PRODUCT/SERVICE-SPECIFIC PREPLANNING INPUT |
|
Definition
| Specific studies provided to the creative department on the product or service, the target audience, or a combination of the two. |
|
|
Term
|
Definition
| A creative research approach in which consumers familiar with a product (or service) are asked to generate and exhaustive list of problems encoutered in its use. |
|
|
Term
|
Definition
| A qualitative marketing research method whereby a group of 10 to 12 consumers from the target market is led through a discussion regarding a particular topic such as a product, service, or advertising campaign. |
|
|
Term
|
Definition
| A research technique that involves observing or studying consumers in their natural environment. |
|
|
Term
|
Definition
| A series of drawings used to present the visual plan or layout of a proposed commercial. |
|
|
Term
|
Definition
| A preliminary version of a commercial whereby a videotape of the frames of a storyboard is produced along with an audio soundtrack. |
|
|
Term
|
Definition
| A comprehensive advertising plan that consists of a series of messages in a variety of media that center on a single theme or idea. |
|
|
Term
|
Definition
| The central message or idea that is communicated in all advertising and other promotional activities. |
|
|
Term
|
Definition
| A statement or phrase consisting of a few words that succinctly expresses the company image, identity, and/or positioning a company or brand wants to communicate. |
|
|
Term
|
Definition
| A document that specifies the basic elements of the creative strategy such as the basic problem or issue the advertising must adress, the advertising and communication objectives, target audience, major selling idea or key benefits to communicate, campaign theme or appeal, and supportive information or requirements. |
|
|
Term
|
Definition
| The basis for the central theme or message idea in an advertising campaign. |
|
|
Term
| UNIQUE SELLING PROPOSITION (USP) |
|
Definition
| An advertising strategy that focuses on a product or service attribute that is distinctive to a particular brand and offers an important benefit to the customer. |
|
|
Term
|
Definition
| Advertising that creates an identity for a product or service by emphasizing psychological meaning or symbolic association with certain values, lifestyles and the like. |
|
|
Term
|
Definition
| An approach to advertising that focuses on the benefits of charachteristics that lead a customer to purchase a product or service and uses dramatic elements to emphasize them. |
|
|
Term
| CHAPTER 7: ESTABLISHING OBJECTIVES AND BUDGETING FOR THE PROMOTIONAL PROGRAM |
|
Definition
|
|
Term
|
Definition
| Goals to be accomplished by an organizations overall marketing program such as sales, market share, or profitability. |
|
|
Term
| INTEGRATED MARKETING COMMUNICATIONS OBJECTIVES |
|
Definition
| Statements of what various aspects of the integrated marketing communications program will accomplish with respect to factors such as communication tasks, sales, market share, and the like. |
|
|
Term
|
Definition
| A delayed or lagged effect whereby the impact of advertising on sales can occur during a subsequent time period. |
|
|
Term
|
Definition
| An acronym that stands for defining advertising goals for measured advertising results. An approach to setting advertising goals and objectives developed by Russell Colley. |
|
|
Term
|
Definition
| Under the DAGMAR approach to setting advertising goals and objectives, something that can be performed by and attributed to advertising such as awareness, comprehension, conviction, and action. |
|
|
Term
|
Definition
| Measures of a target audiences status concerning respond hierarchy variables such as awareness, knowledge, image, attitudes, preferences, intentions, or behavior. These measures are taken at the beginning of an advertising promotional campaign to determine the degree to which a target audience must be changed or moved by a promotional campaign. |
|
|
Term
| ZERO-BASED COMMUNICATIONS PLANNING |
|
Definition
| An approach to planning the integrated marketing communications program that involves determining what tasks need to be done and what marketing communication functions should be used to accomplish them and to what extent. |
|
|
Term
|
Definition
| The difference between the total revenue generated by a product or a brand and its total variable costs. |
|
|
Term
|
Definition
| A principle of resource allocation that balances incremental revenues against incremental costs. |
|
|
Term
| CONCAVE-DOWNWARD FUNCTION MODEL |
|
Definition
| An advertising/sales response function that views the incremental effects of advertising on sales as decreasing. |
|
|
Term
|
Definition
| A sales response model that attempts to show sales responses to various levels of advertising and promotional expenditures. |
|
|
Term
|
Definition
| Budgeting approaches in which the budgetary amount is established at the executive level and monies are passed down to the various departments. |
|
|
Term
|
Definition
| A method of determining the budget for advertising and promotion where all other budget areas are covered and remaining monies are available for allocation. |
|
|
Term
|
Definition
| A method for determining the budget for advertising and promotion based on arbitrary decisions of executives |
|
|
Term
| PERCENTAGE-OF-SALES METHOD |
|
Definition
| A budget method in which the advertising and/or promotions budget is set based on a percentage of sales of the product. |
|
|
Term
|
Definition
| A service which clips competitors advertising from local print media allowing the company to monitor the types of advertising that are running or to estimate their advertising expenditures |
|
|
Term
| COMPETITIVE PARITY METHOD |
|
Definition
| A method of setting the advertising and promotion budget based on matching the absolute level of percentage of sales expenditures of the competition |
|
|
Term
| ROI(RETURN ON INVESTMENT) BUDGETING METHOD |
|
Definition
| A budgeting method in which advertising and promotions are considered investments, and thus measurements are made in an attempt to determine the returns achieved by these investments. |
|
|
Term
| OBJECTIVE AND TASK METHOD |
|
Definition
| A build up approach to budget setting involving a three-step process: (1)determining objectives, (2)determining the strategies and tasks required to attain these objectives, and (3)estimating the costs associated with these strategies and tasks. |
|
|
Term
|
Definition
| A method of determining the budget for advertising and promotion by determining the specific tasks that have to be performed and estimating the costs of performing them. See objective and task method. |
|
|
Term
|
Definition
| A budgeting plan that determines the investment value of the advertising and promotion appropriation. |
|
|
Term
| COMPUTER SIMULATION MODELS |
|
Definition
| Quantitative-based models that are used to determine the relative contribution of advertising expenditures on sales response. |
|
|
Term
|
Definition
| A decline in costs with accumulated sales or production. In advertising, economies of scale often occur in media purchases as the relative costs of advertising time and/or space may decline as the size of the media budget increases |
|
|
Term
| Chapter 6: Source, Message, and Channel Factors |
|
Definition
|
|
Term
|
Definition
| A communications planning model in which the stages of the response process (dependent variables)and the communications components (independent variables) are combined to demonstrate the likely effect that the independent variables will have on the dependent variables |
|
|
Term
|
Definition
| The sender--person, group, or organization--of the message |
|
|
Term
|
Definition
| The extent to which a source is perceived as having knowledge, skill, or experience relevant to a communication topic and can be trusted to give an unbiased opinion or present objective information on the issue. |
|
|
Term
|
Definition
| The process by which a credible source influences a message recipient. Internalization occurs when the receiver is motivated to have an objectively correct position on an issue and the receiver will adopt the opinion or attitude of the credible communicator if he or she believes the information from this source represents an accurate position on the issue. |
|
|
Term
|
Definition
| A phenomenon in which the persuasiveness of a message increases over time. |
|
|
Term
|
Definition
| A source characteristic that makes him or her more appealing to a message recipient. Source attractiveness can be based on similarity, familiarity, or likability. |
|
|
Term
|
Definition
| The process by which an attractive source influences a message recipient. Identification occurs when the receiver is motivated to seek some type of relationship with the source and adopt a similar position in terms of beliefs, attitudes, preferences, or behavior. |
|
|
Term
|
Definition
| The power of a source as a result of his or her ability to administer rewards and/or punishments to the receiver. |
|
|
Term
|
Definition
| A type of influence process where a receiver accepts the position advocated by the source to obtain favorable outcomes or to avoid punishment. |
|
|
Term
|
Definition
| A theory that the first information presented in the message will be the most likely to be remembered. |
|
|
Term
|
Definition
| The theory that arguments presented at the end of the message are considered to be stronger and therefor are more likely to be remembered. |
|
|
Term
|
Definition
| Communications in which only positive attributes or benefits of a product or service are presented. |
|
|
Term
|
Definition
| A message in which both good and bad points about a product or claim are presented. |
|
|
Term
|
Definition
| A type of message in which both sides of the issue are presented in the communication, with arguments offered to refute the opposing viewpoint. |
|
|
Term
|
Definition
| The practice of either directly or indirectly naming one or more competitors in an advertising message and usually making a comparison on one or more specific attributes or characteristics. |
|
|
Term
|
Definition
| An advertising message that creates anxiety in a receiver by showing negative consequences that can result from engaging in (or not engaging in) a particular behavior. |
|
|
Term
|
Definition
| The tendency for a television or radio commercial to lose its effectiveness when seen and/or heard repeatedly. |
|
|
Term
|
Definition
| The positive or negative influence the medium may contribute to the message. |
|
|
Term
|
Definition
| The non program material that appears in a broadcast environment, including commercials, promotional messages for shows, public service announcements, and the like. |
|
|
Term
| Chapter 5: The Communication Process |
|
Definition
|
|
Term
|
Definition
| The passing of information, exchange of ideas, or processes establishing shared meaning between a sender and a reciever. |
|
|
Term
|
Definition
| The sender--person, group, or organization--of the message. |
|
|
Term
|
Definition
| The process of putting thoughts, ideas, or information into a symbolic form. |
|
|
Term
|
Definition
| A communication containing information or meaning that a source wants to convey to a receiver. |
|
|
Term
|
Definition
| The message or medium by which communication travels from a source or sender to a receiver. |
|
|
Term
| WORD-OF-MOUTH COMMUNICATION |
|
Definition
| Social channels of communication such as friends, neighbors, associates, co-workers, or family members. |
|
|
Term
|
Definition
| New term for "word-of-mouth" marketing. Also known as consumer-generated marketing or viral marketing. |
|
|
Term
|
Definition
| Non personal channels of communication that allow a message to be sent to many individuals at one time. |
|
|
Term
|
Definition
| The person or persons with whom the sender of a message shares thoughts or information. |
|
|
Term
|
Definition
| The process by which a message recipient transforms and interprets a message. |
|
|
Term
|
Definition
| The experiences, perceptions, attitudes, and values that senders and receivers of a message bring to a communication situation. |
|
|
Term
|
Definition
| Extraneous factors that create unplanned distortion or interference in the communications process. |
|
|
Term
|
Definition
| The set of reactions the receiver has after seeing, hearing, or reading a message. |
|
|
Term
|
Definition
| Part of the message recipient's response that is communicated back to the sender. Feed can take a variety of forms and provides a sender with a way of monitoring how an intended message is decoded and received. |
|
|
Term
|
Definition
| A model that depicts the successive stages a buyer passes through in the personal selling process including attention, interest, desire, and action. |
|
|
Term
| HIERARCHY OF EFFECTS MODEL |
|
Definition
| A model of the process by which advertising works that assumes a consumer must pass through a sequence of steps from initial awareness to eventual action. The stages include awareness, interest, evaluation, trial, and adoption. |
|
|
Term
| INNOVATION ADOPTION MODEL |
|
Definition
| A model that represents the stages a consumer passes through in the adoption process for an innovation such as a new product. The series of steps includes awareness, interest, evaluation, trial, and adoption. |
|
|
Term
| INFORMATION PROCESSING MODEL |
|
Definition
| A model of advertising effects developed by William McGuire that views the receiver of a message as an information processor and a problem solver. The model views the receiver as passing through a response heirarchy that includes a series of stages including message presentation, attention, comprehension, acceptance or yielding, retention, and behavior. |
|
|
Term
|
Definition
| Progression by the consumers through a learn-feel-do hierarchical response. |
|
|
Term
| DISSONANCE/ATTRIBUTION MODEL |
|
Definition
| A type of response heirarchy where consumers first behave, then develop attitudes or feelings as a result of that behavior, and then learn or process information supports the attitude and behavior. |
|
|
Term
| LOW-INVOLVEMENT HIERARCHY |
|
Definition
| A response hierarchy whereby a message recipient is viewed as passing from cognition to behavior to attitude change. |
|
|
Term
|
Definition
| Thoughts that occur to a message recipient while reading, viewing, and/or hearing a communication. |
|
|
Term
|
Definition
| A type of thought or cognitive response a receiver has that is counter or opposite to the position advocated in a message. |
|
|
Term
|
Definition
| Consumers' thoughts that support or affirm the claims being made by a message. |
|
|
Term
|
Definition
| Negative thoughts generated about the source of a communication. |
|
|
Term
|
Definition
| Favorable cognitive thoughts generated by toward the source of a message. |
|
|
Term
| AD EXECUTION-RELATED THOUGHTS |
|
Definition
| A type of thought cognitive response a message recipient has concerning factors related to the execution of the ad such as creativity, visual effects, color, and style. |
|
|
Term
|
Definition
| A message recipient's affective feelings of favorability or unfavorability toward an advertisement. |
|
|
Term
| ELABORATION LIKELIHOOD MODEL (ELM) |
|
Definition
| A model that identifies two processes by which communications can lead to persuasion-central and peripheral routes. |
|
|
Term
| CENTRAL ROUTE TO PERSUASION |
|
Definition
| One of two routes to persuasion recognized by the elaboration likelihood model. The central route to persuasion views a message recipient as very active and involved in the communication process and as having the ability and motivation to attend to and process a message. |
|
|
Term
| PERIPHERAL ROUTE TO PERSUASION |
|
Definition
| In the elaboration likelihood model, one of two routes to persuasion in which the receiver is viewed as lacking the ability or motivation to process information and is not likely to be engaged in detailed cognitive processing. |
|
|
Term
| Chapter 4: Perspectives on Consumer Behavior |
|
Definition
|
|
Term
|
Definition
| The process and activities that people engage in when searching for, selecting, purchasing, using, evaluating, and disposing of products and services so as to satisfy their needs and desires. |
|
|
Term
|
Definition
| The first stage of the consumer's decision-making process in which the consumer perceives a need and becomes motivated to satisfy it. |
|
|
Term
|
Definition
| A felt need shaped by a person's knowledge, culture, and personality. |
|
|
Term
|
Definition
| Something that compels or drives a consumer to take a particular action. |
|
|
Term
|
Definition
| Abraham Maslow's theory that human needs are arranged in an order or hierarchy based on their importance. The need hierarchy includes physiological, safety, social/love and belonging, esteem, and self-actualization needs. |
|
|
Term
|
Definition
| An approach to the study of human motivations and behaviors pioneered by Sigmund Freud. |
|
|
Term
|
Definition
| Qualitative research designed to probe the consumer's subconscious and discover deeply rooted motives for purchasing a product. |
|
|
Term
|
Definition
| The process by which a consumer acquires information by accessing past experiences or knowledge stored in memory. |
|
|
Term
|
Definition
| The search process whereby consumers seek and acquire information from external sources such as advertising, other people, or public sources. |
|
|
Term
|
Definition
| The process by which an individual receives, selects, organizes, and interprets information to create a meaningful picture to the world. |
|
|
Term
|
Definition
| The immediate and direct response of the senses (taste, smell, sight, touch, and hearing) to a stimulus such as an advertisement, package, brand name, or point-of-purchase display. |
|
|
Term
|
Definition
| The perceptual process involving the filtering or screening of exposure, attention, comprehension, and retention. |
|
|
Term
|
Definition
| A process whereby consumers choose whether or not to make themselves available to media and message information. |
|
|
Term
|
Definition
| A perceptual process in which consumers choose to attend some stimuli and not others. |
|
|
Term
|
Definition
| The perceptual process whereby consumers interpret information based on their own attitudes, beliefs, motives and experiences. |
|
|
Term
|
Definition
| The perceptual process whereby consumers remember some information but not all. |
|
|
Term
|
Definition
| Basic cues such as symbols, rhymes, and associations that facilitate the learning an memory process. |
|
|
Term
|
Definition
| The ability of an individual to perceive a stimulus below the level of conscious awareness. |
|
|
Term
|
Definition
| The dimensions or attributes of a product or service that are used to compare different alternatives. |
|
|
Term
|
Definition
| Outcomes of a product or service usage that are tangible and can be directly experienced by a consumer. |
|
|
Term
| PSYCHOSOCIAL CONSEQUENCES |
|
Definition
| Purchase decision consequences that are intangible, subjective, and personal. |
|
|
Term
| MULTIATTRIBUTE ATTITUDE MODEL |
|
Definition
| A model of attitudes that views an individual's evaluation of an object as being a function of the beliefs that he or she has toward the object on various attributes and the importance of these attributes. |
|
|
Term
|
Definition
| Beliefs concerning specific attributes or consequences that are activated and form the basis of an attitude. |
|
|
Term
|
Definition
| The way information such as product knowledge, meanings, and beliefs is combined to evaluate two or more alternatives. |
|
|
Term
|
Definition
| Simplified of basic decision rules that can be used by a consumer to make a purchase choice, such as buy the cheapest brand. |
|
|
Term
| AFFECT REFERRAL DECISION RULE |
|
Definition
| A type of decision rule where selections are made on the basis of an overall impression or affective summary evaluation of the various alternatives under consideration. |
|
|
Term
|
Definition
| The predisposition to buy a certain brand or product. |
|
|
Term
|
Definition
| Preference by a consumer for a particular brand that results in continual purchase of it. |
|
|
Term
|
Definition
| A state of psychological tension or post purchase doubt that a consumer may experience after making a purchase decision. This tension often leads the consumer to try to reduce it by seeking supportive information. |
|
|
Term
|
Definition
| A learning process whereby a conditioned stimulus that elicits a response is paired with a neutral stimulus that does not elicit any particular response. Through repeated exposure, the neutral stimulus comes to elicit the same response as the conditioned stimulus. |
|
|
Term
|
Definition
| In classical conditioning, a stimulus that becomes associated with an unconditioned stimulus an capable of evoking the same response or reaction as the unconditioned stimulus. |
|
|
Term
|
Definition
| In classical conditioning, a response that occurs as a result of exposure to a conditioned stimulus. |
|
|
Term
| OPERANT CONDITIONING(INSTRUMENTAL CONDITIONING) |
|
Definition
| A learning theory that views the probability of behavior as being dependent on the outcomes or consequences associated with it. |
|
|
Term
|
Definition
| The rewards or favorable consequences associated with a particular response. |
|
|
Term
| SCHEDULES OF REINFORCEMENT |
|
Definition
| The schedule by which behavioral response is rewarded. |
|
|
Term
|
Definition
| The reinforcement of successive acts that lead to a desired behavior pattern or response. |
|
|
Term
|
Definition
| The complexity of learned meanings, values, norms, and customs shared by members of a society. |
|
|
Term
|
Definition
| Smaller groups within a culture that possess similar beliefs, values, norms, and patterns of behavior that differentiate them from the larger cultural mainstream. |
|
|
Term
|
Definition
| Relatively homogeneous divisions of society into which people are grouped based on similar lifestyles, values, norms, interests, and behaviors. |
|
|
Term
|
Definition
| A group whose perspectives, values, or behavior is used by an individual as the basis for his or her judgments, opinions, and actions. |
|
|
Term
|
Definition
| Influences originating from the specific situation in which consumers are to use the product or brand. |
|
|
Term
| Chapter 3: Organizing for Advertising and Promotion |
|
Definition
|
|
Term
|
Definition
| The organizations with the products, services, or causes to be marketed and for which advertising agencies and other marketing promotional firms provide services. |
|
|
Term
|
Definition
| A firm that specializes in the creation, production, and placement of advertising messages and may provide other services that facilitate the marketing communications process. |
|
|
Term
|
Definition
| One of the four major participants in the integrated marketing communications process whose function is to provide information or entertainment to subscribers, viewers, or readers while offering marketers an environment for reaching audiences with print and broadcast messages. |
|
|
Term
| SPECIALIZED MARKETING COMMUNICATIONS SERVICES |
|
Definition
| Organizations that provide marketing communications services in their areas of expertise including direct marketing, public relations, and sales promotion firms. |
|
|
Term
|
Definition
| Companies that provide companies with specialized services such as package design, advertising production, and market research. |
|
|
Term
|
Definition
| The individual in an organization who is responsible for the panning, coordinating, budgeting, and implementing of the advertising program |
|
|
Term
|
Definition
| An organizational system whereby advertising along with other marketing activities such as sale, marketing research, and planning are divided along functional lines and are run from one central marketing department. |
|
|
Term
|
Definition
| An organized system whereby planning and decision-making responsibility for marketing, advertising, and promotion lies with a product/brand manager or management team rather than a centralized department. |
|
|
Term
|
Definition
| The person responsible for planning, implementation, and control of the marketing program for an individual brand. |
|
|
Term
| CATEGORY MANAGEMENT SYSTEM |
|
Definition
| An organizational system whereby managers have responsibility for the marketing programs for a particular category or line of products. |
|
|
Term
|
Definition
| An advertising agency set up, owned, and operated by and advertiser that is responsible for planning and executing the company's advertising program. |
|
|
Term
|
Definition
| The amount of client money agencies spend on media purchases and other equivalent activities. Billings are often used as a way of measuring the size of advertising agencies. |
|
|
Term
|
Definition
| Large external agencies that offer integrated marketing communications on a worldwide basis. |
|
|
Term
|
Definition
| An advertising agency that offers clients a full range of marketing and communications services including the planning, creating, producing, and placing of advertising messages and other forms of promotion. |
|
|
Term
|
Definition
| The individual who serves as liaison between the advertising agency and the client. The account executive is responsible for managing all of the services the agency provides to the client and representing the agency's point of view to the client. |
|
|
Term
|
Definition
| Advertising agency personnel who gather information that is relevant to a client's product or service and can be used in the development of the creative strategy, as well as other aspects of an IMC campaign. |
|
|
Term
|
Definition
| Individual who helps conceive the ideas for ads and commercials and writes the words or copy for them. |
|
|
Term
|
Definition
| The organization of an advertising agency into departments based on functions such as account services, creative, media, marketing services, and administration. |
|
|
Term
|
Definition
| The organization of an advertising agency by dividing it into groups consisting of specialists from various departments such as creative, media, marketing services, and other areas.These groups work together to service particular accounts. |
|
|
Term
|
Definition
| An advertising agency that specializes in a provides only services related to the creative aspects of advertising. |
|
|
Term
| MEDIA SPECIALIST COMPANIES |
|
Definition
| Companies that specialize in the buying of advertising media time and space, particularly for radio and television. |
|
|
Term
|
Definition
| A method of compensating advertising agencies whereby the agency receives a specified commission (traditionally 15 percent) from the media on any advertising time or space it purchases. |
|
|
Term
|
Definition
| A method of compensating advertising agencies whereby the client and agency negotiate the commission structure rather than relying on the traditional 15 percent media commission. |
|
|
Term
| FIXED-FEE METHOD (AGREEMENT) |
|
Definition
| A method of agency compensation whereby the agency and client agree on the work to be done and the amount of money the agency will be paid for its services. |
|
|
Term
| FEE-COMMISSION COMBINATION |
|
Definition
| A type of compensation system whereby an advertising agency establishes a fixed monthly fee for its services to a client and media commissions received by the agency are credited against the fee. |
|
|
Term
|
Definition
| A method of compensating advertising agencies whereby the agency receives a fee based on the cost of the work it performs plus an agreed-on amount for profit. |
|
|
Term
|
Definition
| A form of compensation whereby an advertising agency's compensation level depends on how well it meets predetermined performance goals such as sales or market share. |
|
|
Term
|
Definition
| The markups charged by advertising agencies for services provided to clients. |
|
|
Term
|
Definition
| An aspect of the advertising agency evaluation process that focuses on how the agency conducts financial affairs related to serving a client. |
|
|
Term
|
Definition
| An audit of the advertising agency's efforts in planning, developing, and implementing the client's communications programs. |
|
|
Term
| DIRECT-MARKETING AGENCIES |
|
Definition
| A company that provides a variety of direct-marketing services to their clients including database management, direct mail, research, media service, creative, and production. |
|
|
Term
|
Definition
| An organization that specializes in the planning and implementation of promotional programs such as contests, sweepstakes, sampling, premiums, and incentive offers for its clients. |
|
|
Term
|
Definition
| An organization that develops and implements programs to manage a company's publicity, image, and affairs with consumers and other relevant public's. |
|
|
Term
|
Definition
| An organization that specializes in the creation of interactive media such as CD-ROMs, kiosks, and websites. |
|
|
Term
| Chapter 2: The Role of IMC in the Marketing Process |
|
Definition
|
|
Term
|
Definition
| The planning framework for specific marketing activities. |
|
|
Term
|
Definition
| Identifiable groups of customers sharing similar needs, wants, and other characteristics that make them likely to respond in a similar fashion to a marketing program. |
|
|
Term
|
Definition
| Areas where a company believes there are favorable demand trends, needs, and/or wants that are not being satisfied, and where it can compete effectively. |
|
|
Term
|
Definition
| Something unique or special that a firm does or possesses that provides an advantage over its competitors. |
|
|
Term
|
Definition
| The process of identifying the specific needs of segments, selecting one or more of these segments as a target, and developing marketing programs directed to each. |
|
|
Term
|
Definition
| The process of dividing a market into distinct groups that have common needs and will respond similarly to a marketing action. |
|
|
Term
|
Definition
| A method of segmenting a market on the basis of different geographic units or areas. |
|
|
Term
|
Definition
| A method of segmenting a market based on the demographic characteristics of consumers. |
|
|
Term
| PSYCHOGRAPHIC SEGMENTATION |
|
Definition
| Dividing the product on the basis or personality and/or lifestyles. |
|
|
Term
| BEHAVIORAL (BEHAVIORISTIC) SEGMENTATION |
|
Definition
| A method of segmenting the market by dividing consumers into groups based on their usage, loyalties, or buying responses to a product or service. |
|
|
Term
|
Definition
| The principle that 80 percent of sales volume for a product or service is generated by 20 percent of the customers. |
|
|
Term
|
Definition
| A method of segmenting markets on the basis of major benefits consumers seek in a product or service. |
|
|
Term
| UNDIFFERENTIATED MARKETING |
|
Definition
| A strategy in which market segment differences are ignored and one product or service is offered to the entire market. |
|
|
Term
|
Definition
| A type of marketing strategy whereby a firm offers products or services to a number of market segments and develops separate marketing strategies for each. |
|
|
Term
|
Definition
| A type of marketing strategy whereby a firm chooses to focus its marketing efforts on one particular market segment. |
|
|
Term
|
Definition
| The art and science of fitting the product or service to one or more segments of the market in such a way as to set it meaningfully apart from competition. |
|
|
Term
|
Definition
| Attributes considered important to consumers in the purchase decision process. |
|
|
Term
|
Definition
| The changing or a product or brand's positioning. |
|
|
Term
|
Definition
| The meaning that a product or brand has to consumers. |
|
|
Term
|
Definition
| Consists of the combination of the name, logo, symbols, design, packaging, and image of associations held by consumers. |
|
|
Term
|
Definition
| The intangible asset of added value or goodwill that results from the favorable image, impressions of differentiation, and/or the strength of consumer attachment of a company name, brand name, or trademark. |
|
|
Term
|
Definition
| The set of interdependent organizations involved in the process of making a product or service available to customers. |
|
|
Term
|
Definition
| A marketing channel where a producer and ultimate consumer interact directly with one another. |
|
|
Term
|
Definition
| A marketing channel where intermediaries such as wholesalers and retailers are utilized to make a product available to the customer. |
|
|
Term
| PROMOTIONAL PUSH STRATEGY |
|
Definition
| A strategy in which advertising and promotional efforts are targeted to the trade to attempt to get them to promote and sell the product to the ultimate consumer. |
|
|
Term
|
Definition
| Advertising targeted to wholesalers and retailers. |
|
|
Term
| PROMOTIONAL PULL STRATEGY |
|
Definition
| A strategy in which advertising and promotion efforts are targeted at the ultimate consumers to encourage them to purchase the manufacturer's brand. |
|
|
Term
| Chapter 1: An Introduction to Integrated Marketing communications |
|
Definition
|
|
Term
|
Definition
| Trade of something of value between two parties such as a product or service for money. The core phenomenon or domain for study in marketing. |
|
|
Term
|
Definition
| The activity, set of institutions and processes for creating, communicating, delivering, and exchanging offerings that have value for customers, clients, partners, and society at large. |
|
|
Term
|
Definition
| The customers perception of all the benefits of a product or service weighed against the costs of acquiring an consuming it. |
|
|
Term
|
Definition
| The controllable elements of a marketing program including product, price, promotion, and place. |
|
|
Term
| INTEGRATED MARKETING COMMUNICATIONS |
|
Definition
| A strategic business process used to develop, execute, and evaluate coordinated, measurable persuasive brand communications programs over time with consumers, customers, prospects, employees, associates, and other targeted relevant internal and external audiences. The goal is to generate both short-term financial returns and build long-term brand and shareholder value. |
|
|
Term
|
Definition
| The coordination of all seller-initiated efforts to set up channels of information and persuasion to sell goods and services or to promote an idea. |
|
|
Term
|
Definition
| The tools used to accomplish an organization's communications objective. The promotional mix includes advertising, direct marketing, sales promotion, publicity/public relations, and personal selling. |
|
|
Term
|
Definition
| Any paid form of non personal communication about an organization, product, service, or idea by an identified sponsor. |
|
|
Term
|
Definition
| A system of marketing by which an organization communicates directly with customers to generate a response and/or transaction. |
|
|
Term
| DIRECT-RESPONSE ADVERTISING |
|
Definition
| A form of advertising for a product or service that elicits a sales response directly from the advertiser. |
|
|
Term
|
Definition
| A variety of media that allows the consumer to interact with the source of the message, actively receiving information and altering images, responding to questions, and so on. |
|
|
Term
|
Definition
| Marketing activities that provide extra value or incentives to the sales force, distributors, or the ultimate consumer and can stimulate immediate sales. |
|
|
Term
|
Definition
| Communications regarding an organization, product, service, or idea that are not directly paid for or run under identified sponsorship. |
|
|
Term
|
Definition
| The management function that evaluates public attitudes, identifies the policies and procedures of an individual or organization with the public interest, and executes a program to earn public understanding and acceptance. |
|
|
Term
|
Definition
| Person-to-person communication in which the seller attempts to assists and/or persuade prospective buyers to purchase the company's product or service or to act on an idea. |
|
|
Term
|
Definition
| Each an every opportunity a consumer has to see or hear about a company and/or its brands or have an encounter or experience with it. |
|
|
Term
| INTEGRATED MARKETING COMMUNICATIONS MANAGEMENT |
|
Definition
| The process of planning, executing, evaluating, and controlling the use of various promotional mix elements to effectively communicate with a target audience. |
|
|
Term
| INTEGRATED MARKETING COMMUNICATIONS PLAN |
|
Definition
| A document that provides the framework for developing, implementing, and controlling an organization's integrated marketing communications program. |
|
|
Term
|
Definition
| A written document that describes the overall marketing strategy and programs developed for an organization, a particular product line, or brand. |
|
|
Term
|
Definition
| The phase of the promotional planning process that focuses on the product/service offering and the firm itself including the capabilities of the firm and its ability to develop and implement a successful integrated marketing communications program. |
|
|
Term
|
Definition
| The phase of the promotional planning process that focuses on factors such as the characteristics of an organization's customers, market segments, positioning strategies, competitors and marketing environment. |
|
|
Term
|
Definition
| Goals to be accomplished by an organization's overall marketing program such as sales, market share, or profitability. |
|
|
Term
| COMMUNICATIONS OBJECTIVES |
|
Definition
| Goals that an organization seeks to achieve through its promotional programs in terms of communication effects such as awareness, knowledge, image, attitudes, preferences, or purchase intentions. |
|
|