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| A group of works with shared characteristics. |
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| The pictures the camera stays on. |
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| A disruption in the statues quo. |
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| The point where the disruption is unavoidable |
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| A new or return to the status quo. |
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| Teller in not a character within the action. |
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| The addressee is a character within the action. |
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| The speaker is in the plot. (i) |
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| three line, seventeen syllable |
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| Does not adhere to any rhyme scheme |
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| Tries to faithfully reproduce reality |
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| Emphasizes fragment and perspective |
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| Emphasizes limited perspective and refuses hierarchies. |
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| A place where the story takes place |
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| The ideas and assumptions that inform the creation and reception of the text. |
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| A great person lay low, often his or her own devices. |
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| A disruption of social expectations, often ending with the re-establish social order. |
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| Emphasizes the unreal nature of the dramatic performance to underscore the arbitrary meaningless of reality. |
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| image that intentionally represents more than just that object. |
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| A means of describing the abstract through the familiar. |
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| A story with 1:1 symbolic correlations. |
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| Ascribing human characteristics to non-human things and ideas. |
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| Explicit references to another idea or literary work. |
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| Conflicts the main character |
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| A character that mimics the other |
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