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| anxiety over the prospect of giving a speech in front of an audience |
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| controlled nervousness that helps energize a speaker for his or her presentation |
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| mental imaging in which a speaker vividly pictures himself or herself giving a successful presentation |
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| focused organized thinking about such things as the logical relationships among ideas, the soundness of evidence, and the differences between fact and opinion |
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| person who is presenting an oral message to a listener |
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| whatever a speaker communicates to someone else |
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| the means by which a message is communicated |
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| the person who receives the speaker’s messages |
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| the sum of a person’s knowledge, experience, goals, values, and attitudes; no two people have exactly the same frame of reference |
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| the messages, usually nonverbal sent from a listener to a speaker |
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| anything that impedes the communication of a message; can be external or internal |
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| the time and place in which speech communication occurs |
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| the belief that one’s own group or culture is superior to all other groups or cultures |
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| Similarities between public speaking and conversation |
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o Organizing your thoughts logically o Tailoring your message to your audience o Telling a story for maximum impact o Adapting to listener feedback |
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| Differences between public speaking and conversation |
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o Public speaking is more highly structured o Public speaking requires more formal language o Public speaking requires a different method of delivery |
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Physical Social Historical Psychological cultural |
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Intrapersonal Interpersonal Small group Public communication Mass communication Social media |
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| the branch of philosophy that deals with issues of right and wrong in human affairs |
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| sound ethical decisions involve weighing a potential course of action against a set of ethical standards or guidelines |
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| The first ten amendments to the US Consitution |
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| presenting another person’s language or ideas as one’s own |
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| stealing a speech entirely from a single source and passing it off as one’s own |
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| stealing ideas or language form two or three sources and passing them off as one’s own |
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| failing to give credit for particular parts of a speech that are borrowed from other people |
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| to restate or summarize an author’s ideas in one’s own words |
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| Guidelines for Ethical Speaking |
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o Ask whether your goals are ethically sound o Be fully prepared for each speech o Be honest in what you say o Avoid name-calling and other forms of abusive language o Put ethical principles into practice |
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| opening section of a speech |
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| The main section of a speech |
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| a method of speech organization in which the main points follow a time pattern |
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| a method of speech organization in which the main points divide the topic into logical and consistent subtopics |
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| the major points developed in the body of a speech |
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| Word or phrase that indicates when a speaker has finished one thought and is moving on to another |
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| the final section of a speech |
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| a carefully prepared and rehearsed speech that is presented from a brief set of notes |
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| motions of a speaker's hands or arms during a speech |
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| direct visual contact with the eyes of another person |
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Transition Internal Preview Internal Summary Sign Post: main point divided into first, second, third |
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| 5 strategies for ordering main points |
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Chronological: all main points follow a time pattern [i.e. WW II history] Spatial: main points follow a directional pattern [i.e. talking about dialects of US] Causal: main point show cause and effect relationship [persuasive] Topical Order: main points are divided into logical consistent sub-topics |
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| a method of generating ideas for speech topics by free association of words and ideas |
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| The broad goal of a speech |
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| a single infinitive phrase that states precisely what a speaker hopes to accomplish in his/her speech |
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| a one-sentence statement that sums up or encapsulates the major ideas of a speech |
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| what a speaker wants the audience to remember after it has forgotten everything else in a speech |
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| a listing of all the books, periodicals, and other resources owned by a library |
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| a number used in libraries to classify books and periodicals and to indicate where they can be found on the shelves |
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| a work that synthesizes a large amount of related information for easy access by researchers |
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| Newspaper and Periodical Database |
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| a research that catalogues articles from a large number of magazines, journals, and newspapers |
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| a summary of a magazine or journal article, written by someone other than the original author |
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| a database that catalogues articles from scholarly journals |
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| a search engine that combines internet technology with traditional library methods of cataloguing and assessing data |
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| an organization that , in the absence of a clearly identified author is responsible for the content of a document on the internet |
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| an interview conducted to gather information for a speech |
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| a list compiled early in the research process of works that look as if they might contain useful information about a speech topic |
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| the materials used to support a speaker’s ideas; the three major kinds of supporting materials are examples, statistics, and testimony |
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| a specific case used to illustrate or represent a group of people, ideas, conditions, experiences, or the like |
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| a specific case referred to in passing to illustrate a point |
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| a story, narrative, or anecdote developed at some length to illustrate a point |
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| an example that describes an imaginary or fictitious situation |
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| the average of a group of numbers |
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| the middle number in a group of numbers arranged from highest to lowest |
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| The number that occurs the most frequently in a group of numbers |
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| quotations or paraphrases used to support a point |
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| testimony from people who are recognized experts in their fields |
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| testimony from ordinary people with firsthand experience or insight on a topic |
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| testimony that is presented word for word |
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| to restate or summarize a source’s idea in one’s own words |
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| quoting a statement in such a way as to distort its meaning by removing the statement from the words and phrases surrounding it |
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o Get the audience involved o Use to clarify your ideas o Use to reinforce your ideas o Use to personalize your ideas o Make your examples vivid and richly textured o Practice delivery to enhance your extended examples |
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o Get the audience involved o Use to clarify your ideas o Use to reinforce your ideas o Use to personalize your ideas o Make your examples vivid and richly textured o Practice delivery to enhance your extended examples |
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o Used to show magnitude or seriousness of an issue o Can be easily manipulated or distorted o Make sure statistic is representative o use sparingly o identify sources o explain stats o use visual aids to clarify |
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o Use testimony form qualified sources o Use testimony from unbiased sources o Identify who you are quoting or paraphrasing |
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| putting a speech together in a particular way to achieve a particular result with a particular audience |
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| the major points developed in the body of a speech; most speeches contain from two to five main points |
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| a method of speech organization in which the main points show a cause-effect relationship |
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| a method of speech organization in which the first main point deals with the existence of a problem and the second main point presents a solution to the problem |
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| the materials used to support a speakers ideas; three major kinds of supporting materials are examples, statistics, and testimony |
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| a word or phrase that connects the ideas of a speech and indicates the relationship between them |
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| a statement in the body of the speech that lets the audience know what the speaker is going to discuss next |
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| a statement in the body of the speech that summarizes the speaker’s preceding point or points |
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| a very brief statement that indicates where a speaker is in the speech or that focuses attention on key dates |
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| a question that the audience answers mentally rather than out loud |
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| the audience’s perception of whether a speaker is qualified to speak on a topic |
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| the audience’s perception of whether the speaker has the best interests of the audience in mind |
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| a statement in the introduction of a speech that identifies the main points to be discussed in the body |
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| a conclusion in which the speech builds to a zenith of power and intensity |
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| a conclusion that generates emotional appeal by fading step by step to a dramatic final statement |
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| communication based on a person’s use of voice and body rather than on the use of words |
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| a speech that is written out word for word and read to the audience |
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| a speech delivered with little or no immediate preparation |
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| presenting a speech so it sounds spontaneous no matter how many times it has been rehearsed |
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| the loudness or softness of the speaker's voice |
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| the loudness or softness of the speaker's voice |
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| the highness or lowness of the speaker's voice |
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| changes in the pitch or tone of a speaker's voice |
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| a constant pitch or tone of voice |
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| The speed at which a person speaks |
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| a momentary break in the vocal delivery of a speech |
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| a pause that occurs when a speaker fills the silence between words with vocalizations such as uh, er, um |
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| changes in a speaker’s rate, pitch, and volume that give the voice variety and expressiveness |
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| the accepted standard sound and rhythm for words in a given language |
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| the physical production of particular speech sounds |
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| a variety of a language distinguished by variations of accent, grammar, or vocab |
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| the study of body motions as a systematic mode of communication |
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| motions of a speaker's hands or arms during a speech |
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| direct visual contact with the eyes of another person |
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| a speech designed to convey knowledge and understanding |
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| anything that is visible, tangible, and stable in form |
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| anything that happens or is regarded as happening |
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| a belief, theory, idea, notion, principle, or the like |
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| a statement that depicts a person, event, idea, or the like with clarity and vividness |
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| a statement of the similarities among two or more people, events, ideas, etc |
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| a statement of the differences among two or more people, events, ideas, etc. |
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| to present one’s ideas in human terms that relate in some fashion to the experience of an audience |
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| Guidelines for Informative Speeches |
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o Don’t overestimate what the audience knows o Relate your material directly to the audience o Lay off the jargon o Combat misunderstanding by avoiding abstractions o Personalize your ideas o Be creative |
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