Term
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Definition
| During the early years of the American film industry, what external event opened up jobs in the editing room, even for teenagers? |
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Term
| Six one-reelers and one two-reeler |
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Definition
| How many films did Bill Hornbeck, an early editor for Mack Sennett's Keystone Studios, indicate that the studio produce each week? |
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Term
| The advent of "talkies" and the requirements of synchronization |
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Definition
| What factor ended the practice by editors of testing the rhythm of an edited sequence by pulling it through their fingers as they edited it? |
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Term
| By eye, matching actions and other visual cues. |
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Definition
| According to Margaret Booth, editor-in-chief at MGM for thirty years, how did early editors cut film negative to match the finished positive? |
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Term
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Definition
| Before the advent of the position of editor, who does early editor Clarence Brown say edited films? |
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Term
| It varied from set to set and from studio to studio. |
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Definition
| In the early days of American film, how much power and control did the editor exert? |
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Term
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Definition
| By when did the film industry begin to have name editors, who commanded higher salaries, and were called in to cut top features? |
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Term
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Definition
| The advent of what phenomenon created the need for editors to recut and shorten older releases to make them suitable for a second run? |
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Term
| Call back scattered actors for retakes |
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Definition
| What did film editor Daniel Mandell say that producers hate more than anything? |
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Term
| They have never gotten the credit and recognition they deserve. |
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Definition
| Rosenblum concludes chapter 5 by arguing what about film editors, especially the early cutters? |
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