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| Journalist who pay attention to content, suitable for children...etc. Not much attention to Aesthetics |
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| also mostly journalist, emphasis on evaluation, and content. Can have influence on the film’s success or failure |
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| academics, authors of books on how films can be philosophical level |
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| a style of filmmaking that attempts to duplicate the look of objective reality as its commonly perceived. Emphasis on authentic location and details |
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| an Italian film movement (1945-1955), strongly realistic in techniques. Emphasized documentary aspects of films |
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| style of filmmaking where aesthetic take precedent to content; time and space are distorted, emphasis on symbolic objects and characters |
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| vague term to describe the style of cinema of mainstream fiction films in America (1915-1960s). High level production value, editing and classical cutting |
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| emphasizes the director as the major creator of the art, stamping the material with his/her own personal vision, style and thematic |
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