Term
| How is a System Message Byte broken up? |
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Definition
| 1st bit = msb (1) next 3 bits = 111 (system message) last 4 bits = Which Message |
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Term
| What are the Common MIDI Messages? |
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Definition
| Tune Request, Song Select, and Song Position |
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Term
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Definition
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Term
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Definition
| Keeps multiple sequencers locked to the same tempo at 24ppqn |
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Term
| What are the MIDI Realtime Messages? |
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Definition
| Start, Stop, Continue, and Active Sensing |
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Term
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Definition
| A Pulse sent out every 300ms, the slave will only play when it recieves them acting as a MIDI Kill Switch |
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Term
| What is the most important MIDI Message? |
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Definition
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Term
| What numbering system is used for SYS EX Data? |
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Definition
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Term
| What are the Parts of a SYS EX Message? |
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Definition
| F0h (start), Manufacturer ID, Product ID, Device ID, Program Data, and F7h (end) |
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Term
| What are the three methods of transferring SYS EX Data? |
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Definition
| Direct Transfer (manual), Request For Data (sequencer's request), and Handshaking (Continuous Request) |
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Term
| What are the two types of Synchronization? |
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Definition
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Term
| What are the location Synch formats? |
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Definition
| SMPTE, MTC, SPP, MIDI Synch |
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Term
| Which of the Location Synch Formats are Absolute? |
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Definition
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Term
| Which of the Location Synch Formats are Relative? |
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Definition
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Term
| Which of the Location Synch Formats are Relative? |
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Definition
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Term
| Wha are the Tempo Synch formats? |
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Definition
| MIDI Beat Clock and MIDI Synch |
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Term
| What are the two types of MIDI Time Code Messages? |
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Definition
| Full Frame and Quarter Frame |
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Term
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Definition
| Setting a device to a time other than zero |
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Term
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Definition
| A Recording Triggered by MIDI |
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Term
| What are the Advantages of a Hardware Sampler? |
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Definition
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Term
| What are the Disadvantages of a Hardware Sampler? |
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Definition
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Term
| What are the Advantages of a Software Sampler? |
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Definition
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Term
| What are the Disadvantages of a Hardware Sampler? |
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Definition
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Term
| What role does RAM play in Samplers? |
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Definition
| Samples are recorded and loaded into the RAM, it affects your record time |
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Term
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Definition
| Cutting off the silence at the beggining and the downbeat at the end of a sample |
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Term
| Where do we cut samples? Why? |
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Definition
| At the zero crossing points. To eliminate pops and hisses |
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Term
| What is the relationship between pitch and tempo? |
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Definition
| It is a direct relationship, when one goes up, the other goes up |
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Term
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Definition
| The note in which the sample playback will be the same pitch and tempo as the original |
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Term
| What are the controller categories? |
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Definition
| 0-31 Low Res Controllers, 32-63 High Res Controllers, 64-95 Switches, 96-119 Various/Effects, 120-127 Modes |
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Definition
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Definition
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Definition
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Definition
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Term
| How Many Possibilities does a high res value give you? |
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Definition
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Term
| How Many Possibilities does a Low Res Value give you? |
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Definition
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Term
| What are the Channel Voice Messages? |
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Definition
| Not On, Note Off, Program Change, Mon Pressure, Poly Pressure, Pitch Bend, Controllers |
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Term
| What are the Channel Mode Messages? |
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Definition
| All Sounds Off, Reset All Controllers, All Notes Off, Local On/Off, Omni Off, Omni On, Mono, Poly |
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Term
| What are the System Common Messages? |
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Definition
| Tune Request, Song Select, Song Position Pointer, and MIDI Time Code |
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Term
| What are the System Realtime Messages? |
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Definition
| MIDI Beat Clock, Start, Stop, Continue, Active Sensing, and System Reset |
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