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        | THE INTERNET (PRO WRESTLING)   I       THE INTERNET AS MEDIUM         A) GENERALLY   |  | Definition 
 
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Internet is substantially different from other media types (books, etc.)  |  | 
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Anyone who owns a computer can be a message source (like printing press back in the day)Advantages
More inclusive: excluded voices – too small numerically (media critics, etc.) Disadvantages
Excluded voices can be heard (hate groups, KKK, creepy people, conspiracy theories, etc.)   |  | 
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Internet enables two-way communication.Other media types: retaining feedback was difficult (reading a book)  |  | 
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        | D) INTEGRATION WITH OTHER MEDIA |  | Definition 
 
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Internet incorporates movies, television, radio, etc.Result is a disembodied from it’s physical form (before you needed physical object – book, but now you can just get it from the Internet)
Created legal problems (steal books, and other types of media) Opportunities for artists because you don’t need a physical form of media (such as getting a record contract), allows them to get their stuff out there (now they can skip recording contract completely)The policy of net neutrality
Internet service providers are required to treat all web content equally(Be familiar with net neutrality) |  | 
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        | II     A BRIEF HISTORY OF PRO WRESTLING           A) EARLY HISTORY: CARNIVAL |  | Definition 
 
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Professional wrestling started in traveling carnivals in 19th centuryAllowed professional wrestlers fight local peoples (was a fix)When professional wrestlers were fighting each other, they both knew the moves, so it was boringBeginning in the 1920’s, wrestling became fixed
Matches winner was known in advancedProfessional wrestlers would tell each other the moves they were about to do A story line in which hero’s (were called faces) battled villain characters (were called heels)   |  | 
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        | B) THE FIX IS IN  CONVENTIONS KAYFABE INTERPRETIVE COMMUNITIES: SMARTS & MARKS |  | Definition 
 
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Kayfabe – code of silence for wrestlers not to tell their secrets to outsiders
Anyone that told these secrets would be fired and never to work Smarts: term for the insiders within the industry Marks: term for the outsiders  |  | 
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The fake wrestling came out in 1992 that it was not a sport, but a sports entertainment  Vince mic-man was the person who told the world  |  | 
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        | III    WRESTLING AND THE INTERNET         A) THE INTERNET GENERALLY:  AUDIENCE, INDUSTRY & INTERPRETIVE COMMUNITIES |  | Definition 
 
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The internet was a way to connect fans and interpretive communities together
Interpretive communities can “meet” or directly engage in talks through the internet (before it was isolated) Internet provides a great amount of feedback to companies who produce a particular product (wrestling) |  | 
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        | B) AND WRESTLING: SMART MARKS                  GATHER INFO                 TALK AMONG SELVES                 FEEDBACK TO INDUSTRY |  | Definition 
 
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Smart mark: term used in the wrestling industry. Knew it was fake but still enjoyed itUsed the Internet to go on certain websites to gather information about certain wrestlers and able to talk to other Smart Mark fans about wrestlersIndustry prospective: instant feedback (due to internet). Make informed decisions about who should win next to boost ratings |  | 
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        | MEDIA & THE LAW   I       FREEDOM OF SPEECH         A) REASONS FOR & AGAINST                 1) FOR: SELF GOVT, DISCOVER TRUTH, INDIVIDUAL |  | Definition 
 
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Feely debate, argue, etc. about governmentAllow people to discover truth about the worldBest way to discover who you are if you are able to be in a process of trial and error  |  | 
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        | 2) AGAINST: COMMUNITY HARM, IND RT HARM |  | Definition 
 
        | ·         Can harm the community – writing paper that harms national security ·         Can harm individuals – hitting someone |  | 
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        | B) THE COURTS & FREE SPEECH                 RIGHTS AS CONVENTIONS |  | Definition 
 
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Rights are best understood by conventionsRights are conventionalRights are polysemic (First Amendment is extremely polysemic) – supreme court is there to interpret the polysemic amendments  |  | 
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        | BALANCING FREE SP WITH OTHER INTERESTS |  | Definition 
 
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Take balancing approach with free speech and weighs it against the value of the government regulationLeafleting – cities banned it because the cities did not want liter on the streets   |  | 
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        | C) HIERARCHIES OF FREE SPEECH                 1) BY SPEECH CONTENT/SUBJECT |  | Definition 
 
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The content/subject – political speech has the highest value. The other type of speech that has the next high value is academic speechTruth and knowledge are best found in the freedom of speechBottom of the scale (low value of speech) – Hate speech (against race, sex, etc.) and Obscenity (sexual themes or topics)In the middle of the scale (medium value of speech) – Advertisement Speech and EntertainmentIf the government wants to ban a political speech or academic speech – they better have a really good reason |  | 
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Most protected
Print media is one of the most protected (especially newspapers)Face to face is the other most protected Least protection
Broadcast media (Radio & TV)   |  | 
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        | D) TRENDS IN FIRST AMENDMENT LAW |  | Definition 
 
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Over time in general, speech has been increasingly freeEarly 20th century – fighting words were forbidden. Freedom of speech was limitedNow it is even okay to advocate fighting wordsCircumstances of the speech are key
Court has always recognize that during war time it is okay to curtail (limit) freedom of speechDifferent media types post different political problems   |  | 
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        | II     FREE SPEECH & MASS MEDIA A)   PRINT MEDIA |  | Definition 
 
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Has the longest traditionHas been restraint through two techniques:                 PRIOR RESTRAINT 
Prevent publication from occurring                 POST PUBLISHING PUNISHMENT 
Throw people in jailAlien and sedition actsEspionage sedition actsSmith acts – illegal to overthrow the U.S government  |  | 
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        | B) BROADCAST MEDIA SCARCITY & CAPTIVE AUDS |  | Definition 
 
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Scarcity doctrine - there is only so much wavelength in the spectrum (government has to step in and regulate it)Captive audience Doctrine – Television and Radio are beamed into our homes, we have no way to stop it (government stepped in and regulated the content                 FCC REGS 
Method of control is the FCC (Federal communications Commission) enforces the rules through; fines and licenses |  | 
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        | ·       Early on:activists, individuals and journalists 
Over time it changed to broadcast corporations
Fairness doctrine – radios/TVs need to show both sides of the story (political)
Doesn’t exist anymore because it limits their freedom of speech    |  | 
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        | III    FREE SPEECH: BALANCING CORP. & PUBLIC INTERESTS A)   PUBLIC AIRWAVES  |  | Definition 
 
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Owned by the publicGovernment holds them in trustAirwaves needed to be in the public interests
Regulation against monopolies  |  | 
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        | I       LIBERTARIAN VS SOCIAL RESPONSIBILITY MODELS |  | 
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        | A)   LIBERTARIAN MODEL & MEDIA INDUSTRY |  | Definition 
 
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Media industry tends to lean towards a Libertarian modelMedia will ACT like social responsibility model is more apparent  |  | 
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        | A)   SOCIAL RESPONSIBILITY MODEL  |  | Definition 
 
        | •Much more accurate – peoples fear of violent crime is less based on stats but more on how often it is portrayed |  | 
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        | II     CASES IN MEDIA ETHICS: TV & FILM   A)   CARTOON VIOLENCE  |  | Definition 
 
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Problematic for many reasons
Nature of audienceNature of programming Violence is entertainingGoal is primarily to entertainment of kids and also more kids watching the show, the more money they can make selling advertising to kidsEthical theories
Against violence
Ethics of duty – violence worst way to solve problems, etc. (ultimate disregard). Made cartoon as a means to an endEthics of consequence – associated with increased child violence. Defend violence
Ethics of duty – program is not misusing kids, but appeals to what kids wantEthics of consequence – no proof that cartoons are related to real life violence |  | 
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        | OTHER ISSUES: WAR W/O VIOLENCE,  GRAPHIC VIOLENCE |  | Definition 
 
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Is it better to show a war where no body gets hurts in a cartoon, or is it better to show a war where people get hurt in cartoons? What does it portray?   |  | 
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        | B) WOMEN’S BODY IMAGE                 & OTHER MEDIA STEREOTYPES |  | Definition 
 
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In ancient Rome, if you were tan and skinny: that represented low class and non-desirableIn our culture: boney, large chested women are portrayed as wantedAudience is variable,Female audiences can be harmed by the imagesContext: bulimia, plastic surgery, anorexia, and other psychological disordersEthical Theories
Against Violence
Ethics of duty: focusing on the body, disrespects women’s as persons Ethics of consequence: images are the cause of the increase in bulimia and other disorders Defend:
You cannot prove a causal relationshipEthics of duty: freedom of expression is accorded to all, even those who created the images Solutions
Have a certain BMI to be a modelCounter-images is a possible solution (Kim Karshdashian)Self Regulation  |  | 
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        | III    CASES IN MEDIA ETHICS: THE INTERNET                    EXTREMES OF FREE SPEECH     |  | Definition 
 
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Two websites that are pro-life activists:
Nuremburg Trials – named website this to draw a similarity to doctors who provide abortion and posted dead or alive pictures of themChristian gallery – posted women seeking abortions online on this website (to bully the women)  Their goal of Christian gallery are to stop women seeking an abortionInternet is the mediumContext: extremism oftenTheories applied to Christian Gallery
Against
Ethics of duty – the right of privacyEthics of consequence – sort of practice will decrease Defend
Ethics of consequence – decrease abortionEthics of duty – political right to free expression. Protecting rights of an unborn  Solutions
Self-regulationLet lawsuits figure it all outContinue to be controversial      |  | 
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