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        | musical texture in which a melody is accompanied by chords |  
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        | a sacred song of praise or thanksgiving to God |  
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        | instruments that generate sound by being shaken or struck |  
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        | a restatement of thematic material in close succession in different voice or instrumental lines |  
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        | music in which each part comes in separately, using the same melodic material |  
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        | a style in art and music, dominant during the last quarter of the 19th century, that emphasized the impression of an object rather than the object itself; characterized by an interplay of light and color rather than in definite lines |  
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        | performing music spontaneously rather than reading written music |  
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        | music intended for performance during a play; such music may set a mood behind dialogue or between scenes |  
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        | music performed between two entities, such as two acts of a play or opera, two compositions, or two sections of the same composition |  
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        | the distance between two pitches |  
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        | a passage of music that introduces a composition |  
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        | the process of  inverting the intervals in a melody; primarily used in theme and variations form and in serial music |  
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        | the process of inverting the intervals in a melody while simultaneously reversing the intervals in a melody; primarily used in theme and variations form and in serial music |  
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        | the organization of music around a tonic or keynote |  
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        | the sharp or flat signs placed on the staff after the clef sign to indicate the key of a composition |  
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        | the tonic or principal note of a scale |  
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        | tempo meaning "very slow, broad" |  
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        | smooth and connected; the opposite of staccato |  
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        | tempo marking meaning "very slow" |  
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        | the text of an opera or oratorio |  
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        | a solo song in which the vocalist and pianist complement each other and are equally important |  
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        | Italian: in a majestic style |  
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        | music having C (do) as its tonic |  
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        | a scale having a certain pattern of half steps and whole steps (WWHWWWH |  
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        | an accented, separated style of performance |  
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        | the distance between two bar lines |  
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        | a vocal passage with several notes sung to one syllable of text |  
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        | the shape or outline of a melody |  
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        | the rhythm pattern of a melody and words of a song; different from the pulse |  
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        | a group of pitches with contour and rhythm; a tune |  
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        | instruments that generate sound with a vibratin membrane |  
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        | Italian: with less motion, not as fast |  
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        | the division of of music based on strong and weak pulses; most commonly divided into groups of twos or threes |  
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        | a sign, usually at the beginning of a composition, that indicates the meter of a piece; the top number indicates how many pulses are in a measure, the bottom indicates what kind of note receives one pulse, also called TIME SIGNATURE (that's more like it!) |  
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        | a female singer whose range is between a soprano and alto |  
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        | the C nearest the middle of the piano keyboard |  
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        | the acronym for Musical Instrument Digital Interface |  
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        | a trend in the arts in the 20th century; reduces art to a minimal design or motive |  
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        | music having A (la) as its tonic |  
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