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| language that creates a sensory impression within the reader’s mind |
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| the technique of disrupting the chronological flow of a narrative by interjecting events that have occurred at an earlier time |
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| the writer’s attitude toward a subject, character, or audience conveyed through the choice of words and details |
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| the discrepancy between what one says and what one means, what a character believes and what a reader knows, or between what actually occurs and what one expects to occur |
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| a brief reference to a historical, mythological, or literary person, place, thing, or event |
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| the use of hints or clues to suggest future action |
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| the author’s use of an object, person, place, or an event that has both a meaning in itself and stands for something larger than itself |
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| The technique of affirming something by denying its opposite. |
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| A comparison using "like" or "as." |
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| the description of a non-human place or thing in terms of human attributes |
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