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| REPETITION OF SIMILAR INITIAL CONSONANT SOUNDS IN ORDER TO CREATE A MUSICAL OR RHYTHMIC EFFECT, TO EMPHASIZE KEY WORDS OR TO IMITATE SOUNDS. |
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| A REFERENCE TO A WELL-KNOWN PERSON, PLACE, EVENT, LITERARY WORK, OR WORK OF ART, OFTEN USED TO HELP MAKE A COMPARISON |
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| THE QUALITY OF A CHARACTER; WHAT A CHARACTER IS LIKE |
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| THE WRITER DIRECTLY STAES THE CHARACTER'S TRAITS OR CHARACTERISTICS |
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| A CHARACTER WHO CHANGES OVER THE COURSE OF THE STORY |
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| A PROBLEM OR STRUGGLE BETWEEN A CHARACTER AND AN OUTSIDE FORCE: CHARACTER VS. CHARACTER, CHARACTER VS. GROUP, CHARACTER VS. NATURE, CHARACTER VS. SOCIETY, CHARACTER VS. FATE, CHARACTER VS. TECHNOLOGY |
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| POETRY THAT HAS IRREGULAR LINES AND MANY OR MAY NOT RHYME. POETS WHO WRITE IN FREE VERSE TRY TO REPRODUCE THE NATURAL RHYTHMS OF SPOKEN LANGUAGE |
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| USE OF EXTREME EXAGGERATION |
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| WORDS OR PHRASES THAT APPEAL TO ONE OR MORE OF THE FIVE SENSES AND HELP TO CREATE A VIVID DESCRIPTION FOR THE READER |
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| A PROBLEM WITHIN A CHARACTER (CHARACTER VS. SELF) |
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| A SITUATION WHERE THE OPPOSITE OF WHAT IS EXPECTED TO OCCUR OR EXIST OR DOES OCCUR OR EXIST |
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| THE ATMOSPHERE OR FEELING AN AUTHOR CREATES WITHIN THE PIECE OF WRITING |
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| THE CLOSE PLACEMENT OF WORDS HAVING OPPOSITE OR NEAR OPPOSITE MEANINGS IN ORDER TO CREATE A UNIQUE DESCRIPTION |
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| THE REPEATED USE OF WORDS OR PHRASES IN ORDER TO EMPHASIZE A POINT |
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| THE IMAGINARY VOICE ASSUMED BY THE WRITER OF A POEM, THEO NE DESCRIBING THE EVENTS IN A POEM |
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| A CHARACTER WHO DOES NOT UNDERGO A CHANGE OVER THE COURSE OF THE STORY |
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| THE ATTITUDE OF AN AUTHOR TOWARD THE SUBJECT THAT HE/SHE IS WRITING ABOUT |
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| REFERS TO WHAT SOMEONE IS LIKE-WHAT THEIR QUALITIES ARE (SOMEONE'S CHARACTER REFERS TO THEIR CHARACTER TRAITS) |
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