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        | A musical subject of cantus firmus derived from a text by employing solmization syllables whose vowels correspond to the vowels in the text. Josquin de Prez. |  
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        | solo songs, accompanied on a lute |  
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        | A harmonic bass, widely used for composition of arie per cantar and dance variations from the middle of the 16th through the 17th centuries. |  
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        | pavane stately dance in three repeated strains (AABBCC), and the more lively galliard follows the same form with a variant of the same melody. |  
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        | A waisted, stringed instrument of medieval and Renaissance Spain. |  
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        | Musical ideas imitated throughout a work. Based of Franco Flemish style.  |  
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        | Early version of Trombone |  
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        | A wooden or occasionally ivory, instrument. Uses reed, not exactly a brass instrument |  
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        | A wind cap, double reed instrument of the 16th, 17th centuries. Shaped like a J. |  
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        | divided choirs, Venetian church poly chordal motets. |  
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        | Precursor of the fugue. Instrumental equivalent of a motet (pervasive imitation) |  
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        | Song for playing instrumental equivalent of French chanson. Precursor of the sonata. |  
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        | A council of the Roman Catholic Church convened by Pope Paul III. Embodied the spirit of the Counter-Reformation, and dealt with the reform of liturgical music. |  
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        | Dance like refrain, fa-la form, Giacomo Gastoldi 1544-1609 |  
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        | A vocal work in which a new sacred text has been substituted for the original one secular. |  
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        | group of virtuoso woman singers, laid ground work for professional women opera singers, helped create preference for high solo voices with instrumental accompaniment, 3 singers and 2 instrumental lines |  
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        | Full anthem, Verse anthem |  
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        | Full anthem, for unaccompanied choir in contrapuntal style. Verse anthem employs one or more solo voices with organ or viol accompaniment, alternating with passages for full choir doubled by instruments. |  
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        | Late 16th French style of text setting, especially in chansons, in which stressed syllables are given longer notes than unstressed syllables. Claude de Jeune |  
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        | English name 1575-1700 for a group of instruments all alike |  
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        | Arrangement of a vocal piece for Lute or keyboard written in tablature. |  
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