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| walled planes to divide spaces |
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| Egyptian place of worship |
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| tall skinny windows in midle hall of building to let in natural light |
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| foursided monument with pointed top |
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| greek column order derived from wood consruction |
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| vertical channeled tablets in Doric frieze |
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| decorative band between two Trigylphs in Dorc frieze |
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| columns with volutes on its capital |
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| column order that feautured acanthus leaves in the capital of the column |
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| the top part of the column |
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| the pole spanning from bottom to top of column, main support |
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| the vertical grooves running vertically along the surface |
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| the bottom of the column connecting it to the ground or slab |
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| Commodity, Firmness, and Delight |
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| apse with radiating chapels |
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| triforium gallery(tripartite) |
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| clerestory/vault(tripartite) |
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| Two non-greek wonders of the ancient world |
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| Pyramids of Giza and Hanging Gardens of Babylon |
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| Seven wonders of the ancient world |
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Hanging Gardens of Babylon
Pyramids of Giza
Lighthouse of Alexandria
Temple of Artemis at Ephesus
Statue of Zeus at Olympia
Mausoleum at Halicarnassus
Colossus of Rhodes |
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| Greek leader associated with the term "Hellenistic" |
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| Event that destroyed Library of Alexandria |
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| Julius Caesar setting fire to his own ships |
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| Difference between Greek Doric and Roman Doric |
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| First American structurre to be erected with an iron frame that also supported its masonry envelope |
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| inventor of the cast-iron fronted building in America |
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| Bogardus' proposed design for the 1853 New York World's Fair |
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central 350' tower
4 stories
cast iron front
iron chain sheet metal roof |
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| construction system used in Bogardus' McCollough Shot Tower |
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Iron skeleton
12" brick each floor
masonry infill |
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| Bogardus' primary competitor in the New York City market |
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| inventor of American iron skeleton frame |
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| 1st U.S. city where cast-iron was used to any great degree |
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moral
handmade
human passion |
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rationalism
vaulting system
context: fits the time and function |
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| effect on architecture of Franco-Prussian war |
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France did not build 1st skyscraper because of Declarion of Independence
USA built 1st skyscraper |
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| style of architecture constructed during Napoleon III's reign |
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2nd Empire
Beaux arts
Mansard |
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| in charge of urban renovation of Paris in the mid-19th century and appointed Prefect of the Siene by Napoleon III |
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| three laws that controlled design of Haussmann's building design in Paris |
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constant cornice and floor height
roof at 45° slope
required use of quarry stone |
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| two aspects of early industrial revolution in Great Britain that brought the reform movement in design |
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urban ghettos
less ornamental |
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| first British architect to use the theory of zeitgeist in challenging his peers to improve British architecture in 1835 |
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| German term for "spirit of the times" |
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| first British architect to call for a new style in architecture appropriate to the 19th century |
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| Owen Jones' first book documenting the Islamic tradition of ornament and the study of it |
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| first to propose to Prince Albert the idea for the Crystal Palace |
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| designer in control of the color scheme of the Crystal Palace |
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| method of protecting the Crystal Palace's glass roof from the heat of the sun |
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| the way South Kensington School of Design was orginally funded |
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| money made at crystal palace gates |
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| author of The Grammar of Ornament |
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| what did Owen Jones mean by "repose" |
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not hyperactive
always under control
"want of nothing, complete design unto itself |
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| two ornamental systems influenced by Owen Jones in the late 19th century |
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contrast
true principles of pointed or christian arch |
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| major differnce in ideas between Pugin and Jones |
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Pugin wanted to go back to gothic
Jones wanted to stay in the 19th century |
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| two architects responsible for the reconstruction of the Houses of Parliament in 1836 |
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Charles Barry
Agustus Pugin |
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| reason behind the guidelines of the Houses of Parliament reconstruction being it had to be Gothic or Elizabethan |
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| classical was related to Napoleon and he was hated |
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| helped shape the culture of Victorian Britain with Thomas Carlyle |
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| two books written by John Ruskin about architectural theory |
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Seven Lamps of Architecture
The Stones of Venice |
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| the "red house," symbol of the beginning of the Arts and Crafts movement in England was designed by which architect |
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| painting movment the influenced William Morris that parralled the Gothic Revival |
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| configuration of the Arts and Crafts house |
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| why the L-shpaed configuration of the Arts and Crafts house |
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rejection of Palladio's symmetircal estates
easy to add on to in the future |
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