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The first Jazz musician /best cornet player from 1895-1906 |
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| Self-taught cornet player/first jazz player admired by both blacks and whites/c-melody saxophonist |
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| considered the FIRST JAZZ SOLOIST/influenced many/virtuoso of sax and cornet/ had a "HOT SOUND"/mentored by King Oliver |
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| FATHER OF THE BLUES/First to write down the blues |
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| Top New Orleans Jazz musician/ did not want to be emulated/ never recorded/ played with a napkin |
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| mentored Armstrong/ leader of the CREOLE JAZZ BAND/ Dippermouth Blues |
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| Played Clarinet and Soprano Sax/ one of the first to record/ featured stoptime breaks. |
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| C-Melody Saxophonist/ "hot jazz soloist"/contributed to Bix's career |
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| an aspect of African music that was quite functional in which a leader would call a phrase and everyone else would respond. |
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| a white jazz group influenced by the New Orleans style of Jazz who attended Austin High in Chicago, IL |
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| Significant TENOR SAXOPHONIST/created a unique sound emulating Frankie Trumbauer/ "PRESIDENT OF THE SAX" |
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| specialist in arrangements/ arranged material according to families of instruments/sax player |
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| played "sweet jazz"/ band leader, arranger, pianist |
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| Harlem Stride pianist/ imitated Armstrong on piano |
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| protege of James P. Johnson/ singer, entertainer, composer of popular songs in Broadway Shows. |
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| Harlem Stride Pianist/taught Fats Waller/ accompanied blues singers |
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| Swing-ero tenor saxophonist!!! |
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| Father of the Boogie Woogie |
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| Duke Ellington's Alter ego/arranger, composer/inspired took the a-train song |
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| key member of Ellington's band/ FATHER OF THE BASS |
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| FIRST JAZZ COMPOSER and ARRANGER/ Hed Hot Chili Peppers? swing feel |
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| Piano imitation of Brass bands/ little improv/LH back and forth--RH syncopated melodies |
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| Lots of improv/swing 8th note/ evolved from ragtime/ RH uses a familiar melody |
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| ONE soloist at a time/ more saz,tpt, guitar, pno, bass/tuba |
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| began in Storyville/ INSTRUMENTATION: front line: tpt, clar, trom and rhytm: pno, bass, bnj, COLLECTIVE IMPROV |
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| LH-Stationary, RH--improvised riffs or catchy tunes, mostly AAB form |
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| 9-18 players, more bass than tuba, three sections bass, rhythm, reeds, more arrangements |
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