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Definition
| 1. Mu Qi (Chinese Chan painter). Hanging Scroll triptych: Crane, White-robed Guanyin (J: Kannon) and monkey with baby. 13C. (Daitoku-ji, Kyoto). |
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| 2. Mu Qi. Six persimmons. 13C. (Daitoku-ji, Kyoto). |
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| 3. Liang Kai. (Chinese painter who retreated to a Chan monastery). Sakyamuni (J: Shaka) descending the mountain. 13C From Ashikaga collection. (TNM) |
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| 4. Liang Kai. Hui Neng, the 6th Chan patriarch at moment of enlightenment. 13C. Previously in Ashikaga collection. (TNM) |
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Definition
| 5. Mokuan (Reien). The Four Sleepers. mid 14C/ Muromachi. (Maeda Foundation) |
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Definition
| 6. Kao. Monk Kensu eating a shrimp. mid 14C/ Muromachi (TNM) |
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Definition
| 7. Temple of the Golden Pavilion (Rokuon-ji). Originally a retreat of Ashikaga Yoshimitsu "Northern mountain culture" Late 14C/ Muromachi. (Located in Kyoto.) |
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| 8. Temple of the Silver Pavilion. (Jisho-ji) Originally the retreat of Ashikaga Yoshimasa. "Eastern mountain culture". late 15C/ Muromachi. (Located in Kyoto.) |
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Definition
| 9. Noami. Left of a 4-fold screen. Flowers and Birds. Ink/paper. Previously in the Ashikaga collection. (Idemitsu) ) |
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| 1. Josetsu. Detail of hanging scroll (long inscriptions on top): Catching a Catfish with a Gourd. Muromachi (c. 1413). (Myôshin-ji, Kyoto). |
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Definition
| 2. Shubun, Reading in the Bamboo Study, Detail of Hanging Scroll (with inscriptions above), Muromachi (c 1446). |
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| 3. Sesshu, Landscape hanging scroll, Muromachi, 15C. |
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Term
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| 4. Sesshû. Winter of 4 hanging scrolls of 4 Seasons. Muromachi (c. 1500). (TNM) |
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Definition
| 5. Sesshu, Hui Ko's Sacrifice, 1496 (Ashikaga period), Ink and light color on paper (hanging scroll). |
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| 6. Xia Gui, Pure and Remote Views of Streams and Mountains, ink on handscroll, early 13th century (Detail). |
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Term
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Definition
| 7. Himeji Castle. Momoyama. 1580-1609 (Momoyama) |
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Definition
| 8. Kano Eitoku. Karajiji (Chinese Lions) 1584 commission by Hideyoshi as a gift to another lord to form an alliance. (Momoyama) Tokyo Imperial Collection. |
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Term
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Definition
| 9. Garden of Juko-in subtemple of Daitoku-ji temple (Kyoto). Built in Late Muromachi 1566 (Located in Kyoto.) |
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Definition
| 10. Kano Eitoku. Plum & Pine Tree Fusuma (Sliding screen panels) in central (most important room) of Juko-in subtemple. 1566 . Late Muromachi (Located in Kyoto.) |
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Definition
| 11. Kano Eitoku. Detail of Plum Tree Fusuma (Sliding screen panels) in central (most important room) of Juko-in subtemple. 1566 . Late Muromachi (Located in Kyoto.) |
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Term
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Definition
| 12. Kano Eitoku. Detail of Plum Tree Fusuma (Sliding screen panels) in central (most important room) of Juko-in subtemple. 1566 . Late Muromachi (Located in Kyoto.) |
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Term
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Definition
| 1. KIM Si, A Bull, KOREAN, Joseon (Chosun) dynasty, (c. 1509) |
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Term
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Definition
| 2. Anonymous, A Tiger, KOREAN, Joseon (Chosun) dynasty, 18C. |
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Definition
| 3. Jeong Seon, Landscape, KOREAN, Joseon (Chosun) dynasty, first half of 18C. |
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Term
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Definition
| 4. Ike no Taiga, Mt. Ki Waterfall, Edo period, 1744. |
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Term
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Definition
| 5. Yosa Buson, One of the collaborative series, 10 Conveniences and 10 Pleasures: The Pleasure of Summer. Edo period, 1771. |
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Term
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Definition
| 6. Ike no Taiga, Detail from "Discourse on Happiness" (handscroll), Edo period, 1771. |
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Definition
| 1. Kano EITOKU. "Uesugi screens" Scenes in and around the Capital (Rakuchû rakugai zu) Pair of six-fold screens. c. 1550 (Late Muromachi) |
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Definition
| 2. Iwasa MATABEI. Festival for a bountiful kingdom. (Hokoku sairei). One of a pair of six-fold screens. 1605: on the 7th anniversary of Hideyoshi's death. |
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Definition
| 3. Iwasa MATABEI. The Four Accomplishments. Kin ki sho ga (Koto-go game- calligraphy- painting) Ink, color and gold on a hanging scroll. Early 17C (Edo) |
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Definition
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| 5. Kano SHOEI (Eitoku's father). Two panels (fusuma or sliding screens) from "The Four Accomplishments" in Jukoin 1566 (Muromachi) |
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Definition
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Term
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| 7. Anon (Kano artist?). 4 left panels of "Hikone Screen" with a reference to the Four Accomplishments. Early 17C. (Early Edo) |
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Definition
| 8. Iwasa MATABEI. Hitomaro (one of the 36 poets). One of 36 pictures commissioned by the Tokugawa family and donated to a temple. 1640 (Early Edo). Gold, ink, and color on wooden panel about 18 X 12 inches. |
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Term
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Definition
| 9. Iwasa MATABEI. Hitomaro. One of a pair of hanging scrolls. Ink on paper. Early 17C. About 13" wide. |
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Term
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Definition
| 10. Sakai HOITSU. Hitomaro. Detail from a folding screen that includes the 36 poets. Ink and color on paper. |
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Term
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Definition
| 11. Ogata Korin. Red and White Plum Trees. 1710-16. Pair of two-fold screens (shown together). Color and gold and silver leaf on paper. Each screen about 5 1/2 feet high. |
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Definition
| 12. Ogata Kenzan. Tea bowl with plum branch design. 18C. Earthenware with underglaze painting. About 3" high. |
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Definition
| 13. Honami Kôetsu (painting) and Tawaraya Sôtatsu (calligraphy). Deer Scroll. c. 1615. Ink and gold and silver paint on paper. About 13" high. |
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| 14. Hanabusa Itcho. Cherry trees in a grove. Early 18C. Light color on silk, mounted in a hanging scroll. About 9" high. |
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Term
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Definition
| 15. Tawaraya Sotatsu. Pine Islands (Matsushima) One of a pair of six-fold screens. Early 17C. Ink, color and gold leaf on paper. About 5' tall. |
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Definition
| 16. Ogata Kôrin. Pine Islands (Matsushima). One of a pair of six-fold screens. About 1700. Ink, color and gold leaf on paper. About 5' tall. |
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Definition
| 17. Tawaraya Sotatsu. God of Thunder (Raijin) and God of Wind (Fujin). Pair of two-fold screens. After 1621. Color and gold and silver paint on paper. About 5'9" tall. |
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Term
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Definition
| 18. Tawaraya Sotatsu. God of Thunder (Raijin) and God of Wind (Fujin). Pair of two-fold screens. After 1621. Color and gold and silver paint on paper. About 5'9" tall. |
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