Term
|
Definition
Santa Maria Novella, façade, 1458-70,
commissioned by Giovanni di Paolo
Rucellai from LEON BATTISTA ALBERTI
- scrolls, classical form, gothic, |
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|
Term
|
Definition
Equestrian Monument to Erasmo da Narni
(Gattamelata), 1447-53, commissioned by his wife
and son from DONATELLO to be placed outside the
Santo, Padua. Bronze, height 12' 2" (3.7 m)
-imperial imagery, difficult to raise a hoof, |
|
|
Term
|
Definition
Mantegna, San
Zeno Altarpiece,
1460, Tempera on
Panel, height
7’2.5”
-looking through a window, orthagonal lines, temple facade, |
|
|
Term
|
Definition
High
Altar, the
Santo,
Padua,
1446-53,
commission
ed by the
governors
of the
Santo from
DONATELLO.
Bronze,
partially
gilt
- entombment of christ, bronze relief |
|
|
Term
|
Definition
Camera Picta, 1465-74, commissioned by Ludovico
Gonzaga from ANDREA MANTEGNA for Castello San
Giorgio, Mantua. Fresco
-family, foreshortening, trompe l'oiel, images to make puns, narrative |
|
|
Term
|
Definition
Andrea Mantegna: ceiling oculus (1465–74),
fresco, Camera Picta, Palazzo Ducale, Mantua;
perspective, puti, |
|
|
Term
|
Definition
Palazzo Ducale, Urbino, western façade, mid-1450s-80s,
commissioned by Federico da Montefeltro from LUCIANO
LAURANA, FRANCESCO DI GIORGIO, and others |
|
|
Term
|
Definition
Flagellation,
ca. 1480-85, by
FRANCESCO
DI GIORGIO.
Bronze. 55. |
|
|
Term
|
Definition
Federico da
Montefeltro and
?, 1480s, by
FRANCESCO
DANTONIO
DEL
CHIERICO.
Tempera on
parchment. 270
x 186 mm.
- |
|
|
Term
|
Definition
Vitruvian Man,
c. 1482-86,
FRANCESCO
DI GIORGIO |
|
|
Term
|
Definition
Batttista Sforza and Federico da Montefeltro, c. 1472,
commissioned by Federico da Montefeltro from PIERO DELLA
FRANCESCA.
-landscape, profile, |
|
|
Term
|
Definition
Portrait of
Leonello
dEste
By Pisanello.
1441
Tempera on
wood, 28 x 19
cm
- |
|
|
Term
|
Definition
Enthroned Madonna
and Saints Adored by
Federico da
Montefeltro, c. 1472-74,
commissioned by
Federico da
Montefeltro from
PIERO DELLA
FRANCESCA,
- volumetric, but frozen, |
|
|
Term
|
Definition
Medici Chapel, Medici Palace, Florence, detail of
right wall showing the retinue of the youngest king,
c. 1459, commissioned by Piero de' Medici from BENOZZO
GOZZOLI.
- escorting real princes, future head of family being groomed, |
|
|
Term
|
Definition
Joos van Ghen,
The Institution
of the
Eucharist,
1474
- judas in back left, by bag of money, joos' contemporaries in back right corner, bread is the subject, |
|
|
Term
|
Definition
Uccello, A Jewish family
being burned at the stake,
ca. 1467-68
- |
|
|
Term
|
Definition
Hugo van der Goes, Portinari Altarpiece, ca.
1476. Oil on Panel. Uffizi
-highly saturated hues, not as much as hue modeling, scale discrrepancy, play of light |
|
|
Term
|
Definition
Antonello da
Messina
Pietà
c. 1475
- how he might work with oil. lights role in visibility. |
|
|
Term
|
Definition
Antonello da
Messina
Virgin
Annunciate
c. 1476
Oil on wood,
45 x 34,5 cm
-reflective, gesture, implying that the angel stands before her |
|
|
Term
|
Definition
San Giobbe
Altarpiece,
before 1478,
commissioned
by the
Confraternity
of St. Job
from GIOVANNI
BELLINI for
San Giobbe,
Venice.
-mosaic, diffusion of light |
|
|
Term
|
Definition
St. Francis
in the
Desert,
1470s,
GIOVANNI
BELLINI. Oil
and tempera
on panel, 49
x 55 7/8"
(124 x 142
cm);
- how he actually lived, alone, open gesture, stigmata, no angel, light |
|
|
Term
|
Definition
Andrea
del
Verrocchi
o,
Baptism
of
Christ,
ca. 1470-
76.
- leo as an assistant, light and dark, movement |
|
|
Term
|
Definition
Incredulity of
St. Thomas,
1465-83,
commissioned by
the tribunal of
the Mercanzia
from ANDREA DEL
VERROCCHIO for
their niche at
Or San Michele,
Florence, bought
from the Guelf
Party.
- law court, patron saint thomas, faith, truth, verification, breaks into a world, made them shallow and pushed them out. not figures in the round. volume of drapery, almost like dancing, empty space that activates |
|
|
Term
|
Definition
Annunciation, ca. 1473-4, by LEONARDO
DA VINCI. Oil on Panel,
-unsatruated with color, how color looks in the real world, absense of saturation- absence of light, all about the light |
|
|
Term
|
Definition
LORENZO DI
CREDI
Annunciati
on
1480-85
Oil on
panel, 88
x 71 cm
Galleria |
|
|
Term
|
Definition
Ginevra de'
Benci, c.
1474? and
1478/80,
commissioned
from LEONARDO
DA VINCI |
|
|
Term
|
Definition
Giovanna de'
Tornabuoni,
1488,
commissioned
from
DOMENICO
GHIRLANDAIO |
|
|
Term
|
Definition
Birth of Venus, ca. 1484, by BOTTICELLI,
tempera on canvas,
- monumental nude female, antiquity with stance and gesture, vase painting |
|
|
Term
|
Definition
Primavera, c. 1482, by SANDRO BOTTICELLI.
- no christian content immediately, pagan gods and goddesses, classical subject matter, classical text as point of departure. |
|
|
Term
|
Definition
Adoration of the Magi (restored 1981) 1475 (ca. )
Botticelli, Sandro
- hue modeling, foreground to middle-smaller, follow principles |
|
|
Term
|
Definition
Adoration of the
Magi, begun 1481,
left unfinished
in 1482,
commissioned by
the Augustinian
monks of San
Donato a Scopeto
from LEONARDO DA
VINCI.
- virgin in foreground, crowd is behind, spotlight mary, hit them with light, movement is dynamic
horses in background |
|
|
Term
|
Definition
Ghirlandaio,
Adoration of
the Magi, ca.
1480.
Florence,
Spedale degli
Innocenti. |
|
|
Term
|
Definition
Madonna of the
Rocks, 1483-1508,
commissioned by
the Confraternity
of the Immaculate
Conception from
LEONARDO DA VINCI
for their chapel
in San Francesco
Grande, Milan.
Oil on panel, 6'
6 1/2" x 4'
- confraternity of the immaculate conception, yuck with varnish, radical new gesture, 2 versions |
|
|
Term
|
Definition
Cosimo Rosselli, Adoration of Golden Calf
1481-82; Fresco, 349 x 570 cm; Cappella Sistina,
Vatican
- moses reps the old law, rasing tablets, jews and christians relation to the laws |
|
|
Term
|
Definition
Baptism of Christ, 1481-82, commissioned by Sixtus IV
from PIETRO PERUGINO for the right wall of the Sistine
Chapel, Rome.
-circumsicion of the crux. moses son, christ has the power to suffer like us. |
|
|
Term
|
Definition
Circumcision of Moses’s son, 1481-82,
commissioned by Sixtus IV from PIETRO PERUGINO
for the left wall of the Sistine Chapel, Rome |
|
|
Term
|
Definition
Christ Giving the Keys to Peter, 1481-82, commissioned
by Sixtus IV from PIETRO PERUGINO
-christ giving the keys to peter, peter with keys - keys to christ |
|
|
Term
|
Definition
Punishment of Corah, 1481-82, commissioned by
Sixtus IV from BOTTICELLI |
|
|
Term
|
Definition
Ghirlandaio, Birth of St John the Baptist; 1486-90
Fresco, width 450 cm; Cappella Tornabuoni, Santa Maria
Novella, Florence.
- juxtaposing bright colors |
|
|
Term
|
Definition
BOTTICELLI,
Sandro
Last
Communion
of St
Jerome
c. 1495 |
|
|
Term
|
Definition
Mantegna, Parnassus, 1497.
- looks myth painting, gods from classical antiquity, muses in center foreground, painting about poetry. |
|
|
Term
|
Definition
A Group of
Five
Grotesque
Figures, ca
1494 by
LEONARDO DA
VINCI. |
|
|
Term
|
Definition
Portrait
of
Cecilia
Gallerani
by
LEONARDO
DA VINCI,
ca. 1483-
88. |
|
|
Term
|
Definition
Ginevra de'
Benci, c.
1474? and
1478/80,
commissioned
from LEONARDO
DA VINCI. |
|
|
Term
|
Definition
Andrea Mantegna, Follower of, Italian. c.
1500. Triumph of Love; Triumph of Chastity;
Triumph of Death. |
|
|
Term
|
Definition
Last Supper,
1494?-97/98,
commissioned by
Ludovico Sforza
and Beatrice
D'Este from
LEONARDO DA VINCI
- painted in a new way, emotional reaction, back turned |
|
|
Term
|
Definition
Battle of the Lapiths and the Centaurs, c. 1492,
MICHELANGELO. |
|
|
Term
|
Definition
Michelangelo,
Bacchus, ca.
1496-97. |
|
|
Term
|
Definition
Pietà, 1498-9,
commissioned by
Cardinal Jean
Bilhères de
Lagraulas (Jean
de Villiers de la
Groslaye) from
MICHELANGELO for
his funerary
chapel at St.
Peter's, Rome.
Marble
- weight of body, young mary, lowering into tomb, more idealized |
|
|
Term
|
Definition
Michelange
lo,
Entombment
, 1500-01.
Oil on
Panel
- nude, sacred nudity, |
|
|
Term
|
Definition
Leonardo,
Virgin and
Child with
Saint Anne
and the
Young John
the Baptist
ca. 1507-8
-cartoon |
|
|
Term
|
Definition
Michelangelo,
David, 1501-4.
-tense and rigid, DONTALLO THO |
|
|
Term
|
Definition
The Battle of Anghiari by RUBENS AFTER LEONARDO,
1503-05
-fullfill atmosphere, fail technique, polarized atmosphere, teeth, wrinkly face, vortex |
|
|
Term
|
Definition
Michelangelo
, Doni
Tondo, ca.
1504.
-very buff virgin, image of time, platonic love, angels, hue modeling |
|
|
Term
|
Definition
Sistine Chapel Ceiling 1508-12, commissioned by Julius II
from MICHELANGELO. |
|
|
Term
|
Definition
Marriage
of the
Virgin,
1500-04 by
PERUGINO |
|
|
Term
|
Definition
Raphael, Angelo Doni and Maddalena Strozzi Doni,
ca. 1506.
-big change in style, color, body type, fully engaging the viewer, less sfumato, approach to light is different, wealth and status |
|
|
Term
|
Definition
Raphael,
Entombment
, 1507.
- writings on paintings, dramatic story |
|
|
Term
|
Definition
Madonna and
Christ Child
and St. John
(Belvedere).
Vienna.
(Madonna of
the Meadows)
1505. |
|
|
Term
|
Definition
Stanza della
Segnatura,
Vatican
Palace, Rome,
1508-11,
commissioned
by Julius II
from RAPHAEL |
|
|
Term
|
Definition
Giovanni
Bellini
San Zaccaria
Altarpiece
1505
-fluidity between our world and the piece , oil painting skills and reality, color to build composition, life like atmosphere, impasto |
|
|
Term
|
Definition
GIORGIONE DA
CASTELFRANCO,
The Tempest,
ca. 1505-6 or
1509. |
|
|
Term
|
Definition
Sleeping Venus, c. 1507-1510, perhaps commissioned by
Girolamo Marcello from GIORGIONE
-female body, gaze theory, sexual, masterbating, female nude in erotic situation, art |
|
|
Term
|
Definition
Titian, Pastoral Symphony, ca. 1508.
- are they aware of the women, female body, sense of colors, playing a role, no sharp outlines |
|
|
Term
|
Definition
Tomb of Julius II,
commissioned by
Julius II in 1505-
45 from
MICHELANGELO,
- mannerism |
|
|
Term
|
Definition
Raphael,
Sistine
Madonna,
1513. |
|
|
Term
|
Definition
Portrait,
probably
of
Raphael,
with
another
Man by
RAPHAEL,
ca. 1518. |
|
|
Term
|
Definition
GIOVANNI
BELLINI and
TITIAN, The
Feast of the
Gods, 1516
and 1529.
-outdoor scene, out partying, venetian approach to classicism |
|
|
Term
|
Definition
Titian,
Worship
of Venus
1519
- smooching cupids, imagery, colored, impasto |
|
|
Term
|
Definition
TITIAN,
Meeting
of
Bacchus
and
Ariadne,
1520-
1523
-citation of other work |
|
|
Term
|
Definition
Rosso
Fiorentino,
Deposition.
1521.
-colors, planes, pulled painting a part, classical image turned on head and made interesting no sense of balance |
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