| Term 
 | Definition 
 
        |     -both originally meant myth   -meaning of logos changed from myth to logic/reason when the content of myth of questioned |  | 
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        | Term 
 | Definition 
 
        |     traditional tale that has collective importance for the community that employs it |  | 
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        | Term 
 
        |     Particular Aspects of Greek Myth |  | Definition 
 
        | oral vs. literary- creation of literary works based on oral tales   humanism- anthropomorphic gods, humans strived to be godlike but were confined by their animalistic nature   pessimism-heroes usu. die in some violent fashion   individualism-heroes struggle for recognition/fame as a way to surmount death by gaining a reputation that lives after their death |  | 
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        | Term 
 | Definition 
 
        | -anthropomorphic   -polytheistic   -no literary text to tell people how to behave   -gods weren't necessarily more moral/ethical than humans; they were more powerful/immortal, so they were feared |  | 
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        | Term 
 | Definition 
 
        | -literary and cultic   -made offerings at supposed graves after death to appease/ask for help (heroon) |  | 
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        | Term 
 
        |       lack of division btwn 'Church and State' |  | Definition 
 
        | -no division btwn religious and political life   ex.gods were potentially everywhere, daily religious activities, festivals |  | 
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        | Term 
 | Definition 
 
        | -pragmatic system of exchange (gain favour of gods through ritual) |  | 
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        | Term 
 | Definition 
 
        | -not Greek (can't read their language based on what we know of Greek)   -from Crete |  | 
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        | Term 
 | Definition 
 
        | -1st Greek civilization   -time to which myth recalls   -Linear B (we can read based on what we know about Greek) |  | 
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        | Term 
 | Definition 
 
        | -loss of writing   -population decline   -less agriculture   -fragmentation w/in Greek society   -period of oral dev. of myth |  | 
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        | Term 
 | Definition 
 
        | -rebirth of Greek society   -Phoenician alphabet w/ vowls |  | 
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        | Term 
 | Definition 
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        | Term 
 | Definition 
 
        | -content can be represented in different media |  | 
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        | Term 
 | Definition 
 
        | -one type of medium in which myth was expressed |  | 
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        | Term 
 
        |     Trad view of Homer and the Iliad/Odyssey |  | Definition 
 
        | -written by blind bard who was born along the Ionian coast |  | 
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        | Term 
 
        |     Oddities of the Homeric Epics |  | Definition 
 
        | -not natural language; numerous dialects from diff. time periods   -repitition of phrases, sentences, passages   -inconsistencies in plot/contex |  | 
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        | Term 
 
        |     Parry-Lord Theory of the Composition of the Epics |  | Definition 
 
        | -epics were a product of an oral trad |  | 
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        | Term 
 | Definition 
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        | Term 
 
        |     Formulaic Structure of Homeric Epics |  | Definition 
 
        | -repeated epithet-noun combos (swift-footed Achilles)   -combos to fill out metre of a line (she spoke winged words)   -wole lines/passages repeated for typical actions (performing a sacrifice, arming a hero) |  | 
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        | Term 
 
        |       Homeric Poetry as Oral Poetry |  | Definition 
 
        | -rhapsode was able to compose a story for his audiece on the spot using this formulaic poetry; thus it is widely accepted that the Iliad/Odyssey are a product of an oral trad of story telling |  | 
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        | Term 
 
        |     When/Where did this Oral Trad Arise? |  | Definition 
 
        | When- dark age as a necessary response to the lose of writing   Where- Ionia; dominant dialect is Ionian where Homer was said to have been born |  | 
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        | Term 
 
        |     Migration, Movement and Myth |  | Definition 
 
        | -Ionian coast settled by Greeks during dark age   -in travels they developed oral poetry to recall, preserve and dev. their culture |  | 
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        | Term 
 
        |     Role of Writing in Homeric Epics |  | Definition 
 
        | -Homer was a trad oral poet who used writing to create a larger/grander poem |  | 
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