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| to let crew members anticipate and prepare for their next responses |
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| command to the TD to dissolve to black or up from black |
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| a cut, the quickest possible video transition |
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| the TD will move the fader bar from one bank to the next on the switcher when executing a gradual shot transition |
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| a type of video transition involving the use of a geometric pattern to reveal a new image |
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| a command to the audio person to switch on a microphone channel on the mixer |
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| cuing performers: announcers, talent, anchors, hosts, etc. |
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| to start tape machines, typically videotape machines, audiotape machines, or film chains |
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| come from any number of sources: cassette, CD, videotape, reel-to-reel tape, Digital Audio Tape, or record |
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| MUSIC TO BACKGROUND/MUS BKG |
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| command to audio to bring down the sound level in anticipation of some new sound, typically a voice-over |
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| commands tells audio to swell the music back up to a full level from a background level |
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| host, guest, anchor, reporter, actor, or announcer |
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| can be used to record video but also to play back roll-ins, news package, bumpers, or commercials |
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| can be rolled into a program |
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| art card and easel graphic |
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| combination of video sources created by the video switcher using rows of input buttons called an "effects bus" |
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| FADE SOUND AND PICTURE OUT/FSAPO |
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Definition
| brings any show to a close |
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