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        | Early Baroque,Text painting, dionysian, Madrigal, |  
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        | Early Baroque, Venice, continuo, cantatas. |  
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        | Renee descartes, six possible affections. used as template for music. |  
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        | ABA format. Soloist ornaments on second A. Baroque, Dionysian |  
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        | Late Baroque, functionalist, concerto, programmatic music. (four seasons) |  
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        | Oratorio, Opera, Opera Seria. First true classical composer, but in baroque. |  
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        Late Baroque, functionalist. Chapelmaster in leipzig. Cantatas (based on chorales) Oratorios. NO OPERA, counterpoint, perpetuum mobile. |  
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        | 1750-1825- Apollonian, clean, beautiful melodies, little improvisation. |  
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        | Classical, patronage, won right to own work. Sense of humor. Taught Mozart, Beethoven |  
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        | Classical, 41 symphonies, Opera seria, Buffa(figaro) Singspeil, start of standartization of forms, genres |  
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        | 1835-1900, focus on composer's emotion. Focus on individual like enlightenment, unlike enlightenment emphasis not on rational. began in literature. |  
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        | Classical/Romantic, Diva, developing motives, Per aspera ad astra, Eroica symphony, nine symphonies, |  
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        | Romantic, Italian composer, Opera, Code Rossini, Rossini Crescendo, Double Aria, nice, good humor, anti-Beethoven |  
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        | Vincenzo Bellini and Gaetano Donizetti |  
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        | Under Code Rossini's shadow, began to increase realism in Italian opera |  
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        | Confronted code rossini, more realism, became nationalist icon after Nabucco, Mamet style dialogue, no black and white |  
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        | Under Beethoven, used Rossini style to write symphonies, did same with other composers |  
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        | Also dealt with how to get past beethoven |  
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        | Under Beethoven. Product of salon culture, rich french threw money at him, character peices, avoided symphonies. Exoticism, |  
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        | Hector Berlioz, Franz Liszt, Richard Wagner |  
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        | New German school, progressives, Beethoven ruined symphony for them, they had to move to other genres. |  
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        | Programmatic symphonies, elaborate story from just instruments. |  
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        | Symphonic poems, one movement, programmatic |  
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        | Total Work, used for nazi propaganda, huge orchestra |  
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        | Schumanns, Mendelssohn, Johhanes Brahms |  
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        Conservative school, against new germans. Music is absolute, cannot refer to much outside itself, traditional forms still good. |  
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        | Used traditional forms, was a genius, scholar, sampled, intricate, formal music, every genre but opera (Bach, Beethoven). Chamber music, piano music, symphonies |  
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        | Emphasis on a shared culture, made by a minority. for independence, or recognition after achieving independence. |  
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        | Nationalist against russians. Finlandia |  
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        | Czeck nationalist, smetana |  
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        | Nationalist, for national pride, pomp and circumstance |  
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        Russian nationalist, ballet, symphonies, wrote his heart beat stopping, personal music |  
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        | 1862-1918, neoclassicism, began 20th cent, used music from other cultures, studied older styles (neoclassical concept), impressionism. |  
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        | Tonality not required, reactions to world events, expressionist music, serialism, |  
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        | 20th cent, serialism, pantonality, expressionist |  
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        | Schoenberg disciple,more interested in serialism, charted rhythm, expressionist, Timbre |  
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        | Schoenberg disciple, pantonal, romantic, expressionist, |  
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        | French response to serialism, expressionism. |  
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        | Neoclassical functionalist, no problem with imitation, arranged orchestras, beauty drowned his emotion in le tombeu de couperin |  
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        Distanced himself from russian nationalism  Sold more than schoenberg, rite of spring=primitivism, settled on pertuschka's sophisticated, sarcastic social commentary. Taught at UCLA |  
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        Neoromantics, systematic serialism (milton babbitt), Chance music, Minimalism  (phillip glass), John Cage |  
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        Gustav Mahler = Great conductor, jewish, destroyed by nazi historians. Beethoven=nazis wanted to associate themselves with him |  
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        | Fanfare for the common man, saved him from  the blacklist. |  
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        | Black angels against vietnam |  
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        | Genius, broken by stalin. Lady Macbeth of mtensk. Public music = communist, private = shrieking |  
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