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| Unconventional artists leading lives of unconformity |
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| Standard of beauty is personal, personal vision of what is beautiful, opposite of "universal standard of beauty" |
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| Rold of art critics (Zola) |
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| To study the languages (how a work of art speak to cultures and civilizations) and to say what new subtlety and energy they possess |
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| Mob mentality, originality shocks, narrow-minded |
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| Function of impressionism |
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| not to imitate nature, but to recreate it |
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| Primarily rejects styles of the Classical period, but more importantly describes works of art that have a certain political stance |
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| Role of avant-garde artists |
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| To strive to make statements about politics in their work and to change the public on how they think socially and politically |
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| Rigorousness of form, standard of beauty |
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| Manet, Young Lady in 1866 |
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| Manet, Madame Manet at Bellevue |
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| Manet, Luncheon on the Grass (Dejeuner sur l'herbe) |
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| Manet, Dead Christ and the Angels |
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| Manet, White Lilacs in a Glass |
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| Manet, Bar at Folies Bergeres |
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| Patches of brushwork that defines that style used in Impressionistic paintings |
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| Pissaro, La Recolte des Foins |
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| Monet, Impression, Sunrise |
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| Monet, Poppy Field in Argenteuil |
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| Courbet, Source of the Loue |
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| Courbet, Landscape Near Indre |
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