| Term 
 | Definition 
 
        | The way the elements are arranged or placed in a picture |  | 
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        | Term 
 
        | Name the "tools" that artists use to help them draw (HINT: think about your in-class activities) |  | Definition 
 
        | viewfinder, pencil for sighting in and marking angles, negative space, drawing upside-down |  | 
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 | Definition 
 
        | An imaginary line created by the placement of elements that leads the viewer through the artwork to the focal point |  | 
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 | Definition 
 
        | The place where you want the viewer to focus their attention |  | 
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 | Definition 
 
        | a way to create the illusion of depth in two-dimensional works |  | 
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 | Definition 
 
        | The lines converge into the background to a single point (like railroad tracks) |  | 
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 | Definition 
 
        | The lines converge towards two points, one on each side, to create a three-dimensional shape (like a cube) |  | 
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 | Definition 
 
        | using placement on the page, color, texture, detail and overlapping to create a sense of depth |  | 
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 | Definition 
 
        | used for placement of the focal point, this rule is based on placing the focal point where the intersections are when dividing the page into thirds both directions |  | 
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 | Definition 
 
        | a quick sketch to show movement--usually looks like scribbles |  | 
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 | Definition 
 
        | a drawing using only lines (no shading) that is drawn very carefully and exact--often used to start a painting or finished drawing |  | 
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        | Term 
 
        | Who were the first artists? |  | Definition 
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        | Term 
 
        | How many years ago did man first begin to draw? |  | Definition 
 
        | Some 32,000-35,000 years ago |  | 
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        | Term 
 
        | The ancient Egyptians added writing to their drawings in the form of _____. |  | Definition 
 
        | Hieroglyphs (hieroglyphics) |  | 
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        | Term 
 
        | When did man first start to record ideas and explore composition using sketches? |  | Definition 
 
        | During the 14th century (the Renaissance) |  | 
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        | Term 
 
        | When did artists start sketching on paper instead of just on the walls they were painting? |  | Definition 
 
        | During the 14th century (the Renaissance) |  | 
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        | Term 
 
        | When did artists start using legal contracts for commissioned work? |  | Definition 
 
        | During the 14th century (the Renaissance) |  | 
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        | Term 
 | Definition 
 
        | an artwork ordered by someone else, created according to their wishes and their standards |  | 
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        | Term 
 
        | Were sketches included with the contracts from the 14th century (the Renaissance)? |  | Definition 
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        | Term 
 
        | Were drawings originally considered works of art? |  | Definition 
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        | Term 
 
        | When did people start valuing sketches created by famous artists? |  | Definition 
 
        | During the 14th century (the Renaissance) |  | 
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        | Term 
 
        | Why did people value the sketches created by famous artists? |  | Definition 
 
        | They served as clues to who the artist was as a human |  | 
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        | Term 
 
        | What are the two kinds of drawings? |  | Definition 
 
        | sketches to work out problems and finished drawings as artworks |  | 
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        | How are drawings different from other artworks? |  | Definition 
 
        | Usually smaller and more intimate--made from materials almost everyone has (pencil and paper)--don't cost much to make |  | 
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        | Are drawings valued as much as paintings in today's art world? |  | Definition 
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        | Term 
 
        | Lead pencils are made from ______. |  | Definition 
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        | Term 
 
        | Media that goes on dry is called ____ ___. |  | Definition 
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        | Term 
 
        | Media that goes on wet is called _____ ___. |  | Definition 
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        | Term 
 
        | True or False--Some media can be used both as wet or dry media. |  | Definition 
 
        | TRUE (water soluble oil pastels and watercolor pencils are two examples) |  | 
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        | Term 
 
        | True or False--When drawing with ink, it does not matter which way you move the pen. |  | Definition 
 
        | False--never push the pen away from you or the pen tip may splatter. |  | 
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        | Term 
 
        | True or False--Tortillons and stumps are used to help blend media. |  | Definition 
 
        | TRUE--they are the rolled-up paper tools artists use |  | 
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        | Term 
 | Definition 
 
        | The drawing technique where we scratch away color or make indentions in the surface that later show up as white lines when we color over them. |  | 
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        | Term 
 
        | What type of paper do we use for chalk or charcoal--rough or smooth? |  | Definition 
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        | Which paper is best for ink drawings--rough or smooth? |  | Definition 
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        | What do we call it when we layer white or a light color of colored pencil on top of other colors to blend them? |  | Definition 
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        | Term 
 
        | Name two types of line that can make your drawings more interesting |  | Definition 
 
        | thick-and-thin line and lost-and-found line |  | 
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