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| Known for psychological realism, Stanislavsky was inspired by this |
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| Founded by Stan the man and Vladimir Nmeirovich-Danchenko in 1898 |
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| Figure of speech associated with Artaud in which a significant symbol is used to represent a whole |
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| A term associated with Artaud that refers to the most basic aspects of human nature |
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| Memory, judgement, behaviour dreams, associated with Artaud |
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BROFP
Boring
Repetitive
Original Form
Failure to grow
Predictable |
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| The invisible- made visible |
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GREAT PIE CI
Given Circumstances
Relaxation of Muscles
Emotional Memory
Attention
Truth and Belief
Pieces and Problems
Extraneous Aids
Communication
Magic IF |
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We Can Defend Uncle Sam Boldly
-Began writing on theatre after WW2
- Formed the CIRT (Centre for International Theatre Research)
- No divide between realms of imagination and reality- children
- Limited separation between audience and performer
-Bashtahondo
-Universality |
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MMOUS
-Born 1863, Moscow
-Maly Theatre
- Principle of opposites (Finding different aspects to your character
- Founded Moscow Art Theatre
-Unity of aesthetics
-The Seagull |
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| Stan's 2 major principles |
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Seeking truth in character
Laws of creative art (inner and outer work) |
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| What playwright is associated with Stan? |
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Realism imitates everyday life and what is real
Naturalism presents everyday life and what is real
Realism=chicken costume
Naturalism=legit chicken |
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TMS
-Theatre of Cruelty
-Mexico
-Sanitarium and shock therapy during WW2 |
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TACDS
-Text is NOT sacred
- Need for new associative language
-Disassociation between audience and reality
- Semiotics
-Characters of mythic proportions |
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| When a symbol is used to represent something else ie. The White House= The President |
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| Compare and Contrast Artaud and Stan |
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Compare:
-Artaud demands that a physical language replace basic text
-Stan wanted emotion to replace artificial movements
Contrast:
- Artaud wanted to focus on chaos in the world
-Stan wanted to focus on the personal |
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USE CAT
-Universal
- Subconscious/ Primal
-Emotion as language
-Conflict
-Artaud
-Throws of expectation |
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NUTE
-Uses whatever is available
- Transgression
-Energetic
-Non-traditional space |
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CAME
-Alienation
-Cabaret (Weimar Republic)
-Marxist
-Epic Theatre |
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-Augusto Boal
-Theatre as rehearsal for life
-Gives people a voice under oppressive circumstances |
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| Forms of Theatre of the Oppressed |
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FINI
Forum- stop start, includes legislative
Image- short silent scenes with strong imagery
Newspaper- reenacts current news stories
Invisible- Based locally and publicly, like a flash mob with audience unaware |
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| 3 Degrees of Spectactor Process |
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1. Intervention through suggestion
2. Intervention through transformation of images
3. Forum Theatre |
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| Rise in art after Duplessis' death as a form of protest of the orphanages etc. |
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The shaping of text through other text
-The use of passages from other texts, ie. Richard 3 in Hamletmachine |
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| Premier of Quebec, super oppressive, Duplessis orphans, "Canadian Holocaust", class structure, church power |
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| horse, associated with working class quebecois |
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| the text of a performance; different from script, ie. Hamletmachine |
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Quebec's identity as a separation
-manifest destiny for Quebec |
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Promoted le fait national
Dance as an expression
Desire to create language of the body |
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Non-text based theatre
Einstein on the Beach |
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Quebec Theatre Company
Emotion, physicality, movement as more imprtant than text
Le Dortoir |
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-Counter-narrative to Western view
- Themes include: CHOLOM
>containment of knowledge
>hybridity
>otherness
>lack of history
> objectification of self
>mimcry |
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Land that belongs to no one
Term used to strip indigenous peoples in Australia of their right to land |
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