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-Imagery -compares 2 unlike things -"or" or "like" and "as" |
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-imagery -object/character/event -Meaning more than itself |
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-Verbal:speaker means something different than what is said -Situational:is resolved differently than what is expected -Dramatic:audience knows somehing important that the character does not |
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-organized sequence of action/event in the story -may develop a dramatic plot |
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-imagined person -round-complex -flat-1D -Dynamic-changing significantly through the story |
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| tension between element of the story |
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| principal character involved in plots central conflict and opposing character/force |
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| imagined place and time of story |
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| underlying point/idea that recurs throughout the story |
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| person/implied/actual-who tells the story |
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Angle from which a story's action is told -omniscient: narrator knows and tells all -limited:narrator knows only one characters thought/feelings -first person:in first person |
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| sub-category identifying type of work in a major topic. |
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| factors that influence artist |
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| Representation the work puts off |
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basic aspects that form work-setting,plot -In literature |
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| Work as a physical object |
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| Analysis of how work "strikes the eye" |
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| Reaction to work-own reaction/opinion |
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book length of narrative prose -realistic with a complex plot |
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| Fiction/Non-fiction, briefly written narrative prose, read in 1 sitting |
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| Characterized by controlled patterns of rhythm and syntax |
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| Action is performe/words spoken before an audience |
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| 1st Photograph ever taken |
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| "View from the window at Le Gras"-Joseph Niepce in circa 1826 |
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| 1st photograph of a human |
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| Boulevard du Temple in Paris,France 1838. By Louis Daguerre |
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| Authors attitude toward the story |
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| Interpret the script under the directors guide |
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| Supervises everything that happens with the camera and infront of the camera. Unlike the 1960's, they usually assume creative control over the whole movie |
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| Cinematographer/Director of Photography |
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| Responsible for lighting and scene to get the wanted shot. |
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| Movie starts with them. Choose script,director, contract, and oversee movie financially and legally. |
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| Author of written text of dialogue/action. Someitmes rewritten several time and often by different people |
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| Control whole look of movie |
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| Collab w/ director. Arranges sequence of shots. |
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| Writes music that is added to film soundtrack after filming |
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| Create special visual effects. |
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| Tilt,pan,tracking,traveling,crane,handheld. |
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| Characterized lighting style |
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| shot by shot description of dialogue/staging directions/camera work. |
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| larger division of the film story-like a chapter |
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| Process of cutting the film and reassembling the pieces to crate a continuous shot/scences |
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| illusion created through many means that adds to the filmed action. |
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| the illusion of motion through rapid sequence of non-moving 2D images or 3D. |
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| based of a storyline that called the scenes with singing and dancing |
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| Historical period that allows for a showy costume/grand sets. |
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| black/white,shadowy lighting |
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| sci-fi, fantasy films emply the latest in special effects and reflect every decards fantasises and anxieties |
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| trivial-appeal to teenagers |
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