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Caravaggio
Late 16th to Early 17th |
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| Saul Converted to Paul (Conversion on the Way to Damascus) |
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| Judith and her Maid Servant with the Head of Holofernes |
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Anytmesia Gentilleschi
17th Century |
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| The Ecstasy of St. Theresa/ Cornaro Chapel |
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| Tabernacle at the Crossing of St. Peter’s (The Baldacchino) |
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| Forecourt of St. Peter's (St. Peter's Piazza) |
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| [image]San Carlo alle Quatro Fontane |
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| Quince, Cabbage, Melon and Cucumber |
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| St. Serapion- Christian Martyr |
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| The Maids of Honor- Las Meninas |
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Peter Paul Rubens
17th Century |
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| The Landing of Marie D'Medici at Versailles |
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| [image]The Garden of Love |
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| Still-Life with Fruit and Flowers |
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Clara Peeters
Northern Baroque- 17th Century |
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Frans Snyder
17th century |
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Heda (William Claus)
17th Century |
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Rachel Ruysch
18th Century |
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| Banquet of the Officers of the St. George Civic Guard |
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Judith Leyster (Leading Star)
17th |
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| The Hundred Guilder Print |
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| Bleaching Grounds Near Harlem |
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| The Depiction of the Church of St. Bavo |
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| The Officer and the Laughing Girl |
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| Abduction/Rape of the Sabine Women |
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Versailles-chateau
Hall of Mirrors
Salon de la Guerre |
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Louis Levaus and Hardouin-Mansait
17th century |
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Comes from the word pebble, rock
Takes the best from the Baroque and simplifies it |
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| Louis XV and Louis XVI- Rococo 18th Century |
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Louis XV- curvilinear, organic, arabesques, feminist
Louis XVI- rectilinear, masculine, straight-lines |
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Aristocracy starts to separate itself from the monarchy and Versailles- go to Paris
Form an independent world- speak for the masses
Movement away from Baroque toward Rococo |
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| Louis XV and Louis XVI- Rococo 18th Century |
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Louis XV- curvilinear, organic, arabesques, feminist
Louis XVI- rectilinear, masculine, straight-lines |
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Aristocracy starts to separate itself from the monarchy and Versailles- go to Paris
Form an independent world- speak for the masses
Movement away from Baroque toward Rococo |
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| The Embarkation from Cythera |
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Tend to be amorous, pleasurable subjects
Rebellion from the austerity of the royal class- people start to live for themselves
Ideas of self- determination, freedom |
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| Marie Antoinette and her Children |
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| [image]Bavarian Rococo Church Dievies |
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Powerful reaction to Rococo
Seriousness starts to prevail, severity |
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| Plan for a Tomb- Isaac Newton |
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| The Home of the Riverkeeper |
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| The Death of General Wolfe |
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| Napoleon in the Pest House in Jaffa in the Year 1799 |
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Bit more painterly
Colors become denser, darker and richer
Exotic, far away subject- not part of the western tradition
Closely linked to Neo-Classicism
Romanticism is a synonym for modernity
Portraying history in a modern subject
Exotic- may even be local, not official, folk-loric
Tempestuous, exciting- typical of Romantic art |
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| Napolean on his Imperial Throne |
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| The Sleep of Reason Produces Monsters |
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| [image]The Raft of Medusa |
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| The Death of Sardanapalus |
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| The Royal Pavilion at Brighton |
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| Notions of the Beautiful and the Sublime |
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| Houses of Parliament and Big Ben |
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Late 1830’s (1839 construction begins)
Gothic revival
National style-national Protestantism |
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| The Haywain/ Landscape; Noon |
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| Joseph Mallord William Turner 19c |
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| The Oxbow- Mt. Holy Oke[image] |
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Gustave Courbet
19th Century |
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| The Orchestra of the Paris Opera |
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| Banks of the Seine at Belle Court |
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| The Gare San Lazar: Arrival of the Train |
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| The Luncheon of the Boating Party |
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| The Bar at the Folies Bergere |
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| Still-Life with Apples in a Bowl |
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| Monte Saint Victoire as Seen from Bibmeus |
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Cezanne
Late 19th into 20th |
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| A Sunday Afternoon on the Island of the Grande Jatte |
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| (End of the Century, term used for 1880s-1910s) |
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| Vision After the Sermon (Jacob Wrestling with an Angel) |
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| Where Do We Come From? Who Are We? Where Are We Going? |
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Symbolism (capital S makes identifies the movement)
- not observational; symbolic |
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- individuals who counter impressionism
- representations of the unpoetic world of modernity |
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| [image]Plaster Model of the Gates of Hell |
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| [image]Salome with the Head of John the Baptist |
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| Garden Side of the Steiner House |
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| Le[image] Bonheur de Vivre (The Happiness of Life) |
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| Self-Portrait with Amber Beads |
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Paula Modersohn Becker
20th |
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| The Portuguese Man- Le Portugaise |
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| Guitar, Sheet Music and Wine Glass |
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| Nude Descending a Staircase II |
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Launched by Marinetti
Speed, dynamism, physical movement, modernity over antiquity |
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| The States of Mind- The Farewells |
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| The Unique Forms of Continuity in Space |
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| [image]Animal Destinies- The Trees Show Their Rings, the Animals Their Arteries |
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| Portrait of a German Officer |
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Every work of art is an abstraction-representation
Artists would like to achieve the pure abstraction of music |
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| there is a deep connection between the senses, profound correspondence, notes, colors |
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| Sketch for Composition II |
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| Composition with Red, Yellow and Blue |
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| Advertisement for Literacy |
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| Lobster Trap and Fish Tail |
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| Object (Fur-lined Cup and Saucer) |
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| Surrealism- More real than real |
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1924- Breton
Wants to make an art dictated by the subconsciousness- thinks of Freud |
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| The Mystery and Melancholy of a Street |
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| Ther Persistence of Memory |
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Louis Sullivan
19th century |
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| [image]Schlessinger and Meyer Building |
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| The Nominal 3( To William Ochkam) |
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Christo and Jeane Claude
20th |
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| How to Explain Pictures to a Dead Hare |
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