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| Robert Campin, The Merode Altarpiece, 1425-1428, Early Northern European Renaissance |
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| Van Eyck, Ghent Altarpiece, 1432, Early Northern European Renaissance |
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| Van Eyck, Arnolfini Wedding, 1434, Early Northern European Renaissance |
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| Roger Van Der Weyden, The Deposition, 1435, Early Northern European Renaissance |
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| Roger Van Der Weyden, Portrait of a Lady, 1460, Early Northern European Renaissance |
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| Hieronymus Bosch, The Haywain, 1485-1490, Late Northern European Renaissance |
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| Albrecht Durer, Four Horsemen of the Apocalypse, 1497-1498, Late Northern European Renaissance |
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| Albrecht Durer, Adam and Eve, 1507, Late Northern European Renaissance |
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| Hieronymus Bosch, Garden of Earthly Delights, 1510, Late Northern European Renaissance |
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| Matthias Grunewald, Isenheim Altarpiece, 1510-1515, Late Northern European Renaissance |
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| Albrecht Durer, Four Apostles, 1523-1526, Late Northern European Renaissance |
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| Hans Holbein, The French Ambassadors, 1533, Late Northern European Renaissance |
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| Pieter Bruegel, Return of the Hunters, 1565, Late Northern European Renaissance |
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| Giotto, Lamentation, 1305, Italian Proto Renaissance |
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| Giotto, Lazarus, 1305, Italian Proto Renaissance |
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| http://www.michaeljkramer.net/cr/wp-content/uploads/2008/04/alorenzetti7.jpg |
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| Ambrogio Lorenzetti, Allegory of Good and Bad Government, 1338-1340, Italian Proto Renaissance |
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| 1348-1350 The Bubonic Plague, estimated to have killed 30 to 60 percent of Europeans |
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| Pollaiulo, Hercules and Antaes, 1425, Early Italian Renaissance |
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| Bruneleschi, Foundling Hospital, 1419, Early Italian Renaissance |
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| Masaccio, Tribute Money, 1427, Early Italian Renaissance |
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| Bruneleschi, San Lorenzo, 1434, Early Italian Renaissance |
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| Fra Angelico, Annunciation, 1440-1445, Early Italian Renaissance |
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| Donatello, Gattamelata, 1455-50, Early Italian Renaissance |
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| Donatello, Mary Magdalen, 1455, Early Italian Renaissance |
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| Botticelli, Birth of Venus, 1482, Early Italian Renaissance |
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| Botticelli, St. Jerome, 1490s, Early Italian Renaissance |
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| a system in which artists work at the request of patrons. |
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| alteration of representational elements according to taste |
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| the depiction of people and things from the ordinary, everyday world |
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| reinforces cultural standards |
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| say beautiful things okay because they lead our minds upward to the maker of beautiful things |
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| a portrait meant to say something about the subject to other members of society |
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| the intellectual movement of the 14th-16th centuries, centered in Italy, that aimed at basing all branches of learning on literature, culture, and secular values of classical antiquity. With regard to religion, the humanists attempt to create a harmony between Christian and classical values |
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| transformed (ex: skull in The French Ambassadors can only be seen from one view, so that the viewers of the painting can see it, but not the subjects themselves) |
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| a reminder of death (and all that it represents) |
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| movement by the Catholic church to eliminate prostant religions and devotees, also aimed at devaluing/discrediting the emerging "scientific" worldview |
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| type of work that is painted into wet plaster in order to become a permanent part of the wall |
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| arrangement of main compositional elements parallel to the front plane |
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