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ledoux’s idea that a building should explain its function
Expressive architecture |
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| Using one form to elude to something else completely different |
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| Tomb or monument for someone who isn’t present |
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| Multiple styles pulled from to form something new |
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| major developments in science in 18th century |
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| Classical elements applied in inaccurate ways |
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| Palladian inspired architecture |
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Corner stones of brick walls.
Stand out from rest of wall |
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| Interior style of the French that follows baroque. elaborate |
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looks like a gazebo.
found in a garden |
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| Building with circular plan covered by dome |
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| Roughly cut stone with deep seams |
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| making it apparent as to what is keeping a building standing |
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| roof-top obelisks of Chiswick House |
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| criticisms of Ledoux's toll houses |
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| Symbols of government taxation and inappropriate interpretations of classical language |
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| ideal place featured in picturesque paintings and architecture |
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Element in garden that is meant to draw the eye
often made to look like a ruin or classical piece of architecture |
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| Ditch that acts a as a barrier to keep sheep in a pasture |
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| counter movement to industrialization in second half of the 18th century |
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classical elements romanticized.
often misinterpreted |
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| 1. Romanticism was a complementary movement to Neoclassicism and many architects designed in both modes |
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| educational buildings built around central lawn. |
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| Classically inspired architecture in America in late 18th century to early 19th |
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| Not associated with the church |
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| Wavey walls that surrounded the ranges behing the pavilions |
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architect to the crown
Christopher Wren |
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associated with romantic classicism
elaborate drawings of rome and its ruins
moved onto more fantastical drawings of impossible spaces |
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| founder of palladian revival in england |
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| emphasized the underlying principles of the architectural model: trabeation and a pitched roof. |
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| designer of grand bridge at blenheim |
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| long, narrow room used for exercise and display of artwork. |
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1705-1725
Oxfordshire, England
House
architects: John Vanbrugh and Nicholas Hawksmoor
patron: commissioned by Queen Anne for the duke of marlborough |
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1715
Vienna
Architect: John Bernhard and Fischer Von Erlach
Church
Use of eclecticism
Dedicated to st. charles |
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1725-1729
Lord Burlington (architect and Patron)
William Kent (interiors)
Palladian windows and thermal windows
Flues in obelisks |
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| Barriere de la Villette, 1784-1789 |
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Claude Ledoux
Toll gate in paris |
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| Cenotaph for Sir Isaac Newton, 1784 |
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Ettienne Louis Boulle
Never actually built
very geometric |
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| Blenheim Gardens, beg. 1764 |
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Charles Bridgeman: landscape architect
Redid by Capability Brown
John Vanbrugh: architect
Henry Wise: Master gardener
Very symmetrical
Big bridge |
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| Stourhead Gardens, beg. 1740s |
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Colen Campbell: Architect
Henry Hoare II: Patron/designer
Allegorical garden (based on story on aneus) |
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| Strawberry Hill, beg. 1748 |
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Horace Walpole: patron
Twickenham |
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Berlin
Karl friedrich Schinkel: architect
Greek on outside roman on inside
made to look like pantheon on inside |
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| Soane House and Museum, 1806-1824 |
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Sir Johan Soane: architect
Lots of skylights
First public museum |
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| The University of Virginia, 1817-1826 |
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Thomas Jefferson: architect
10 pavilions with ranges behind each leading to dorms
used as architectural examples for students |
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