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Albrecht Dürer. Wire Drawing Mill. Water-color. London, British Museum |
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Albrecht Altdorfer. Danube Landscape. 1522. Munich, Alte Pinakothek Conrad Celtis; Tacitus, Germania |
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| Giorgione. The Tempest. c.1505. Oil on canvas. Venice, Accademia |
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Pieter Bruegel the Elder. Landscape with the Fall of Icarus. C.1555. Brussels, Koninklije Musea van Schone Kunsten |
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Hieronymus Bosch, The Seven Deadly Sins. c.1500. Madrid, Prado: : top scroll: Deuteronomy 32: 28-29: For they are a nation void of counsel, Neither is there any understanding in them. O that they were wise, that they understood this, that they would consider their latter end.: bottom: Deuteronomy 32: 20: And he said, I will hide my face from them, I will see what their end shall be.
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| Pieter Bruegel the Elder. The Battle of Carnival and Lent. 1559. Vienna, Kunsthistorisches Museum |
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| Michelangelo. Last Judgment. 1535-1541. Rome, Vatican City, Sistine Chapel |
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| Bronzino. Venus and Cupid with Time, Envy, Fraud, Deception, and Folly. 1548. London, National Gallery |
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Hans Holbein the Younger. Peasant Worshipping St. Christopher. pen and ink illustration of Erasmus of Rotterdam’s In Praise of Folly. Basel, 1515: ridicules “people who’ve adopted the foolish but pleasurable belief that if they see some carving or painting of that towering Polyphemus, Christopher, they’re sure not to die that day.”
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Lucas Cranach the Younger. The True Religion of Martin Luther Contrasted with the Superstitions of the Anti-Christ Pope and Corrupt Roman Catholic Church. Woodcut. After 1548
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| Peter Paul Rubens and Jan Brueghel the Elder. Allegory of the Sense of Sight. 1618. Madrid, Prado |
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| Caravaggio. St. Matthew and the Angel, 1601. Rome, S. Luigi dei Francesi Contarelli Chapel |
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Caravaggio. The Crucifixion of St. Peter. 1600-1601. Rome, Sta. Maria del Popolo, Cerasi Chapel
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| Caravaggio. David with the Head of Golidath. C.1609. Rome, Galleria, Borghese |
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| Peter Paul Rubens. Raising of the Cross Triptych. 1611. Antwerp, Cathedral |
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| Gianlorenzo Bernini. David. 1621. Rome, Galleria Borghese |
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| Gianlorenzo Bernini. The Transverberation of St. Teresa. 1650. Rome, Sta. Maria della Vittoria, Cornaro Chapel |
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Diego Velàzquez. Las Meninas: the Painter, Margarita Teresa, Infanta of Spain, Philip IV, king of Spain, Mariana of Austria, Queen of Spain, and Courtiers. 1656. Madrid, Prado
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Abraham van Beyeren. Still Life with a Silver Wine Jar and a Reflected Portrait of the Artist. c.1665. Cleveland Museum of Art |
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| Jacob van Ruysdael. View of Haarlem. c.1675. The Hague, Mauritshuis |
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| Johannes Vermeer. Street in Delft. c.1659. Amsterdam, Rijksmuseum |
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| Johannes Vermeer. Maid with Ewer and Basin. c.1662. New York, Metropolitan Museum of Art |
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| Rembrandt. Bathsheba with David’s Letter. 1654. Paris, Louvre |
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| Frans Hals. Jolly Toper. 1624. Amsterdam, Rijksmuseum |
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| Judith Leyster. Self-Portrait. c.1631. Washington, D.C., National Gallery of Art |
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| Rembrandt. Self-Portrait. c.1628. Amsterdam, Rijksmuseum |
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| Pieter Saenredam. St. Pieters Church, Utrecht. 1654. Haarlem, Frans Hals Museum |
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| Nicolas Poussin. The Death of Germanicus. c.1627. Minneapolis Instiute of Arts |
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| Nicolas Poussin. Jews Gathering Manna in the Desert. 1639. Paris, Louvre |
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| Charles Lebrun. The Family of Darius Before Alexander the Great. 1661. Versailles, Musée Nationale |
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| Louis Le Vau, Claude Perrault, Charles Lebrun. Louvre east facade. 1667-1670. Paris |
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| Jean-Antoine Watteau. Pilgrimage on the Island of Cythera (fête galante). 1717. Paris, Louvre |
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| Jean-Antoine Watteau. Shop Sign of the Art Dealer Gersaint. 1721. Berlin, Gemäldegalerie |
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François Boucher. Venus Consoling Cupid. 1751. Washington, D.C., National Gallery of Art |
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Jean-Baptiste Greuze. A Marriage, and the Moment When the Father Delivers the Dowry to His Son-in-Law. 1761. Paris, Louvre |
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William Hogarth. The Marriage Settlement: from Marriage à la Mode. 1745. London, National Gallery: The Alderman and the Earl of Squander Negotiate for Their Children |
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| Jacques Louis David. The Oath of the Horatii (sons of Horatius) to Fight the Curatii to the Death. 1785. Paris, Louvre |
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Jacques-Louis David. The Death of Marat (Killed by Charlotte Corday). 1793. Brussels, Koninklijke Musea voor Schone Kunsten |
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| Francisco Goya. The Family of King Charles IV of Spain. c.1800. Madrid, Prado |
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Francisco Goya. The Execution of Inhabitants of Madrid on May 3 by Napoleon’s Army, 1808 (after May 2 uprising) 1814. Madrid, Prado |
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Francisco Goya. Saturn Devouring One of His Children. 1820-1823. Madrid, Prado (originally one of the “Black Paintings” Painted on the Walls of Goya’s House Outside Madrid) |
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Thomas Jefferson. Monticello. 1796-1809. Charlottesville, Va.
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Jacques-Louis David. Napoleon as First Consul of the Republic Crossing the Alps. 1800-1801. Château de la Malmaison |
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| Théodore Géricault. Officer of the Imperial Guard Charging. 1812. Paris, Louvre |
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| Théodore Géricault. Two Guillotined Heads. c.1819. Stockholm, Nationalmuseum |
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Théodore Géricault. The Raft of the Medusa. 1819. Paris, Louvre: shipwreck of the Medusa off Cap Blanc in West Afica, raft being towed, abandoned, adrift for 2 weeks with 15 of the original 150 alive, spotting the English ship Argus, trying to attract its attention, failing, but then saved the same day: 16' x 23' 6" |
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Eugène Delacroix. Dante and Virgil, Ferried by Phlegyas, Cross the Lake that Surrounds the Walls of the Infernal City Dis. The Damned Grasp and Try to Enter to Boat, The Inferno, Canto VIII. 1822. Paris, Louvre |
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Eugène Delacroix. The 28th of July, Liberty Leading the People to the Barricades. 1830. Paris, Louvre inssurrection against Charles X last Bourbon king at his violation of the constitution, setting in place Louis Phillippe duc d'Orléans |
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| Jean-Auguste-Dominque Ingres. Raphael with La Fornarina. 1814. Cambridge, Fogg Art Museum |
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| Caspar David Friedrich. The Wanderer Above the Sea of Mist. 1818. Hamburg, Kunsthalle |
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| Sir John Soane. His House. 1812-1834. London, Lincoln’s Inn Fields |
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| Gusatave Courbet. The Stone Breakers. 1849. Formerly Dresden, Gemäldegalerie, destroyed during WW II. |
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Gustave Courbet. A Burial at Ornans (his title: Tableau de figures humaines, historique d’un enterrement à Ornans: Painting of human figures, history of a burial at Ornans). 3.14 x 6.63 m. 1849-50. Paris, Musée d’Orsay |
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| Edouard Manet. Le Déjeuner sur l’herbe. 1862-63. Paris, Musée d’Orsay |
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| Edouard Manet. Olympia. 1863. Paris, Musée d’Orsay |
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Gustave Courbet. Sleep. 1866. Paris, Musée du Petit Palais. Painted for Khalil Bey, former Ottoman ambassaodor to Athens and St. Petersburg
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Edouard Manet. Monet Working in His Boat. 1874. Munich, Neue Pinakothek
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| Claude Monet. Sunrise (Impression, soleil levant). 1872. Paris, Musée Marmottan-Claude Monet |
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| Georges Seurat. The Circus. 1890-91. Paris, Musée d’Orsay (exhibited in the Salon of Independents) |
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Paul Gauguin. Vision of the Sermon (Jacob Wrestling with the Angel).1888. Edinburgh, National Gallery of Scotland
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| Vincent van Gogh. The Artist’s Room in Arles. 1888. Paris, Musée d’Orsay |
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| Edward Munch. The Scream. 1893. Oslo, Munch-Museet |
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| Paul Cézanne. Three Bathers. 1875-76. Paris, Musée d’Orsay |
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| Pablo Picasso. Les Demoiselles d’Avignon. 1907. New York, Museum of Modern Art |
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| Henri Matisse. Dance. 1910. New York, Museum of Modern Art |
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| Claude Monet. Water Lilies. 1916-1919. Paris, Musée d’Orsay |
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| Giorgio de Chirico. Great Metaphysical Interior. 1917. New York, Museum of Modern Art |
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Marcel Duchamp. L.H.O.O.Q. 1919. Reproduction of Mona Lisa with pencil additions. Rectified Ready Made. New York, Private Collection |
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Francis Picabia. Portrait of Cézanne, Renoir, Rembrandt, Still Lives (Natures Mortes=Dead Natures). 1922. Stuffed monkey on board. No longer extant |
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| Hugo Ball in Cubist Costume Reciting His Poem Elephant Caravan at the Cabaret Voltaire, Zurich,June 23, 1916 |
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Hans Arp. Untitled (Collage of torn paper on paper arranged according to chance). 1916-1917. New York, Museum of Modern Art |
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| Otto Dix. Skat Players, later titled Card Playing War Cripples. 1920. Berlin, Nationalgalerie |
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Hanna Höch. Cut With the Kitchen Knife Dada Through the Last Weimar Beer-Belly Cultural Epoch in Germany. 1919-1920. Photomontage and collage with watercolor. Berlin, Nationalgalerie |
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| Max Ernst. Above the Clouds. 1920. Photo-montage |
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| Max Ernst. Oedipus Rex. 1922. Private Collection |
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| Marcel Duchamp (rmut). Fountain. 1917. Photographed by Alfred Stieglitz |
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Max Ernst. Au rendez-vous des amis (At the Meeting of Friends). 1922. Museum Ludwig, Cologne among others: 3. Hans Arp 4. Max Ernst on Dostoyovsky’s knee; 9. Raphael 13. André Breton 15. Giorgio de Chirico
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| André Masson. Automatic Drawing. Pen and Ink. 1924. Berlin, Kupferstichkabinett |
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René Magritte. Cover Illustration for André Breton, Qu’est-ce que le Surréalisme? (What is Surrealism?). Paris, 1934 |
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| Salvador Dali. The Great Masturbator. 1929. Madrid, Museo Nacional Centro de Arte Reina Sofia |
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| Meret Oppenheimer. Fur-Covered Cup, Saucer, and Spoon. 1936. New York, Museum of Modern Art |
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| H.H. Richardson. Trinity Church. 1872-1877. Boston |
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| McKim, Mead, and White. Pennsylvania Station. 1907. Demolished 1963. New York City |
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| Frank Lloyd Wright. Robie House. 1909. Chicago |
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| Le Corbusier. Villa Savoye. 1931. Poissy, near Versailles |
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| Gerrit Rietveld. Schroeder House. 1924. Utrecht. |
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| Walter Gropius. Gropius House. 1938. Lincoln, MA |
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| Philip Johnson. Glass House. 1949. New Canaan, CT |
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| Mies van der Rohe. Seagram Building. 1954-58. New York, Park Ave. |
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Picasso. Guernica. 1937. Madrid, Museo de Arte Reina Sofia, painted for pavilion of the Spanish Republic in the Paris 1937 World’s Fair. 11’ 6” x 25’ 6”. Housed in Museum of Modern Art, New York, 1939-1981; returned to Spain in 1981 after the death of General Franco, the end of the Fascist regime, and the establishment of a democracy |
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| Piet Mondrian. Broadway Boogie-Woogie. 1942-1943. New York, Museum of Modern Art |
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| Jackson Pollock. Autumn Rhythm. 1950. New York, Metroplitan Museum. 8’ 10 1/2” x 17’ 8” |
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| Willem de Kooning. Woman Number 1. 1950-52. New York, Museum of Modern Art |
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| Dian Arbus. Boy with Toy Hand Grenade in Central Park. 1962. |
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| Man Ray. La photographie n’est pas l’art, Natural History, 1937. |
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| Nadar (Félix Tournachon). Honoré Daumier. 1856/1858. National Gallery of Art, Washington, D.C. |
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| Henri Cartier-Bresson. Sunday on the Banks of the Marne. 1938 |
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| Timothy H. O’Sullivan. Harvest of Death: Gettysburg 1863. George Eastman House, Rochester |
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| Cindy Sherman. Secretary. 1975. Whitney Museum of American Art, New York |
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| Cindy Sherman. Centerforlds Series. Untitled # 93. 1981 |
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