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"Creamware" by Josiah Wedgewood, 1776
-inspired by greek art
-low cost thru slip casting, transfer prints, division of labor
-isolated designer
-attention to expanding middle class
-sales catalogues
-INDUSTRIALIZATION |
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“Pine cabinet w/ leather, paint, copper” by Phillip Webb and William Morris 1861
-influenced by Ruskin
(industrialization=slavery)
-homemade objects
-freedom of the maker,
-originality in each stroke
-ANTI INDUSTRIALIZATION |
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"Coalbrookdale at night" oil painting by P.J. Loutherbourg 1801
-negative impact of industrialization
-beautiful landscapes smited
-ANTI INDUSTRIALIZATION |
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"Punch Bowl with Cantonese Hogs" a chinese export to the U.S
1785-1800
-Global trade at the end of 18th century, embedded with slave trade
-inspiration for porcelain infatuation, desire for luxury imports
-GLOBAL TRADE |
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"Etruria" by Bejamin West
1791
-ad for Wedgewood’s studio
-doesnt admit to industrialization, hides its mass production
-NEOCLASSICM |
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“View of the Boulevard du Temple" by Daguerre taken on a Daguerretype
-documentary
-very static
-possibly first picture of human |
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"Oriel Window" Salt Print from a negative paper by Henry Fox Talbot
-race w/ dagurre to announce method
-use of light, process
-very static still, limited |
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“Printing factory in Reading” Henry Fox Talbot,
- SALT PRINT from two CALEOTYPE NEGATIVES.
Talbot was working on something similar to Daguerre but worked with paper instead of metal. His process created negatives which means he could make multiple prints… calotype |
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"‘View from the Window at LeGras” Heliopiece by
Niepce
-HELIOGRAPH
-first real photograph on earth,
-using camera obscura
-Metal |
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"Drowned Man" by Bayard
-self portrait, wanted more recognition
-first time using photos as true expression, physiological art |
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“Woman using cosmetic” handcolored print by “Beato
-staged views of japan that may distort a culture into aesthetic
-JAPONISME
-truthfulness not priority
-scopophilia |
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"Photographic Views of Japan" by Beato
-staged views of japan that may distort a culture into aesthetic
-JAPONISME
-truthfulness not priority |
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“Lucknow after the Siege” by Beato
-places skeletons (not about accuracy/truth)
-about message of war effects |
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"The Sphinx at Giza" by Beato
-focus on ancient ruin nubian assistant as scale maker, tourisitc view
Big city right next to it, it is only its history |
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"Photographic views of japan by Beato
-staged views of japan that may distort a culture into aesthetic
-JAPONISME
-truthfulness not priority
-scopophilia |
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“Side chair” by Dresser
-modern
-Structural force, simplicity, inspired by egyptian chair (cultural appropriation?)
-product of new design education |
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"Hotel Tassel" by Horta
-ART NOUVEAU
-finding style (distinct visual world) in a lost time thru ornamentation
Inspired by nature
- staircase made of wood and metal not hiding the fact that it is metal |
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"Double Spouted Vessl" by Dresser made of glazed earthenware
Inspired by peruvian earthenware
-good design thru appropriation |
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“Grammar of Ornament” by Owen Jones
-response to Worlds fair
-ornaments should stay flat on 2D surface, no pretending to be what you’re not
-HISTORICISM |
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“Side chair” by Jennes and Bettrige
-ornate style trying to look expensive but using industrialization (paper mache) → hiding its materials, opposite = art nouveau |
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"Yellow Circle" László Moholy-Nagy, 1923, o/c
- abstract work of cubism and expressionism |
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| "The red studio" by Henry Matisse |
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| "Houses at L'Estaque" Goerge Braque |
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| ""Mt Saint Victoire" Paul Cezanne |
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| "Ambrose Vollard" by Pablo Picasso |
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| "Porteguese man" Goerges Braque |
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| "composition with red,blue yellow, black, and grey" by Peit Mondrian |
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| "In Olden Times" by Gauguin |
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| "Olympia" by Edward Manet |
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| "Spirit of the dead watching" by Louis Gauguin |
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| "seprematist painting" by Kazimir Malevich |
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"blue nude" . by Henri Matisse
colonialism
expressionism |
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| "nude under a japnosese umbrella" by Kirchner |
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| "Portrait of the artists mother" by Alexander Rodchenko, 1924 |
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"Portrait of O.M Brik" by Alexander Rodchenko, 1924
modernism
constructionism
revolution |
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"yellow circle" by Moholy-Nagy 1923
modernism
constructionism
revolution |
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"untitled 1" by László Moholy-Nagy, 1925
modernism
constructionism
revolution |
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"workers hands by Tina Moditti, 1925
modernism
constructionism
revolution |
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"men reading a communist newspaper" by Tina Moditti, 1924
modernism
constructionism
revolution |
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"self portrait" by Claude Cahun , 1928
- gelatin silver print |
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"Side Chair" by Edward and Ray Eames in 1946
- modern art |
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Dieter Rams, PS 2 turntable,
plasRc and metal housing,
mfd. Braun (W. Germany), 1963 |
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| "Chair in Tubular Steel" designed by Marcel Breuer at the Bauhaus, 1925 |
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| "Ray and Charled Eames at Home" 1958 |
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| Coatlicue, c. 1500, andesite, rediscovered 1790 |
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"The Guerrilla" by Diego Rivera, 1915
-depiction of outdoor mexican landscape
- cubist expression of mexican objects like a riffle, a sombrero, a snake, and intense blues and reds. |
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| José Clemente Orozco "Cortés and Malinche" 1926, |
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| "Frida Distributing Arms" by Diego Rivera 1925 |
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| "Self Portrait on the Border Between Mexico and the United States"by Frida Khalo, 1932 |
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"lavender mIst-Untitled 1" by Jackson Pullock
-doing justice to the medium
- process is crucial
- |
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"how to look at modern art in america" by Ad Reinhardt
The movement at once embraces and denies its European origins: it is claiming renewal w/ a sort of divine purity, self-originating, whereas the work is in truth composed of incredibly diverse origins. |
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"Photogrpahs of Jackson Pullock in his studio" photograph by Hans Namuth
-process is crcucial |
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"Canyon" by Rober Raushcenberg
-direct regection of jackson pullocks work
Combined worldly aspects and the paint drippings into one. He would create a piece one day and then recreate it again the next day to show that it’s not the unconscious making the pieces but that it is very conscious and replicable. Critique on expression |
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"100 Cans" by Andy Warhol
- comment on consumerism
- american abundance and surplus
- prosperity |
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"The mass of st. Gregory" by Haunitzin
-colonialism, mexican painting versian of a spanish one |
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"Our lady of Gaudalupe" by an unkown artist
-legend has it the image appeared in a flowe patch in mexico where a church should be built |
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| Desk and bookcase, c. 1750, Mexico, inlaid woods and incised and painted bone, maque, gold, and polychrome paint |
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"The Castes", unkown artist, 1700s, oil on canvas
- trying to categorize the race mixing in latin america between white spainyards, native latin americans, and african americans |
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"The jungle" by Wilfredo Lamb, 1944 (gauche on paper on mounted canvas)
- he was unimpressed by the touristy art in cuba so he decided to make something more authentic
-cubist
depicts a group of figures with crescentshaped faces that recall African or Pacific Islander masks, against a background of vertical, striated poles suggesting Cuban sugarcane fields. Together these elements obliquely address the history of slavery in colonial Cuba. |
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