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| To be played by both, as by first and second flute |
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| With the other part; often refers to accommodating the soloist at that place in the score |
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| With; also col, coi, colle, cogli, colla |
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| Out in front of; means the part so marked should be projected through the ensemble; it must be heard |
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| The downbeat; to beat time |
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| The same; used usually with the word tempo, meaning that the new part should be in the same tempo as the preceding part |
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| Half; usually mezza voce, softly |
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| Broken octaves, lower note coming first |
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| Change; usually reads muta in _______, meaning change the instrument to the pitch designated. Most often seen in timpani and French horn parts |
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| Without; usually ohne dampfer, without mute |
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| Otherwise; often refers to a simplified part - otherwise do it so |
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| At pleasure, denoting a passage executed at the discretion of the performer |
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| More; most often seen with mosso, meaning more motion, slightly quicken the tempo. Also, plus |
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| Desk, a music stand. Usually refers to number of stands that are to play a part |
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| Similar to tutti, it distinguishes the accompanying instruments from the soloist |
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| Tuning contrary to the normal, addressed to the strings |
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| Dry, very short, no after-ring |
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| Follow, continue in the same manner |
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| Without; usually senza sordini, without mutes |
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| In an undertone, soft voice |
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| A single voice or part in the score |
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| Suddenly, referring to a dynamic change |
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