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Greek Figures of Speech
Different figures of speech
10
Language - Other
Undergraduate 4
02/02/2013

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Cards

Term
Ellipsis
Definition
The deliberate omission of a word(s) in order to stress some word that is written and that is emphasized by the omission.
Term
Brachylogy
Definition
The deliberate omission of a word(s) merely for the sake of brevity.
Term
Anantapodoton
Definition
In order to emphasize a hypothetical statement, it appears without its concluding (consequent) clause.
Term
Synthesis (placing two things together)
Definition
An omitted word is contained in an expressed word, thus drawing attention to the one combining two meanings.
Term
Complex Ellipsis
Definition
An omission of a word(s) from the first clause is supplied by its presence in the second clause, and, at the same time, a different omission in the second clause is supplied by its presence in the first clause.
Term
Zeugma (unequal yoke)
Definition
One verb governs two nouns, though it is appropriate to only one of them, to arrest attention and prevent the sharing of emphasis by two verbs, the second verb is omitted that all the stress might fall on the verb used.
Term
Asyndeton (no "ands")
Definition
By omitting the connecting "ands" the reader is not detained over the separate statements and asked to consider each in detail; instead, he is hurried over the various matters as though they are of lesser significance than the great climax to which they lead up, and which alone the reader is to emphasize.
Term
Polysyndeton (many "ands")
Definition
Unlike asyndeton, this figure has not climax; instead of hurrying the read on to reach the important conclusion, the many "ands" slow him down asking him to stop, weigh, and regard each matter mentioned as significant.
Term
Aphaeresis (front-cut)
Definition
a figure of etymology relating to the spelling of words, it is used of the cutting off of a letter or syllable from the beginning of a word.
Term
Aposiopesis (sudden silence)
Definition
this is the sudden breaking off of what is being written, so the mind may be the more impressed with what is too wonderful or too solemn or too awful to be expressed in words.
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