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| Greek for high city; usually the site of the city's most important temples |
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| An open space used for public meetings or business in ancient Greek cities |
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| An off center perting of the hair with the locks brushed up and back near the part; a recognizable feature in the portraits of Alexander the Great |
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| Capable of warding off evil |
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| In early Greek pottery, the silhouetting of dark figures against a light background of natural, reddish clay, with lenear incised details |
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| A rule of proportion. The Greek sculptor Polykleitos wrote a canon outling the proportions for the ideal statue |
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| a female figure that functions as a supporting column |
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| the chamber (Greak naos) at the center of an ancient temple; in a classical temple, the room in which the cult statue usually stood |
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| In ancient Greek mythology, a fantastical creature, with the front or top half of a human and the back or bottom of a horse |
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| In Greek mythology, the battle between the Greeks and centaurs |
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| The disposition of the human figure in which one part is turned in opposition to another part; a twist of the body about its central axis |
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| The projecting, crowning member of the entablature framing the pediment; also, any crowning projection |
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| A convex tapering (an apparent swelling) in the shaft of a column |
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| In the Classical Greek Ionic order, the three horizontal bands that make up the architrave |
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| Vertical channeling, roughly semicircular in cross-section and used principally on columns and pilasters |
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| The use of perspective to represent in art the apparent visual contraction of an object that extends back in space at an angle to the perpendicular plane of sight |
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| The part of the entablature between the architrave and the cornice; also, any sculptured or ornamented band in a building, on furniture, etc. |
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| In ancient Greek mythology, the battle between gods and giants |
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| In ancient Greek mythology, a hideous female demon with snake hair. MEdusa, the most famous gorgon, was capable of turning anyone who gazed at her into stone. |
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| The term given to the Greek culture that developed after the death of Alexander the Great in 323 BC and lasted until the ROman conquest of Egypt in 31BC |
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| An ancient Greek three-handled water pitcher |
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| Literally,"in place." Referring to an object or work as in the original position |
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| An ancient Greek shallow drinking cup with two handles and a stem |
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| lost-wax process (cire perdue) |
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| A bronze casting method in which a figure is modeled in wax and convered with clay; the whole is fired, melting away the wax and hardening the clay, which then creates a mold for molten metal |
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| The shaping or fashioning of three-dimensional forms in a soft material, such as clay; The term also refers in drawing to the use of gradation of light and shade |
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| PAtterns or pictures made by embedding small pieces of stone or glass (tesserae) in cement on surfaces seuch as walls and floors; also, the technique of making such works |
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| an ancient Greek and Roman exercise area, usually framed by a colonade, often found in bathing establishments |
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| Mosaics made of irregularly-shaped stones of various colors |
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| In classical architecture, the triangular space (gable) at the end of a building, formed by the ends of the sloping roof about the colonnadel; also, an ornamental feature having this shape |
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| A simple long woolen belted garment worn by ancient Greek women that gives the female figure a columnar appearance |
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| In Greek architecture, a colonnade all around the cella and its porches |
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| In Greek architecture, a single row of columns; a dipteral colonade has a double row |
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| Independant city-states in ancient Greece. Polis literally means "city." |
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| A porch with a roof supported by columns; an entrance porch |
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| Propylian (pl. propylaia) |
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| A gateway building leading to an open court preceding an ancient Greek or Roman templ. The monumental entrance to the Acropolis in Athens |
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| The cornice on the sloping sides of a pediment |
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| A style of temple with columns at the front end and not on the back or sides |
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| In later Greek pottery, the silhouetting of red figures against a black background, with painted linear details; the reverse of the black-figure technique. |
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| A male follower of the Greek god Dionysus, represented as part human, part goat |
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| an Ancient greek general. Pericles was a famous Athenian strategos |
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| A scraper, used by ancient Greek athletes to scrape oil from their bodies after exercising |
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| The uppermost course of the platform of a classical temple, which supports the columns |
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| Tiny stones or pieces of glass cut to desired size and shape used in the creation of mosaics |
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| The portion of a church flanking the nave and separated from it by a row of column or piers |
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| Literally, a double theater. A Roman building type resembling two Greek theaters put together. The Roman amphitheater featured a continuous elliptical cavea (seating area) around a central arena |
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| Elevated to the rank of gods or the ascent to heaven |
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| A recess, usually singular and semi-circular, in the wall of a Roman basilica or at the east end of a Christian church |
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| A curved structural member that spans an opening and is generally composed of wedge-shaped blocks (voussoirs) that transmit the downward pressure laterally |
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| In a Roman amphitheater, the central area where bloody gladiatorial combats and other events took place. Arena comes from the Latin for "sand." Sand covered the floor. |
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| A technique in painting to suggest a recession in space by increasingly blurring the appearance of objects in the distance |
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| The court of a Roman house that is partly open to the sky. Also, the open, colonnaded court in front of and attatched to a Christian basilica. |
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| In architectural terminology, the uppermost story |
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| Also called a tunnel vault; an extension of a simple arch |
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| In Roman architecture, a public building for assemblies, rectangular in plan with an entrance usually on a long side. In Christian architecture, a church resembling the Roman basilica, usually entered from one end and with an apse at the other |
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| An exterior masonry structure that opposes the lateral thrust of an arch or vault |
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| The hot-bath section of a Roman bathing establishment |
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| A Roman military encampment, famed for the precision with which it was planed and laid out |
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| A sunken panel, often ornamental, in a soffit, a vault, or a ceiling |
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| A capital with an ornate combination of Ionic volutes and Corinthian acanthus leaves that became popular in Roman times |
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| In painting or sculpture, the convention of the same figure appearing more than once in the same space at different stages in a story |
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| A small cubicle or bedroom that opened onto the atrium of a Roman house. Also, a chamber in an Early Christian catacomb that served as a mortuary chapel. |
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| A breastplate. In Roman art, the emblem of a military officer |
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| The Roman decree condemning those who ran afoul of the Senate. Those who suffered domnatio memoriae had their memorials demolished and their names erased from public inscriptions |
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| The E-W street in a Roman town, intersecting the cardo (N-S) at right angles |
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| The standard Roman silver coin |
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| "Golden House." The Emperor Nero's extravagant villa in Rome |
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| Recessed area, usually semi-circular |
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| A page of a manuscript or book |
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| The public square of an ancient Roman city |
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| In ancient and medieval society, the class of men and woman who had been freed from servitude, as opposed to having been born free |
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| The cold-bath section of a Roman bathing establishment |
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| In ancient Rome, wax portraits of ancestors |
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| Latin meaning "commander in chief," from which the word emporer is derived |
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| In a Roman house, the basin located in the atrium that collected rainwater |
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| The part of a church between the chief entrance and the choir, demarcated from aisles by piers or columns |
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| The round central opening or "eye" of a dome |
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| Freeborn wealthy landowners of the Roman Republic |
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| In the Roman Republic, the social class that included small farmers, merchants, and freed slaves |
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| A Latin term menaing "chief priest" of the state religion. Literally, the term means "chief bridge builder." |
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| Literally, "First citizen," a title used by Octavian Augustus |
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| In Roman architecture, a series of engaged columns all around the sides and back of the cella to give the appearance of peripteral colonnade. |
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| Literally, a council of elders; the legislative body in Roman ronstitutional government |
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| The space created by the curve of an arch and an enclosing right angle |
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| The dining room in a Roman house |
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| French for "fool the eye." A form of illusionist painting that aims to decieve the viewer |
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| The cloth awning that could be rolled out to cover the cavea at the amphitheater |
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| From the Latin vernus meaning truth; truth particularly in Roman portraiture |
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