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Definition
| parts of a film relate to one another through visual repetition and variation |
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| standardized shape of film 1:85:1 |
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| suggest represented depth by making stuff up close distinct and stuff far away indistinct |
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| camera takes in a wide field of view and squeezes it into regular sized film. A projector then unsqueezes the image |
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| position of frame in comparison to subject |
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| relationship of a frames width to its height 1:85:1 |
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| a films parts are juxtaposed to show similarities, differences etc |
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| when sound is temporarily out of sync with movements. ex sound is out of sync with lips |
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| author of a film, usually director. a good filmmaker is an auteur |
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| lighting cast from the opposite side of the camera creating a silhouette |
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| the pole that the microphone is on |
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| framing on a diagonal where one side is higher than the other |
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| drawings on celluloid used to make animation |
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| computer generated imagery |
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Definition
| a cut that has continuous time between the two shots but mismatches the position of figures |
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Definition
| in making film: camera use to film and laboratory work to develop it |
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Definition
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Definition
| the resolution of a narrative film |
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| system of cutting to maintain continuous and clear narrative action |
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Definition
| the difference between the brightest and darkest areas within the frame |
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Definition
| a director's film reflect that director's personal creative vision. multiple films done by the same director can have the same auteur |
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Definition
| shift from a distant framing to a closer view of the same image |
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Definition
| the foreground and background are in focus |
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Definition
| an arangements of mise en scene elements so that there is a large amount of distance between the forground and background |
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| a cut when dialouge from shot a is heard in shot b |
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| the world of the films story, includes stuff not shown |
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| sound originating from film's world |
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| sound recorded when event was filmed |
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| system of joining shots so that the story isn't shown in order |
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Definition
| one shots disappears as the other appears, the 2 shots are superimposed on each other in the middle |
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| distance camera is from mise en scene elements |
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| distributing finished films |
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| a camera support with wheels that moves on a track |
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| in narrative film, the shortening of plot duration by omitting intervals of story duration |
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| shot transitions that omit parts of an event causing an ellipsis in plot and story duration |
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| how much light is exposed to the film through the aperture |
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| sound from a physical source in the story space that other characters can hear |
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| a shot showing a person looking off in one direction and the next cut is that object in the correct direction |
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| black to a shot or shot to black |
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| a dark film, term given to american films by french critics. low key lighting somber mood |
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| film: clear base coated on one side with light sensitive emulsion |
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| distance from the center of the lens to where the light is focused |
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| when the framing shifts to keep the moving subject on screen |
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| two shots joined to create strong similarity of graphic elements |
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| how hight the camera is above the ground |
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