Term
|
Definition
Director : Zacharias Kunich
ACTING: NATURALISTIC/REALISTIC
Two brothers destined to be great, one has to fight to win a girl |
|
|
Term
|
Definition
Director: Fredirico Fellini
FORMALIST FILM
Rome in the 60s
Ioncopious was a slut and god punished him for it by not allowing him to get an erection. |
|
|
Term
|
Definition
Director: Man Ray
AVANT GARDE
kinetic
naked woman |
|
|
Term
| Who is known as The Fathers of Cinema? |
|
Definition
|
|
Term
| What is Edison known for? |
|
Definition
| Kenetograph and Kenetoscope |
|
|
Term
| What is the Black Mariah? |
|
Definition
| Place where Edison filmed at |
|
|
Term
|
Definition
|
|
Term
| Who invented the cinematographe |
|
Definition
|
|
Term
|
Definition
3 in 1 machine:
camera
printer
projector |
|
|
Term
|
Definition
end of the 19th century
founders of documentary
filmed actualities
implemented depth
First film with story? THE SPRINKLER SPRINKLE |
|
|
Term
|
Definition
| staging actors in front of a camera |
|
|
Term
| What was the name of the Lumiere Bros film that has a story? |
|
Definition
|
|
Term
|
Definition
| Creating an illusion with the camera |
|
|
Term
|
Definition
1902-WWI
1st one to use scenes in a movie
Founder of Production design, special effects, editing, film genres
showed things that didn't exist in reality |
|
|
Term
| What is the Proscenium effect? |
|
Definition
film is happening on stage for the viewer's benefit.
FLAT images.
Camera doesn't move because the camera is the viewer |
|
|
Term
|
Definition
Trip to the Moon
The infernal Boiling Pot |
|
|
Term
|
Definition
| French uses film to immortalize plays as a historical document |
|
|
Term
|
Definition
Dobble Ganger: are we good or bad?
Delves in the Dark side |
|
|
Term
|
Definition
Did both actualities and fictional films
used close ups, lighting, actors |
|
|
Term
|
Definition
most important playwright of German history
suggested use of camera to preserve plays |
|
|
Term
| When did cinematic language evolve? |
|
Definition
|
|
Term
|
Definition
Directed by Danish Director: Stellan Rye
Genre: Psychological horror
Content related to Max Mack's "The Other One"
FORM AND CONTENT
Major Breakthrough by moving the camera and showing PoV of characters in the story
Big push in Subjective POV
Invades the Proscenium and focuses on Doppleganger |
|
|
Term
| When the camera invades the proscenium what is the result? |
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
| Expressing internal realities through external means |
|
|
Term
|
Definition
idea of moodiness, tone, setting.
starts with directional premise and combines all elements of film to heighten emotions through external means |
|
|
Term
| Modern day examples of German Expressionism |
|
Definition
Bat Man
Nightmare Before Christmas |
|
|
Term
|
Definition
|
|
Term
|
Definition
love story based on dobbleganger
Metaphysical occurrences
Ellen's dramatic premise: connected to the dark side and doesn't understand why
Theme: redemption through self-sacrifice
symbols of death: rats, empty ship, negative film |
|
|
Term
|
Definition
| approaching a physical reality in different ways |
|
|
Term
| Where do 95% of films fall between? |
|
Definition
|
|
Term
|
Definition
making series of choices to convey that physical reality as really is.
preserves INTEGRITY
CONTENT more important than interpretation
suspension of disbelief |
|
|
Term
|
Definition
stylizes and interprets
FORM IS AS IMPORTANT AS CONTENT |
|
|
Term
|
Definition
absence of story
colors,textures, movement
connect aesthetically not narratively |
|
|
Term
|
Definition
Basis of contemporary cinema
ignited by Russian (Bolshevik) Revolution of 1917
Used footage that was already captured
Emphasis on Editing |
|
|
Term
|
Definition
"The Art and Science of Montage"
Focused on 3 things:
STORIES
MEANINGS
EMOTION |
|
|
Term
| What is the essence of Russian Cinema? |
|
Definition
|
|
Term
| What are the 3 levels of editing? |
|
Definition
NARRATIVE
INTELLECTUAL
EMOTIONAL |
|
|
Term
| 3 different ways you can tell the narrative story? |
|
Definition
linear
nonlinear
crosscutting (different actions occurring simultaneously) |
|
|
Term
| 3 different ways you to make viewer think intellectually? |
|
Definition
metaphorical
contrast cut
parallel cut |
|
|
Term
| 3 ways we can affect the audience emotionally through editing? |
|
Definition
rhythmic cuts
tonal cuts
form cuts
directional |
|
|
Term
|
Definition
Directed "Battleship of Potempkin"
Dialectic Montage developed after Kulsehov
applied Marxist Dialectic to editing
stated synthesis occurs in spectator's mind |
|
|
Term
| Eisentein's Dialectic Montage |
|
Definition
thesis(force) > antithesis(counterforce) = new synthesis(new thesis) < new antithesis
aka Collation Contrast Conflict |
|
|
Term
| What types on conflicts Eisentein used? |
|
Definition
conflicts in directionality
rhythm
bolague
Angle
lighting |
|
|
Term
|
Definition
| new meaning, underlying message of a film / subtext |
|
|
Term
| What did the conflict in time do for cinema? |
|
Definition
| Cinema can now handle time and space in its OWN terms |
|
|
Term
| One of the most famous sequences in film history? |
|
Definition
|
|
Term
|
Definition
Director of Earth (1930):
showed different farmers in separate shots and only time their together is when hands reach in frame to give old man a pear
uses dialectic montage to enhance meaning |
|
|
Term
|
Definition
EMERGENCE OF SOUND
respected time and space in realistic way
opposite of Soviet Montage
Use of LONG TAKES (no cuts) |
|
|
Term
|
Definition
French Director of "The Grand illusion" (1937)
Mise-en-scene= TELLING A STORY
every character's motives should be understood, no good or bad guy |
|
|
Term
| two elements of poetic realism? |
|
Definition
|
|
Term
| One word that describes what a director does? |
|
Definition
|
|
Term
| Was their mis en scene before Renoir? |
|
Definition
|
|
Term
| What makes something Poetic (realism) |
|
Definition
planned
literary dialouge
beautifully shot
humanistic |
|
|
Term
| The Grand illusion (1937) |
|
Definition
Dir. Renoir
WWI (1914)
all characters (German and French) portrayed in humanistic way
Creates metaphors through camera movement: squirrel in cage to men in jail
Major theme: aristocracy=extinction |
|
|
Term
|
Definition
WWII
NEW AESTHETIC
AMBIVELANT ENDINGS
CREATED EMPATHY
NON ACTORS
HUMANISTIC
AUTHENTIC DIALOGUE
SHOOT ON LOCATION
portrays life as it REALLY IS rather than what it SHOULD BE
Italy controlled by Mussolini- bad reputation caused PISA to form.
No resources, EXTREME REALISM, Defined moral standpoint aimed to restore dignity to Italy |
|
|
Term
|
Definition
| resistance group in Italy that started italian neorealism fed up with Mussolini |
|
|
Term
|
Definition
|
|
Term
|
Definition
| Began as neorealist than converted to FORMALIST |
|
|
Term
|
Definition
| actor from white-telephone movies that made neorealism popular |
|
|
Term
|
Definition
Directed by Roberto Rossellini
most popular neorealist film |
|
|
Term
|
Definition
| defined/ founder of NEOREALISM |
|
|
Term
| "Response to terrible moment in history, immobling common man, films had great responsibility" |
|
Definition
|
|
Term
|
Definition
| filmmaker of Neorealism that used wealth to make films |
|
|
Term
| What other film movement is Italian Neorealism? |
|
Definition
|
|
Term
|
Definition
Directed by Vittorio Desica
AFTER WWII, ITALY EARLY 50'S
TONE: APATHETIC
focuses on old man that is no longer needed in the community and his landlord tries to kick him and his dog out. |
|
|
Term
| "ideal realistic movie, no real plot but STORY of an individual will present dramas of the most peoples existence " |
|
Definition
|
|
Term
| what scene in UMBERTO 'D represents Neorealism as a whole? |
|
Definition
Maria cleans out ants and makes coffee
tedious task that represents reality |
|
|
Term
|
Definition
1960's
Movement started by FILM CRITICS "Cahier's Du Cinema"
Auteuer Theory
used ideas from American movies although they rejected it
OUT CAST
BEGAN JUMP CUTS
CASUAL
HUMOR
PLOT CONSTRUCTION
MIXED GENRES
LIBERAL SOUND
embraced by 3rd world countries |
|
|
Term
|
Definition
real individual voices of directors focusing on form and content
french new wave |
|
|
Term
|
Definition
cinema that starts reflecting on itself.
french new wave |
|
|
Term
|
Definition
Directed Cleo from 9 to 5
said to be the first FRENCH NEW WAVE film |
|
|
Term
| Two FRENCH NEW WAVE pioneers? |
|
Definition
|
|
Term
|
Definition
Directed by Goddard
Guy obsessed with Henry Bodard |
|
|
Term
|
Definition
|
|
Term
|
Definition
Directed by Truffat
kids parents don't want him because he gets in trouble at school |
|
|
Term
Sandow The Strongman
The Kiss
Glenroy Bros |
|
Definition
|
|
Term
Exiting Factory
Arrival on Train
Feeding the Baby |
|
Definition
|
|
Term
| "if you can imagine it, you can film it" |
|
Definition
|
|
Term
Trip to the Moon
Music Lover
Infernal Boiling Pot
Man with the Rubber Head
The Living Playing Card
Fat and Lean Wrestling Match |
|
Definition
|
|
Term
| What is the difference between the kenetoscope and the kenetagraphe ? |
|
Definition
kenetoscope: viewing celluloid of film (nickelodeon)
kenetagraphe: camera used to film actualities |
|
|
Term
| What is similar to Film' d Art? |
|
Definition
| Autorrent film in Germany |
|
|
Term
| when do we first see nosferatu? |
|
Definition
|
|
Term
|
Definition
| two different actions happening at the same time |
|
|
Term
|
Definition
| longer and shorter cuts put together |
|
|
Term
|
Definition
|
|
Term
|
Definition
| uses shape for aesthetic purposes |
|
|
Term
|
Definition
made Aeuteur theory popular
resulted in Directors Guild |
|
|
