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| intaglio printmaking process in which acid bites around resin resulting in a print with a granular appearance |
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| an additive sculptural process |
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| sculptural process of pouring metal material into a mold |
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| the organization of all the formal elements in a work |
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| meaning of an image beyond its subject matter |
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| position of the human figure where the weight is distributed to one side in sculpture |
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| early form of photography |
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| direct or literal meaning of an image |
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| photographic develop techniques to control light & shadow |
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| intaglio printmaking process where a needle is pulled across the surface |
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| in printmaking the number of princes made by the artist from a single image |
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| raised decoration on the surface of an objects |
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| intaglio printmaking process where a sharp tool is used to incise the plate the resulting print is also called an engraving |
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| sculptural space large enough for he viewer to move around in |
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| intaglio printmaking process where a metal plate is coated then drawn upon and put into an acid bath. The print is also called an etching |
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| process of baking a clay object in a kiln to make ceramic |
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| sculpture where the figures and objects remain attached to a background and project off of it by at least half their normal depth. |
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| an "environment" that is indoors, usually sculpture with multiples |
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| form of printmaking where the line is incised into the surface of the printing plate, including aquatint, drypoint, etching, engraving, and mezzotint |
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| sculpture that can be experienced from all sides |
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| an oven used to make ceramics |
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| form of relief printmaking, similar to a woodcut in which a block of linoleum is carved to leave the image to be printed raised above the surface of the block. The print is also called a linocut |
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| printmaking process where a polished stone is drawn upon with a greasy material the surface is moistened and inked. The ink adheres to the greasy lines of the drawing, the design is transferred to a damp paper usually through a printing press |
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| sculpture where the figures and objects stay attached to a bakground and project off it by less than half their natural depth |
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| any solid that occupies a three-dimensional volume |
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| the combination of two or more media in a single work |
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| printmaking process in which only one impression or print is made |
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| multiple impressions made from a master image |
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| print made before the final edition is run so it may be examined and corrected |
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| sculpture where forms are attached to a background and project off of it in printmaking, process in which any area of the plate not to be printed is carved away, leaving only the original surface to be printed |
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| in sculpture in which a form is discovered by the removal of materials, such as carving |
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| relief printmaking process where a wooden block is carved so the parts not intended to print are cut away, leaving the design raised |
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| an existing object given a new identity as an artwork or part of an art work |
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