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Definition
| Jacobs Riis, How the Other Half Lives, 1890, right, 5 cents a spot, n. d.; left, This Man Slept in the Cellar for Four Years, ca. 1890 |
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| Lewis Hine, right, Ellis Island Madonna, 1905; left, Slovak on Ellis Island, 1905 |
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| Robert Henri, left, Derricks, North River, 1902; right, West 57th Street, 1902 |
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Definition
| John Sloan, Sunday, Women Drying their Hair, 1912 |
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| George Bellows, Pennsylvania Station Excavation, 1909 |
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| George Bellows, Both Members of this Club, 1909 |
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| George Luks, Hester Street, 1905 |
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| Alfred Stieglitz, The Flat Iron Building, Evening, 1905 |
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Definition
| Alfred Stieglitz, The Steerage, 1907 |
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| Max Weber, Chinese Restaurant, 1915 |
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| Stanton MacDonald-Wright, Conception Synchromy, 1914; self portrait, 1915 |
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Definition
| Joseph Stella, The Battle of Light, Coney Island, 1913 |
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Definition
| Marcel Duchamp, Nude Descending the Staircase, 1913 |
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| Charles Demuth, left, Dancing Sailors, 1917; right, Negro Jazz Band, 1916; |
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Definition
| Marcel Duchamp, Fountain, 1917 |
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| Diego Rivera: Man at the Crossroads, 1934, Mexico City; Rockefeller Center version destroyed 1933 |
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Definition
| Moses Soyer: Artists on the WPA, 1936 |
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Definition
| Ben Shahn: Passion of Sacco and Vanzetti, 1932 |
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Definition
| Phillip Evergood: American Tragedy, 1937 |
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| William Johnson: Nude, c. 1939 |
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Definition
| Jacob Lawrence: Harriet Tubman #7 1939-1940 |
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Definition
| Margaret Bourke-White with Erskine Caldwell, You Have Seen Their Faces, Happy Hollow, GA, 1936 |
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Definition
| Walker Evans with James Agee, Let Us Now Praise Famous Men, 1936: left, George Gudger; right, Allie Mae Burroughs |
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Definition
| Thomas Hart Benton, Pioneer Days and Early Settlers, State Capitol, Jefferson City, Missouri, 1936 |
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| Grant Wood, American Gothic, 1930 |
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| Edward Hopper, Early Sunday Morning, 1930 |
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| Edward Hopper, Automat, 1927 |
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| Left, Gerald Murphy, Razor, 1927; right, Stuart Davis, Lucky Stirke, 1921 |
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| Charles Demuth, My Egypt, 1927 |
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| Charles Sheeler, American Landscape, 1931 |
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| Arshile Gorky, left, The Liver is the Cox’s Comb, 1949; right, The Artist and His Mother, 1926; |
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Definition
| Jackson Pollock, Autumn Rhythm, 1950, and detail |
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| Alexander Calder, 1 Red, 4 Black plus X White, 1947 |
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| Tony Smith, left, Cigarette, 1961; bottom, Die, 1962; right, Donald Judd, Untitled, 1967 |
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| Mark Rothko, Orange and Tan, 1954; Hans Hoffman, right; Summer Night’s Dream, 1957 |
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| Richard Hamilton, Just what is it that makes today’s home so different, so appealing?, 1956 |
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| James Rosenquist, F-111, 1964-65. |
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| Andy Warhol, Red Race Riot, 1963 |
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| Richard Estes, top, Canadian Club, 1974; bottom, Circus Drive In 1971 |
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| George Segal, Gas Station, 1963-4; Duane Hanson, Race Riot (destroyed) 1968. |
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| Tom Wesselman, Great American Nudes #51, 1963; Bath Tub Collage, 1963 |
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| Judy Chicago, The Dinner Party, 1979 |
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| Betye Saar, The Liberation of Aunt Jemima, 1972 |
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| left, Jean-Michel Basquiat (with Andy Warhol), Untitled, 1984; Right, Keith Haring in the New York Subway, 1980-83; |
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| Jenny Holzer, Truisms, 1983 |
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| Mark Tansey, top, Triumph of the New York School, 1984; bottom, A Short History of Modernist Painting, 1979-80; |
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| Cindy Sherman, Untitled Film Still, 1979; History Portraits, 1989 |
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