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| the act of looking carefully and thinking deeply about what is seen |
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| a form, image, or subject representing a meaning other than the one with which it is usually associated. or something that stands for, or represents, something |
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| a positive shape. also a human form in a work of art |
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| the basic components, or building blocks used to create works of art |
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| a list of important facts about a work of art |
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| the empty spaces between the shapes or forms. negative shape. |
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| rules that govern how artists organize the elements of art |
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| the image viewers can easily identify in a work of art |
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| the message a work communicates. the _______ can relate to the subject matter or be in an idea or emotion. theme is another word for________ |
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| line, shape, form, space, color, value,texture |
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| list the 7 Elements of art |
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| movement, unity, proportion, harmony, emphasis, rythem, balance, variety |
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| list the 8 Principles of art |
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| artists name, title of work, year completed, medium used, size, location |
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| List the 6 pieces of a credit line in order |
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| A__________ _______ is the point on the horizon line, where receding parallel lines meet in a perspective drawing |
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| _____-______ ___________ is a technique in which objects in a drawing have three vanishing points-two on the horizon and one above or below it. |
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| the view point from which you made your first measurements |
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| ________-__________ _______________ is a technique for perspective in which the lines formed by the sides of the road, walk, or track seem to come together at a vanishing point on the horizon |
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| ________-_________ ______________ is a technique for perspective that shows different sets of receding lines converging, or meeting, at differant vanishing points |
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| the_________is a line that divides the sky from the ground or a body of water |
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| __________is a graphic system that creates the illusion of depth and volume on a two-dimensional surface. |
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| technique for creating the illusion of depth for three dimensional objects on a two-dimensional surface known as a picture plane. |
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| A single-paneled cartoon depicting a humorous situation, either with or without a caption |
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| illustrations ranging from one panel to a series of panels covering a variety of subjects from the humorous to the political |
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| outlined shapes, usually oval or rounded squares, that contain a character's dialogue or thoughts. |
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| sketches that indicate the general idea for finished cartoons, including the size, position, and relationship of images. |
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| words or phrases that describe the story or action occurring in an illustration |
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| the positioning of characters at extreme points of movement, usually marked by a change of direction |
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| a bound pad of paper containing a series of drawings that, when flipped, appear to have movement |
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| multi-paneled illustrations set up in a series that tell a story |
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| illustrations describing a series of camera shots depicting the staging and acting of the characters |
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| a series of drawings that are shot by a camera onto film and played back to give them a sense of movement |
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| drawings that exaggerate a person's features |
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| an art style that attempted to reproduce what the eye sees at a specific moment in time, rather than what the mind knows is there |
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| a dramatic, emotionally charged style of art created during the sixteenth century |
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| an art style that attempted to recapture the spirit and style of art created in ancient Greece and Rome |
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| An art movement that focused attention on the commercial products of contemporary culture |
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| an art style that rejected both ideal or classical subjects and dramatic action in favor of realistically rendered scenes of contemporary life |
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| An art style that used free graceful movement, s playful application of line and rich colors |
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| an art style that emphasized the expression of feelings and emotions in drawings and paintings completed in a spontaneous manner |
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| An art style that tried to express the world of dreams and subconscious workings of the mind |
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A period of great awakening that began in Italy during the fourteenth century.
_____________means rebirth |
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| an art style that rejected the use of recognizable subject matter and emphasized the spontaneous freedom of expression |
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| A group of artists who made realistic pictures of the most ordinary features of the contemporary scene |
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| An art style characterized by movement, sharp contrast and emotional intensity. |
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| an artistic style in which artists tried to show all sides of 3-D objects simultaneously on a flat surface |
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| an art movement that stressed the artist's need to communicate to viewers his or her emotional response to a subject |
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| An art movement that used bold, bright colors to express emotion |
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| Two-dimensional work of art consisting of bits and pieces of textured paper and pasted onto a painting |
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| a method of placing a freshly painted canvas rightside-up over a raised texture and scraping the surface of the paint. |
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| Surface that reflects a soft, dull light. Paper has a____________ _____________. Opposite of shiny |
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| a method of placing a freshly painted canvas rightside-up over a raised texture and scraping the surface of the paint. |
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| Element of art that refers to how things feel, or look as if they might feel if touched. _________is perceived by touch and sight. Objects can have rough or smooth texture and matte or shiny surfaces |
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| In weaving, crosswise threads that are carried over and under the warp threads |
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| Illusion of a 3-D surface based on the memory of how things feel. There are two types of visual texture: invented and simulated. Opposite of real texture. |
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| the technique of creating random texture patterns by pulling apart surfaces between which blobs of paint have been squeezed |
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| In weaving, lengthwise threads held in place on the loom and crossed by weft threads |
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| Art of making fabric by interlacing two sets of parallel threads, held at right angles to each other on s lom |
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